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Thomas Adès conducts Liszt, Adès and Tchaikovsky featuring pianist Kirill Gerstein

Thomas Adès conducts Liszt, Adès and Tchaikovsky featuring pianist Kirill Gerstein
Event on 2019-03-07 20:00:00
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Born in London in 1971, Thomas Adès studied piano and composition at the Guildhall School of Music and Drama, and read music at King's College, Cambridge.  Renowned as both a composer and a performer he works regularly with the world's leading opera companies and festivals.  

Recent conducting engagements include a tour with the Britten Sinfonia, concerts with the Chamber Orchestra of Europe and the Gulbenkian Orchestra as part of his Gulbenkian Foundation Residency, the London Symphony and Sao Paulo State Symphony Orchestras, his debut with the Royal Concertgebouw Orchestra, the Los Angeles Philharmonic, the City of Birmingham Symphony Orchestra, the Philharmonia Orchestra, Mariinsky Theatre Orchestra, the Royal Stockholm Philharmonic Orchestra, the BBC, Finnish and Danish Radio Symphony Orchestras, the Birmingham Contemporary Music Group (whose Music Director he was between 1998 and 2000), the London Sinfonietta, Ensemble Modern and the Athelas Ensemble.
He recently conducted productions of The Rake's Progress at the Royal Opera House Covent Garden and Zurich Opera.  His most recent piano engagements include a recital at Carnegie Hall with Ian Bostridge, and an appearance with Alan Gilbert and the New York Philharmonic. In 2010 he undertook a piano recital tour that included Carnegie Hall, and London's Barbican Centre featured the premiere of his new piano work Concert Paraphrase from Powder Her Face.  2010/11 saw Adès return to Australia as an artist in residence at the Melbourne Festival.  Future plans include concerts with the Accademia Santa Cecilia in Rome, Barry's "The Importance of Being Earnest" with the Birmingham Contemporary Music Group, and a piano recital at the Festival de Saint Denis.

Between 1993 and 1995 he was Composer in Association with the Hallé Orchestra, which resulted in The Origin of the Harp (1994) and These Premises Are Alarmed for the opening of the Bridgewater Hall in 1996. Asyla (1997) was a Feeney Trust commission for Sir Simon Rattle and the CBSO who performed it at Symphony Hall in August 1998 in Rattle's last concert as Music Director. From 1999-2008 he was Artistic Director of the Aldeburgh Festival.

Adès' first opera, Powder Her Face (commissioned by Almeida Opera for the Cheltenham Festival in 1995), has been performed all around the world, was televised by Channel Four, and is available on a DVD as well as an EMI CD. Most of the composer's music has been recorded by EMI, with whom Adès has a contract as composer, pianist and conductor. Adès' second opera, The Tempest, was commissioned by the Royal Opera House and was premiered under the baton of the composer to great critical acclaim in February 2004. It was revived at Covent Garden in 2007 – again with the composer conducting and to a sold-out house – and has also been performed in Copenhagen, Strasbourg and Santa Fe. Recently released to outstanding reviews, The Tempest is also available on an EMI CD and in France, the disc was recently awarded the prestigious Diapason d'Or de l'année and the 2010 Classical Brit Award for Composer of the Year. In September 2005 his violin concerto, Concentric Paths, written for Anthony Marwood, was premiered at the Berliner Festspiele and the BBC Proms, with the Chamber Orchestra of Europe under his baton. His second orchestral work for Simon Rattle, Tevot, (2007) was commissioned by the Berliner Philharmoniker and Carnegie Hall. 

Appointed to the Richard and Barbara Debs Composer Chair at Carnegie Hall for 2007/8, he was featured as composer, conductor and pianist throughout that season.  Adès' most recent works include a 'Piano concerto with moving image' entitled In Seven Days, a collaboration with video artist Tal Rosner, commissioned by the Los Angeles Philharmonic and London's Southbank Centre and Lieux Retrouvés, a work for 'cello and piano written for Steven Isserlis and commissioned by Aldeburgh Festival and Wigmore Hall.

Adès' music has attracted numerous awards and prizes, including the prestigious Grawemeyer Award (in 2000, for Asyla), of which he is the youngest ever recipient. View biography in full page >

The multifaceted pianist Kirill Gerstein is rapidly ascending into classical music's highest ranks. With a masterful technique, discerning intelligence, and a musical curiosity that has led him to explore repertoire spanning centuries and numerous styles, he has proven to be one of today's most intriguing and versatile musicians.

Mr. Gerstein is the sixth recipient of the prestigious Gilmore Artist Award, presented every four years to an exceptional pianist who, regardless of age or nationality, possesses broad and profound musicianship and charisma and who desires and can sustain a career as a major international concert artist. Since receiving the award in 2010, Mr. Gerstein has shared his prize through the commissioning of boundary-crossing new works by Oliver Knussen, Chick Corea, Brad Mehldau, Timothy Andres and Alexander Goehr. Mr. Gerstein was also awarded First Prize at the 2001 Arthur Rubinstein Piano Competition in Tel Aviv, received a 2002 Gilmore Young Artist Award and a 2010 Avery Fisher Grant.

Highlights of his 2015-16 season in North America include performances of Scriabin's Prometheus: Poem of Fire with Ricardo Muti and the Chicago Symphony, Rachmaninoff Concerto No. 2 with Semyon Bychkov and the Berlin Philharmonic, Rachmaninoff Concerto No. 1 with the Cleveland Orchestra, and playing both of George Gershwin's piano concertos in the original jazz-band version to open New York's 92nd Street Y's 15/16 season; re-engagements with the Los Angeles Philharmonic as well as with the Toronto, Cincinnati, Dallas, Houston, Colorado, Utah and Oregon symphonies and the National Arts Centre Orchestra; a tour to Australia and New Zealand; his debut with the Royal Concertgebouw with concerts in Amsterdam and Frankfurt; a European tour with the Czech Philharmonic; and recitals in New York and Houston.

Kirill Gerstein's recent North American engagements include performances with the New York Philharmonic, the Philadelphia and Minnesota Orchestras, and the Boston, St. Louis, San Francisco, Atlanta, Baltimore, Detroit, Indianapolis and Montreal symphonies among others. He has also recently appeared at the Aspen Music Festival, Santa Fe Chamber Music Festival, Chicago's Grant Park, Tanglewood with the Boston Symphony, Blossom with the Cleveland Orchestra, and with the Philadelphia Orchestra at the Bravo! Vail Valley Festival, Mann Music Center and Saratoga; and performed in recital at New York's 92nd St. Y and Zankel Hall at Carnegie Hall, the Kennedy Center and in Boston, Toronto, Berkeley, Vancouver, Detroit, Miami and Princeton.

Internationally, Kirill Gerstein has played with such prominent European orchestras as the Czech, Munich, Rotterdam and London Philharmonics, the City of Birmingham Symphony Orchestra, Deutsches Symphonie-Orchester Berlin, Dresden Staatskappelle, Finnish Radio Orchestra, Tonkünstler Orchestra Vienna, WDR Symphony Orchestra Cologne and the Zurich Tonhalle, as well as with the NHK Symphony Orchestra in Tokyo. He has performed recitals in Paris, Prague, Hamburg, London's Wigmore Hall and Queen Elizabeth Hall, and at the Liszt Academy in Budapest. He made his Salzburg Festival debut playing solo and two piano works with Andras Schiff and has also appeared at the Lucerne and Jerusalem Chamber Music Festivals as well as at the Proms in London.

Mr. Gerstein's second solo recording featuring Mussorgsky's Pictures at an Exhibition and Schumann's Carnaval was released by Myrios Classics in June 2014. His first solo recording with works by Schumann, Liszt and Oliver Knussen, also for Myrios, was chosen by The New York Times as one of the best recordings of 2010. He also collaborated with Tabea Zimmerman on two recordings of sonatas for viola and piano for Myrios, released in February 2011 and November 2012. His most recent recording of the Tchaikovsky Piano Concerto No. 1 and the Prokofiev Piano Concerto No. 2 with the Deutsches Symphonie-Orchester Berlin was released by Myrios in March 2015 and is the first recording using the new critical edition recently completed by the Tchaikovsky Museum in Moscow using the composer's original second version.

Born in 1979 in Voronezh, Russia, Mr. Gerstein studied piano at a special music school for gifted children and taught himself to play jazz by listening to his parents' extensive record collection. At the age of 14, he came to the United States to study jazz piano as the youngest student ever to attend Boston's Berklee College of Music. After completing his studies in three years and following his second summer at the Boston University program at Tanglewood, Mr. Gerstein turned his focus back to classical music and moved to New York City to attend the Manhattan School of Music, where he studied with Solomon Mikowsky and earned both Bachelors and Masters of Music degrees by the age of 20. He continued his studies in Madrid with Dmitri Bashkirov and in Budapest with Ferenc Rados.

Mr. Gerstein became an American citizen in 2003 and divides his time between the United States and Germany.

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Shi-Yeon Sung conducts Mendelssohn and Dvo?ák featuring pianist Ingrid Fliter

Shi-Yeon Sung conducts Mendelssohn and Dvo?ák featuring pianist Ingrid Fliter
Event on 2019-01-05 20:00:00
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Argentine pianist Ingrid Fliter has won the admiration and hearts of audiences around the world for her passionate yet thoughtful and sensitive music making played with an effortless technique. Winner of the 2006 Gilmore Artist Award, one of only a handful of pianists and the only woman to have received this honor, Ms. Fliter divides her time between North America and Europe. She made her American orchestral debut with the Atlanta Symphony, just days after the announcement of her Gilmore Award. Since then she has appeared with the Cleveland Orchestra, the San Francisco, Toronto, St. Louis, Detroit, National, Cincinnati, Milwaukee, Seattle, Vancouver, Puerto Rico, Utah, and Nashville symphonies, and the National Arts Centre Orchestra among others, as well as at the Mostly Mozart, Grant Park, Aspen, Ravinia, Blossom and Brevard summer festivals. She was also the featured soloist on the Youth Orchestra of the Americas Canadian tour in summer 2015. Equally busy as a recitalist, Ms. Fliter has performed in New York at Carnegie's Zankel Hall, the Metropolitan Museum, and the 92nd Street Y; at Chicago's Orchestra Hall; and in Boston, San Francisco, Vancouver, and Detroit, as well as for the Van Cliburn Foundation in Fort Worth. In Europe and Asia, Ms. Fliter has performed with orchestras and in recital in Amsterdam, London, Berlin, Frankfurt, Salzburg, Cologne, and Tokyo, and participated in festivals such as La Roque D'Antheron, Prague Autumn, and The World Pianist Series in Tokyo. Recent international engagements include appearances with the Rotterdam, Israel, Hong Kong, Monte Carlo, Osaka, Helsinki, and Royal Stockholm Philharmonics, the Philharmonia, Royal Philharmonic Orchestra, BBC Symphony, and the Proms in London, as well as the City of Birmingham Symphony Orchestra, Danish Radio, and Danish National Symphony Orchestras and the Scottish and Swedish Chamber Orchestras; a fourth tour of Australia; and recitals in Paris, Barcelona, Milan, Prague, Stockholm, Lisbon, Sydney, and London at both Wigmore Hall and Queen Elizabeth Hall. Highlights of Ingrid Fliter's 16/17 season include re-engagements with the Minnesota Orchestra and the Atlanta, Dallas, Houston, and New World symphonies and a first appearance with the Rochester Philharmonic; her Philadelphia recital debut; and a tour of Spain with the Royal Scottish National Orchestra led by Peter Oundjian. Born in Buenos Aires in 1973, Ingrid Fliter began her piano studies in Argentina with Elizabeth Westerkamp. In 1992 she moved to Europe where she continued her studies in Freiburg with Vitaly Margulis, in Rome with Carlos Bruno, and with Franco Scala and Boris Petrushansky at the Academy "Incontrui col Maestro" in Imola, Italy. Ms. Fliter began playing public recitals at the age of 11 and made her professional orchestra debut at the Teatro Colon in Buenos Aires at the age of 16. Already the winner of several Argentine competitions, she went on to win prizes at the Cantu International Competition and the Ferruccio Busoni Competition in Italy and in 2000 was awarded the silver medal at the Frédéric Chopin Competition in Warsaw. She has been teaching at the Imola International Academy "Incontri col Maestro" since the fall of 2015. In June 2013 Ms. Fliter recorded both Chopin concertos with the Scottish Chamber Orchestra/Jun Märkl for Linn Records, and in June 2014 she recorded the complete Chopin Preludes for the same label. Her two all-Chopin recordings for EMI earned her the reputation as one of the pre-eminent interpreters of that composer while her most recent EMI recording is an all-Beethoven CD featuring the Pathétique and Appassionata sonatas. Live recordings of Ms. Fliter performing works by Beethoven and Chopin at the Concertgebouw in Amsterdam as well as a DVD of a recital at the Miami International Piano Festival are available on the VAI Audio label. Her most recent recording features the first Mendelssohn and Schumann concertos with the Scottish Chamber Orchestra for Linn Records.

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John Storgårds conducts Saariaho, Mozart and Sibelius featuring pianist Martin Helmchen

John Storgårds conducts Saariaho, Mozart and Sibelius featuring pianist Martin Helmchen
Event on 2019-01-26 20:00:00
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Chief Guest Conductor of the BBC Philharmonic Orchestra, Principal Guest Conductor of Canada's National Arts Centre Orchestra Ottawa and Artistic Partner of the Münchener Kammerorchester, John Storgårds has a dual career as a conductor and violin virtuoso and is widely recognised for his creative flair for programming. He additionally holds the title of Artistic Director of the Chamber Orchestra of Lapland.

Storgårds appears with such orchestras as WDR Sinfonieorchester Köln, Bamberger Symphoniker, Gewandhausorchester Leipzig, Rundfunk-Sinfonieorchester Berlin, Orchestre Philharmonique de Radio France, Orchestre National de France, Orchestra Sinfonica Nazionale della RAI, BBC Symphony Orchestra as well as all the major Nordic orchestras including Helsinki Philharmonic Orchestra where he was Chief Conductor 2008-2015. Further afield, he appears with the Sydney, Melbourne and NHK Symphonies as well as the Boston, St Louis, Toronto and Vancouver Symphony Orchestras, the Cleveland Orchestra and the New York Philharmonic. Soloists with whom he collaborates include Yefim Bronfman, Sol Gabetta, Håkan Hardenberger, Kari Kriikku, Gil Shaham, Baiba Skride, Christian Tetzlaff, Jean-Yves Thibaudet and Frank Peter Zimmermann.

Storgårds's vast repertoire includes all symphonies by Sibelius, Nielsen, Bruckner, Brahms, Beethoven, Schubert and Schumann. He gave a historical cycle of all 54 symphonies by Mozart (including the unnumbered works) and conducted Finnish premieres of Schumann's only opera 'Genoveva', his early 'Zwickau' symphony, plus world premieres of Sibelius' Suite op. 117 for violin and strings and the Late Fragments. As a violinist, Storgårds gave the Finnish premiere of Schumann's own violin version of the cello concerto and his Violin Sonata No 3. Storgårds regularly performs world premieres of works by contemporary composers such as Kaija Saariaho, Brett Dean, Per Nørgård and P?teris Vasks. Many of these composers have dedicated their works to him. In opera he conducted the Finnish premiere of Haydn's Orlando Paladino at the Finnish National Opera, a production which remains one of the most successful in Finland. He conducted major titles by Strauss, Verdi and most Mozart operas. Recently he led a new production by Paul-Emile Fourny of Mozart's Don Giovanni at the Savonlinna Opera Festival.

Highlights of his 2017/18 season include Storgårds' return to the BBC Proms with the BBC Philharmonic Orchestra. He will give debut appearances with the Chicago Symphony Orchestra, Radio-Symphonieorchester Wien at Vienna's prestigious Musikverein and with the London Philharmonic Orchestra at Royal Festival Hall. Following their recent touring success, Storgårds is taking the Chamber Orchestra of Lapland on tour to Ottawa. In opera Storgårds will give the world premiere of Sebastian Fagerlund's new opera Höstsonaten – Autumn Sonata at the Finnish National Opera with Anne Sofie von Otter in the leading role of Charlotte.

Storgårds' award winning discography includes recordings of works by Schumann, Mozart, Beethoven and Haydn but also rarities by Holmboe and Vasks' featuring him as soloist. Two cycles of symphonies by Sibelius (2014) and Nielsen (2015) with the BBC Philharmonic were released to critical acclaim by Chandos. Their latest recording, released earlier this year, includes works by American avant-garde composer George Antheil. Other successes include discs of works by Nørgård, Korngold and Rautavaara, the latter receiving a Grammy nomination and a Gramophone Award in 2012. Storgårds's recording with the Chamber Orchestra of Lapland of concertos for theremin and horn by Kalevi Aho received the distinguished ECHO Klassik award in 2015.

Storgårds studied violin with Chaim Taub and subsequently became concert master of the Swedish Radio Symphony Orchestra under Esa-Pekka Salonen, before studying conducting with Jorma Panula and Eri Klas. He received the Finnish State Prize for Music in 2002 and the Pro Finlandia Prize 2012. View biography in full page >

With his highly virtuosic yet unpretentious style, Martin Helmchen has become one of the great pianists of his generation. Born in 1982, he has made a series of sensational U.S. orchestral debuts, beginning in 2011 at Tanglewood, playing the Schumann Concerto with the Boston Symphony Orchestra under Christoph von Dohnányi. In 2014, with the New York Philharmonic at Lincoln Center, he gave a revelatory performance of the Dvorák Piano Concerto; in 2015, he made his Symphony Hall debut, performing Beethoven's Concerto No. 5 with the Boston Symphony Orchestra; and in 2016, he performed with the Chicago Symphony Orchestra, playing Beethoven's Piano Concerto No. 2. This past season, he debuted with the Mostly Mozart Festival Orchestra at Lincoln Center under Thierry Fischer, performing Mozart's Piano Concerto No. 25. During the 2017/2018 season, he will make debuts with both the San Diego and Kansas City symphonies.

Mr. Helmchen has also appeared with the symphonies of Dallas, Grand Rapids, Houston, Portland (Oregon), Saint Louis, and San Francisco, as well as with the Cleveland Orchestra at Blossom. In May 2014, he made a highly acclaimed recital debut at the Kennedy Center in Washington, D.C.

Among Martin Helmchen's worldwide highlights are performances with the Berlin Philharmonic, Leipzig Gewandhaus Orchestra, London Philharmonic, Orchestre de Paris, Vienna Philharmonic, and the NHK Symphony in Japan. Other international engagements include the City of Birmingham Symphony, Frankfurt Radio Symphony, Gürzenich-Orchester/Cologne, Orchestre Philharmonique de Monte-Carlo, Philharmonia Orchestra/London, Prague Symphony, and the Swedish Chamber Orchestra. Artist-in-Residence with the Zurich Tonhalle Orchestra during the 2011/2012 season, he has also appeared with the BBC/London, Bournemouth Symphony, Deutsche Kammerphilharmonie/Bremen, Dresden Philharmonic, DSO/Berlin, Hallé Orchestra/Manchester, Giuseppe Verdi Symphony/Milan, NDR/Hamburg, Netherlands Philharmonic, Orchestre National de Lyon, Orchestre National de France, Royal Stockholm Philharmonic, Rotterdam Philharmonic, RSO/Berlin, Scottish Chamber Orchestra, and the Stuttgart Radio Orchestra, among others. In France, he tours with La Chambre Philharmonique under Emmanuel Krivine.

Mr. Helmchen has collaborated with such renowned conductors as David Afkham, Marc Albrecht, Herbert Blomstedt, Semyon Bychkov, Christoph von Dohnányi, Sir Mark Elder, Lawrence Foster, Edward Gardner, Valery Gergiev, Hans Graf, Manfred Honeck, Philippe Herreweghe, Pablo Heras-Casado, Marek Janowski, Michail Jurowski, Vladimir Jurowski, Bernhard Klee, Jiri Kout, Sir Neville Marriner, the late Kurt Masur, Andris Nelsons, Sir Roger Norrington, Andrés Orozco-Estrada, Christoph Poppen, Markus Poschner, Michael Sanderling, Heinrich Schiff, Marcus Stenz, Krzysztof Urbanski, Gilbert Varga, and David Zinman, to name a few.

Also an enthusiastic recitalist, Martin Helmchen has performed at prestigious venues around the world, such as The Frick Collection/New York, Carnegie's Weill Recital Hall (with cellist Marie-Elisabeth Hecker), the Coast Recital Society, San Francisco Performances, ArtSpring, the Wigmore Hall/London, and the Alte Oper in Frankfort. He also appears regularly at major German festivals, we well as the Schubertiade, Lockenhaus, and Marlboro. In 2017, he will be artist in residence at Germany's Schwetzingen SWR Festival.

With a passion for chamber music, largely ignited by his early collaborations with the late cellist Boris Pergamenschikow, Mr. Helmchen now performs regularly with Heinrich Schiff and Marie-Elisabeth Hecker. Other partners include Juliane Banse, Veronika Eberle, Julia Fischer (with whom he is on tour in Asia during the current season), Sharon Kam, Gidon Kremer, Sabine Meyer, Christian Tetzlaff, Lars Vogt, and Tabea Zimmermann. Since 2010, he has been an Associate Professor of chamber music at the Kronberg Academy. Last summer he was invited to return to Elena Bashkirova's International Chamber Music Festival in Jerusalem.

An active recording artist, Martin Helmchen's debut disc of Mozart concertos with the Netherlands Chamber Philharmonic was released in September 2007 through his exclusive contract with PentaTone. A second Mozart concerto disc with the same orchestra was released in 2013. His first solo CD, a recording of works by Schubert, won an ECHO Award in 2009. Other discs for PentaTone include the Mendelssohn concertos, the Schumann and Dvorák concertos, and the highly acclaimed complete works of Schubert for violin and piano with Julia Fischer.

Mr. Helmchen studied at the Hochschule für Musik Hanns Eisler in Berlin with Galina Iwanzowa, at the Hochschule für Musik und Theater in Hanover with Arie Vardie, and with William Grant Naboré. His career took off when he won the 2001 Clara Haskil International Piano Competition at the age of nineteen. Other distinctions include a fellowship from the Borletti-Buitoni Trust in 2005; the Credit Suisse Young Artist Award in 2006 (culminating in his debut with the Vienna Philharmonic Orchestra under Valery Gergiev at the Lucerne Festival); and soloist in the "BBC New Generation Artists" program from 2005 to 2007.

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Sir Andrew Davis conducts Harbison, Mozart and Vaughan Williams featuring pianist Alessio Bax

Sir Andrew Davis conducts Harbison, Mozart and Vaughan Williams featuring pianist Alessio Bax
Event on 2019-01-10 20:00:00
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Sir Andrew Davis has served as music director and principal conductor of Lyric Opera of Chicago since 2000. Davis's contract with Lyric Opera was recently extended through the 2020-2021 season. Maestro Davis was recently named chief conductor of the Melbourne Symphony Orchestra beginning in January 2013, and he is conductor laureate of the Toronto Symphony Orchestra (having previously served as principal conductor), conductor laureate of the BBC Symphony Orchestra (having previously had the longest tenure as chief conductor since BBCSO founder Sir Adrian Boult) and former music director of Glyndebourne Festival Opera.

In the 2012-2013 Lyric Opera season he conducts Strauss's Elektra, Verdi's Simon Boccanegra, Massenet's Werther, and Wagner's Die Meistersinger von Nürnberg. His engagements elsewhere in 2012-2013 include Melbourne Symphony Orchestra, Toronto Symphony Orchestra, the Liceu in Barcelona (Rusalka), BBC Symphony Orchestra, Detroit Symphony Orchestra, Cincinnati Symphony Orchestra, St. Louis Symphony Orchestra, the Bergen Philharmonic, Orchestre de l'opera de la Bastille, and Glyndebourne Festival Opera (Billy Budd) . Additionally, Sir Andrew will spend several weeks recording for Chandos Records.

In the 2011-2012 season Sir Andrew conducted Boris Godunov, Ariadne auf Naxos, and The Magic Flute at Lyric Opera of Chicago, as well as a subscriber appreciation concert featuring soprano Renée Fleming (Lyric's creative consultant) and baritone Dmitri Hvorostovsky. 2011-2012 also saw Maestro Davis on the podium with the Melbourne Symphony Orchestra, the Chicago Symphony Orchestra, the Cleveland Symphony Orchestra, the BBC Philharmonic, the Toronto Symphony Orchestra, the Royal Scottish National Orchestra, the BBC Symphony Orchestra, the Philharmonia Orchestra in London and the symphonies of Rotterdam, Bergen and Bamberg, as well as the Metropolitan Opera (Don Giovanni) and the Canadian Opera Company (A Florentine Tragedy/Gianni Schicci). He finished out the season last summer with performances of Arabella at the Santa Fe Opera and performances of Delius's A Mass of Life for the opening of the Edinburgh International Festival.

With the BBC Symphony Orchestra, Maestro Davis has led concerts at the Proms and on tour to Hong Kong, Japan, the U.S., and Europe. He has conducted all of the world's major orchestras, from the Chicago Symphony Orchestra to the Berlin Philharmonic and the Royal Concertgebouw, as well as at opera houses and festivals throughout the world, including the Metropolitan Opera, La Scala, and the Bayreuth Festival.

Maestro Davis has a massive discography on the Chandos, Decca, Deutsche Grammophon, Warner Classics International, Capriccio, EMI, and CBS labels, among others. Sir Andrew currently records exclusively for Chandos Records.

Sir Andrew's recording of Symphonies Nos. 1 & 2 of York Bowen was nominated for a Grammy in 2011 for Best Orchestral Performance. In 2008, Sir Andrew released Elgar's Violin Concertos, featuring violinist James Ehnes and London's Philharmonia Orchestra (Onyx Classics), which won Gramophone's coveted "Best of Category – Concerto" Award. Recordings in 2007 included Beethoven's Violin Concerto with violinist Min-Jyn Kim and the Philharmonia Orchestra (Sony); a solo recital of operatic favorites sung by soprano Nicole Cabell with the London Philharmonic Orchestra (Decca), which in 2008 won the Solti Prize from the French Académie du Disque Lyrique; and Liszt's Piano Concerto No. 1 and Chopin's Piano Concerto No. 1 with pianist Yundi Li and the Philharmonia Orchestra (Deutsche Grammophon).

In 1992, Maestro Davis was created a Commander of the British Empire for his services to British music, and in 1999 he was made a Knight Bachelor in the New Year Honours List. In 1991, he received the Royal Philharmonic Society/Charles Heidsieck Music Award. In June of 2012, he received an honorary Doctorate of Fine Arts from Knox College in Galesburg, Illinois.

Born in 1944 in Hertfordshire, England, Maestro Davis studied at King's College, Cambridge, where he was an organ scholar before taking up the baton. His diverse repertoire ranges from Baroque to contemporary, and his vast conducting credits span the symphonic and operatic and choral worlds. Sir Andrew is a great proponent of twentieth century works including those by Janácek, Messiaen, Boulez, Elgar, Tippett, and Britten, in addition to the core symphonic and operatic composers' works.

Maestro Davis and his wife, soprano Gianna Rolandi, reside in Chicago where she is the director of The Patrick G. and Shirley W. Ryan Opera Center at Lyric Opera of Chicago. View biography in full page >

Combining exceptional lyricism and insight with consummate technique, Alessio Bax is without a doubt "among the most remarkable young pianists now before the public" (Gramophone).He catapulted to prominence with First Prize wins at both the Leeds and Hamamatsu International Piano Competitions, and is now a familiar face on four continents, not only as a recitalist and chamber musician, but as a concerto soloist who has appeared with more than 100 orchestras, including the London and Royal Philharmonic Orchestras, Dallas and Cincinnati Symphonies, NHK Symphony in Japan, St. Petersburg Philharmonic with Yuri Temirkanov, and the City of Birmingham Symphony with Sir Simon Rattle.

After inaugurating a new three-year appointment as Artistic Director of Tuscany's Incontri in Terra di Siena festival in summer 2017, Bax launches Chamber Music Society of Lincoln Center's 2017-18 season in company with his wife and fellow pianist, Lucille Chung. Further highlights of his full season include a pair of high-profile U.S. duo recital tours with violinist Joshua Bell and flutist Emmanuel Pahud, respectively; UK solo recitals at London's Wigmore Hall and the Leeds Piano Festival; collaborations with U.S. orchestras from the Minnesota Orchestra to the North Carolina Philharmonic, on concertos by Gershwin, Grieg, Rachmaninov, Saint-Saëns, and Schumann; return engagements in Yerevan with the Armenian Philharmonic and in Hong Kong; and Signum Classics' release of his recording of Beethoven's "Emperor" concerto with the Southbank Sinfonia, paired with rarely heard solo works by the master composer.

The 2016-17 season saw Bax return to the Vancouver Symphony for MacDowell's Second Piano Concerto with Bramwell Tovey, and step in at the eleventh hour to play Brahms's Second Piano Concerto with the Cincinnati Symphony under Sir Andrew Davis, in what proved "the most exciting debut in recent memory" (Cincinnati Enquirer). He also gave three performances at the Wigmore Hall, including his solo recital debut, which aired live on BBC Radio 3, and a duo recital with his regular collaborator, Berlin Philharmonic concertmaster Dashin Kashimoto, by way of a coda to their extensive Asian tour. Other highlights of recent seasons include Mozart with the Los Angeles Chamber Orchestra under Hans Graf; Rachmaninov with London's Southbank Sinfonia led by Vladimir Ashkenazy; his Minnesota Orchestra debut under Andrew Litton; a return to the Dallas Symphony for Barber under Jaap van Zweden; season-opening appearances with the Colorado Symphony; and concerts at L.A.'s Disney Hall, Washington's Kennedy Center, and New York's Carnegie Hall. In 2009, the pianist was awarded an Avery Fisher Career Grant, and four years later he received both the Andrew Wolf Chamber Music Award and Lincoln Center's Martin E. Segal Award, which recognizes young artists of exceptional accomplishment. 

Bax is a staple on the international summer festival circuit, and has performed at the Verbier Festival in Switzerland; England's International Piano Series and Aldeburgh and Bath festivals; the Risør Festival in Norway; and the Moritzburg Festival, Ruhr Klavier-Festival, and Beethovenfest Bonn in Germany. In the U.S., he makes regular appearances at New York's Bard Music Festival, the Great Lakes Chamber Music Festival, the Bravo! Vail festival, Mimir Chamber Music Festival, Minnesota's Beethoven Festival, Seattle Chamber Music Festival, Music@Menlo, Santa Fe Chamber Music Festival, Bridgehampton Chamber Music Festival, and Kentucky's Chamber Music Festival of Lexington. He has given recitals at New York's Lincoln Center and other major music halls around the world, including those of Rome, Milan, Bilbao, Madrid, Paris, London, Tel Aviv, Tokyo, Seoul, Hong Kong, Buenos Aires, Mexico City, and Washington, DC. As a chamber musician, Bax has collaborated with Emanuel Ax, Sol Gabetta, Steven Isserlis, Nicholas Phan, Paul Watkins, Jörg Widmann, and the Emerson String Quartet, among many others.

Bax's celebrated discography for Signum Classics includes Beethoven's "Hammerklavier" and "Moonlight" Sonatas (a Gramophone  "Editor's Choice"); Bax & Chung,  a duo disc with Lucille Chung that includes Stravinsky's original four-hand version of the ballet Pétrouchka as well as music by Brahms and Piazzolla; Alessio Bax plays Mozart,  comprising Piano Concertos K. 491 and K. 595 with London's Southbank Sinfonia and Simon Over; Alessio Bax: Scriabin & Mussorgsky (named "Recording of the Month … and quite possibly my recording of the year" by MusicWeb International); Alessio Bax plays Brahms  (a Gramophone  "Critics' Choice"); Bach Transcribed; and Rachmaninov: Preludes & Melodies (an American Record Guide  "Critics' Choice 2011"). Recorded for Warner Classics, his Baroque Reflections album was also a Gramophone  "Editor's Choice."He performed Beethoven's "Hammerklavier" Sonata for maestro Daniel Barenboim in the PBS-TV documentary Barenboim on Beethoven: Masterclass,  available as a DVD boxed set on the EMI label. 

Alessio Bax graduated with top honors at the record age of 14 from the conservatory of Bari, his hometown in Italy, where his teacher was Angela Montemurro. He studied in France with Francois-Joël Thiollier and attended the Chigiana Academy in Siena under Joaquín Achúcarro. In 1994 he moved to Dallas to continue his studies with Achúcarro at SMU's Meadows School of the Arts, where, with Lucille Chung, he is now the Johnson-Prothro Artist-in-Residence. He also serves with Chung as co-artistic director of Dallas' Joaquín Achúcarro Foundation, created to cultivate the legacy of the Basque pianist and to support young pianists' careers. A Steinway artist, Bax resides in New York City with Chung and their three-year-old daughter, Mila. Outside the concert hall he is known for his longtime obsession with fine food; as a 2013 New York Times profile noted, he is not only notorious for hosting "epic" multi-course dinner parties, but often spends his intermissions dreaming of meals to come.

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Ken-David Masur conducts Harbison, Rachmaninoff and Prokofiev featuring pianist Garrick Ohlsson

Ken-David Masur conducts Harbison, Rachmaninoff and Prokofiev featuring pianist Garrick Ohlsson
Event on 2018-10-19 13:30:00
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Ken-David Masur — who has been hailed as "fearless, bold, and a life-force" (San Diego Union-Tribune) and "a brilliant and commanding conductor with unmistakable charisma" (Leipzig Volkszeitung), begins the 2017/18 season leading the Boston Symphony Orchestra at Tanglewood in a program of Aaron Jay Kernis, Prokofiev and Tchaikovsky, and an end-of-summer return to lead the Los Angeles Philharmonic at the Hollywood Bowl in Dvorak 9 and the world premiere of Alan Fletcher's new piano concerto. The fall brings performances of a new production of Moto Osada's chamber opera Four Nights of Dream  at the Japan Society in New York and at the Tokyo Bunka Kaikan, followed by a subscription week of Beethoven's Egmont Overture and a new, staged production of Grieg's Peer Gynt created especially for the Boston Symphony (writer/Director Bill Barclay) with the Tanglewood Festival Chorus, Soprano Camilla Tilling, and stage actors at Symphony Hall. Ken also attends the Beethoven Symposium as part of the opening weekend of the International Kurt Masur Institute together with Anne-Sophie Mutter, Lambert Orkis, Peter Gülke, and Michael Ladenburger, at the newly created institute as well as at the Gewandhaus.

Other guest engagements in 2017/18 include weeks with the Milwaukee, Colorado, and Portland (ME) Symphonies, and returns to the Munich Symphony, where he is Principal Guest Conductor, and to the Yomiuri Nippon Symphony Orchestra in Japan.

Masur also led the Boston Symphony at Tanglewood last season (Tchaikovsky 6 and Strauss' Four Last Songs with Renée Fleming) as well as the L.A. Philharmonic (Beethoven Symphony No. 5 and Korngold violin Cto. with Gil Shaham), and guested at the Orchestre National de France in Paris in a program with Anne-Sophie Mutter, and in Germany, Korea, and Moscow.  As a sought-after leader and educator of younger players, Ken-David conducted and participated in training sessions with the Chicago Civic Orchestra, BUTI, New England Conservatory, and the Tanglewood Music Center Orchestra last season.

Associate Conductor of the Boston Symphony, Ken-David Masur and his wife Melinda Lee Masur are founders and Artistic Directors of the Chelsea Music Festival, an annual two-week long multi-media production of music, art, and cuisine which in June, 2017 presented its 8th season in New York.  Its productions are varied and internationally themed, always including premieres of new works by young and established composers — a celebration of the arts and senses called "a gem of a series" by the New York Times, which frequently features the Festival amongst its Best Classical picks of the season.

Masur's previous appointments include Associate Conductor of the San Diego Symphony, Assistant Conductor of the Orchestre National de France in Paris from 2004-2006, and Resident Conductor of the San Antonio Symphony in 2007.  In 2011, he was the recipient of the Seiji Ozawa Conducting Fellowship at Tanglewood, where he was invited to return as a Fellow in 2012.  He has had guest engagements with the Dresden, Israel, and Japan Philharmonics; with the Orchestre National de Toulouse, and the Hiroshima, Omaha, and Memphis Symphonies. 

Ken-David Masur received his B.A. from Columbia University in New York City. From 1999- 2002 he served as the first Music Director of the Bach Society Orchestra and Chorus there, which toured Germany and released a critically acclaimed album of symphonies and cantatas by W.F. Bach, C.P.E. Bach and J.S. Bach. He received further music studies at the Leipzig Conservatory, the Detmold Academy, the Manhattan School of Music and the "Hanns Eisler" Conservatory in Berlin, where he was a five-year master student of Bass-Baritone Thomas Quasthoff.

Masur studied conducting primarily with his father Kurt Masur and has been further mentored by conductors such as Stefan Asbury, Christoph von Dohnányi, Charles Dutoit, Jorma Panula, Larry Rachleff and Christopher Seaman. He won a GRAMMY nomination from the Latin Recording Academy in the category Best Classical Album of the Year for his work as a producer of the album Salon Buenos Aires. View biography in full page >

Since his triumph as winner of the 1970 Chopin International Piano Competition, pianist Garrick Ohlsson has established himself worldwide as a musician of magisterial interpretive and technical prowess. Although long regarded as one of the world's leading exponents of the music of Frédéric Chopin, Mr. Ohlsson commands an enormous repertoire, which ranges over the entire piano literature. A student of the late Claudio Arrau, Mr. Ohlsson has come to be noted for his masterly performances of the works of Mozart, Beethoven and Schubert, as well as the Romantic repertoire. To date he has at his command more than 80 concertos, ranging from Haydn and Mozart to works of the 21st century, many commissioned for him. This season that vast repertoire can be sampled in concerti ranging from Rachmaninoff's popular Third and rarely performed Fourth, to Brahms Nos. 1 and 2, Beethoven, Mozart, Grieg and Copland in cities including Philadelphia, Atlanta, Detroit, Dallas, Miami, Toronto, Vancouver, San Francisco, Liverpool, and Madrid ending with a spring US West Coast tour with the St. Petersburg Philharmonic conducted by Yuri Temirkanov. In recital he can be heard in LA's Walt Disney Concert Hall, New York, New Orleans, Hawaii and Prague. 

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Andris Nelsons leads Mahler’s Symphony No. 3 featuring mezzo-soprano Susan Graham

Andris Nelsons leads Mahler’s Symphony No. 3 featuring mezzo-soprano Susan Graham
Event on 2018-01-19 13:30:00
The outstanding American mezzo Susan Graham joins Andris Nelsons, the BSO, and the women of the Tanglewood Festival Chorus for Mahler's Third Symphony, which, along with his Symphony No. 2, exemplifies the composer's ambitious expansion of the symphonic genre. This is the second of Mahler's trio of "Wunderhorn" symphonies (Nos. 2-4) employing text from the folk-poetry collection Des Knaben Wunderhorn. The six-movement symphony is divided into two parts. Part I is a massive, 30-plus-minute opening movement representing a Bacchic procession celebrating the arrival of summer. Part II (movements 2 through 6) is a series of character pieces representing the responses of, in turn, wild flowers, animals of the forest, mankind itself, angels, and the spirit of love. View biography in full page >

In 2017-18, his fourth season as the BSO's Ray and Maria Stata Music Director, Andris Nelsons leads the Boston Symphony Orchestra in twelve wide-ranging subscription programs at Symphony Hall, repeating three of them at New York's Carnegie Hall in March. Also this season, in November, he and the orchestra tour Japan together for the first time, playing concerts in Nagoya, Osaka, Kawasaki, and Tokyo. In addition, in February 2018 Maestro Nelsons becomes Gewandhauskapellmeister of the Gewandhausorchester Leipzig, in which capacity he will bring both orchestras together for a unique multi-dimensional alliance; under his direction, the BSO celebrates its first "Leipzig Week in Boston" that same month. In the summer of 2015, following his first season as music director, Andris Nelsons' contract with the Boston Symphony Orchestra was extended through the 2021-22 season. Following the 2015 Tanglewood season, he and the BSO undertook a twelve-concert, eight-city tour to major European capitals as well as the Lucerne, Salzburg, and Grafenegg festivals. A second European tour, to eight cities in Germany, Austria, and Luxembourg, took place in May 2016.

The fifteenth music director in the history of the Boston Symphony Orchestra, Andris Nelsons made his BSO debut at Carnegie Hall in March 2011, his Tanglewood debut in July 2012, and his BSO subscription series debut in January 2013. His first CD with the BSO-live recordings of Wagner's Tannhäuser Overture and Sibelius's Symphony No. 2-was released in November 2014 on BSO Classics. April 2017 brought the release on BSO Classics of the four Brahms symphonies with Maestro Nelsons conducting, recorded live at Symphony Hall in November 2016. In an ongoing, multi-year collaboration with Deutsche Grammophon initiated in 2014-15, he and the BSO are making live recordings of Shostakovich's complete symphonies, the opera Lady Macbeth of Mtsensk, and other works by the composer. The first release in this series (the Symphony No. 10 and the Passacaglia from Lady Macbeth of Mtsensk) won the 2016 Grammy Award for Best Orchestral Performance and Gramophone Magazine's Orchestral Award. The second release (symphonies 5, 8, and 9, plus excerpts from Shostakovich's 1932 incidental music to Hamlet) won the 2017 Grammy for Best Orchestral Performance. Also for Deutsche Grammophon, Andris Nelsons is recording the Bruckner symphonies with the Gewandhausorchester Leipzig and the Beethoven symphonies with the Vienna Philharmonic.

In 2017-18, Andris Nelsons is artist-in-residence at the Konzerthaus Dortmund and continues his regular collaboration with the Vienna Philharmonic, leading that orchestra on tour to China. He also maintains regular collaborations with the Royal Concertgebouw Orchestra of Amsterdam, the Berlin Philharmonic, the Bavarian Radio Symphony Orchestra, and the Philharmonia Orchestra. Maestro Nelsons has also been a regular guest at the Bayreuth Festival and at the Royal Opera House, Covent Garden, where he conducts a new David Alden production of Lohengrin this season.

Born in Riga in 1978 into a family of musicians, Andris Nelsons began his career as a trumpeter in the Latvian National Opera Orchestra before studying conducting. He was music director of the City of Birmingham Symphony Orchestra from 2008 to 2015, principal conductor of the Nordwestdeutsche Philharmonie in Herford, Germany, from 2006 to 2009, and music director of Latvian National Opera from 2003 to 2007. Mr. Nelsons is the subject of a 2013 DVD from Orfeo, a documentary film entitled "Andris Nelsons: Genius on Fire." View biography in full page >

Susan Graham – hailed as "an artist to treasure" by the New York Times  – rose to the highest echelon of international performers within just a few years of her professional debut, mastering an astonishing range of repertoire and genres along the way. Her operatic roles span four centuries, from Monteverdi's Poppea to Sister Helen Prejean in Jake Heggie's Dead Man Walking, which was written especially for her. She won a Grammy Award for her collection of Ives songs, and her recital repertoire is so broad that 14 composers from Purcell to Sondheim are represented on her most recent Onyx album, Virgins, Vixens & Viragos. This distinctly American artist has also been recognized throughout her career as one of the foremost exponents of French vocal music. Although a native of Texas, she was awarded the French government's prestigious "Chevalier de la Légion d'Honneur," both for her popularity as a performer in France and in honor of her commitment to French music.

To launch the 2017-18 season, Ms. Graham will reprise her star turn in the title role of Susan Stroman's production of Lehár's The Merry Widow at the MET, then she joins Nathan Gunn for Bernstein's Trouble in Tahiti at Lyric Opera of Chicago, in a special concert to mark the composer's 100th birthday. To conclude the operatic season, she returns to Opera Theatre of Saint Louis opposite James Morris in Marc Blitzstein's 1948 opera Regina. At the Boston Symphony, she joins Charles Dutoit for Berlioz's La Damnation de Faust and Andris Nelsons for Mahler's Third Symphony, which is also the vehicle for her summer collaborations at the Tanglewood Festival and later on tour in Europe. Besides reuniting with Dutoit for Ravel's Shéhérazade at the San Francisco Symphony, she headlines a gala concert to celebrate Tulsa Opera's 70th anniversary. She also gives solo recitals at Emory University and Washington University, and rounds out the season with a night of cabaret at the Park Avenue Armory in New York.

Last season, Graham partnered with Renée Fleming for the San Francisco Symphony's opening-night gala, and joined Anna Netrebko, Plácido Domingo, and a host of other stars to celebrate the Metropolitan Opera's five decades at Lincoln Center. Having created the role of Sister Helen Prejean in the world premiere production of Dead Man Walking  at San Francisco Opera, she reprised her role in Washington National Opera's revival of the piece. She returned to Santa Fe Opera as Prince Orlofsky in a new production of Johann Strauss II's Die Fledermaus, and reprised her signature portrayal of Dido in Berlioz's Les Troyens at the Lyric Opera of Chicago. Concert highlights included selections from Mahler's Des Knaben Wunderhornat Carnegie Hall and Canteloube's Chants d'Auvergne with the Philadelphia Orchestra, as well as a star-studded Der Rosenkavalier at the Boston Symphony. She gave U.S. recitals of "Frauenliebe und -leben Variations," her program inspired by the Schumann song cycle, and expanded her discography with Nonesuch Records' DVD/Blu-ray release of William Kentridge's new treatment of Berg's Lulu, which captured her role debut as Countess Geschwitz at the Met.

Graham's earliest operatic successes were in such trouser roles as Cherubino in Mozart's Le nozze di Figaro. Her technical expertise soon brought mastery of Mozart's more virtuosic roles, like Sesto in La clemenza di Tito, Idamante in Idomeneo and Cecilio in Lucio Silla, as well as the title roles of Handel's Ariodante and Xerxes. She went on to triumph in two iconic Richard Strauss mezzo roles, Octavian in Der Rosenkavalier and the Composer in Ariadne auf Naxos. These brought her to prominence on all the world's major opera stages, including the Met, Lyric Opera of Chicago, San Francisco Opera, Covent Garden, Paris Opera, La Scala, Bavarian State Opera, Vienna State Opera and the Salzburg Festival, among many others. She performed the leading ladies in the MET world premieres of John Harbison's The Great Gatsby  and Tobias Picker's An American Tragedy, and made her Dallas Opera debut as Tina in a new production of The Aspern Papers by Dominick Argento. As Houston Grand Opera's Lynn Wyatt Great Artist, she starred as Prince Orlofsky in the company's first staging of Die Fledermaus in 30 years, before heading an all-star cast as Sycorax in the Met's Baroque pastiche The Enchanted Island  and making her rapturously received musical theater debut in a new production of Rodgers & Hammerstein's The King and I at the Théâtre du Châtelet in Paris.

It was in an early Lyon production of Berlioz's Béatrice et Bénédict that Graham scored particular raves from the international press, and a triumph in the title role of Massenet's Chérubin  at Covent Garden sealed her operatic stardom. Further invitations to collaborate on French music were forthcoming from many preeminent conductors, including Sir Colin Davis, Charles Dutoit, James Levine and Seiji Ozawa. New productions of Gluck's Iphigénie en Tauride, Berlioz's La damnation de Faust  and Massenet's Werther  were mounted for the mezzo in New York, London, Paris, Chicago, San Francisco and beyond. She recently made title role debuts in Offenbach's comic masterpieces La belle Hélène and The Grand Duchess of Gerolstein at Santa Fe Opera, as well as proving herself the standout star of the Met's star-studded revival of Les Troyens, which was broadcast live to cinema audiences worldwide in the company's celebrated "Live in HD" series. Graham's affinity for French repertoire has not been limited to the opera stage, having also served as the foundation for her extensive concert and recital career. Such great cantatas and symphonic song cycles as Berlioz's La mort de Cléopâtreand Les nuits d'été, Ravel's Shéhérazade and Chausson's Poème de l'amour et de la mer  provide opportunities for collaborations with the world's leading orchestras, and she makes regular appearances with the New York Philharmonic, Boston Symphony, Orchestre de Paris and London Symphony Orchestra.

Graham's distinguished discography features all the works described above, as well as a series of lauded solo albums, including Un frisson français, a program of French song recorded with pianist Malcolm Martineau for Onyx; C'est ça la vie, c'est ça l'amour!, an album of 20th-century operetta rarities on Erato; and La Belle Époque, an award-winning collection of songs by Reynaldo Hahn with pianist Roger Vignoles, from Sony Classical. Among the mezzo's numerous honors are Musical America's Vocalist of the Year and an Opera News Award; Gramophone magazine has dubbed her "America's favorite mezzo." View biography in full page >

Tanglewood Festival Chorus
James Burton, BSO Choral Director and Conductor of the Tanglewood Festival Chorus
John Oliver, Founder and Conductor Laureate

This season at Symphony Hall, the Tanglewood Festival Chorus joins the Boston Symphony Orchestra for performances of Mahler's Symphony No. 3 (January 18-20) and Schumann's Nachtlied and Neujahrslied (February 8-10) under BSO Music Director Andris Nelsons; Grieg's incidental music to Peer Gynt under BSO Associate Conductor Ken-David Masur (October 19-24); Berlioz's The Damnation of Faust (October 26-28) and Ravel's complete Daphnis et Chloé (February 15-17) under Charles Dutoit, and Leonard Bernstein's Symphony No. 3, Kaddish, under Giancarlo Guerrero (March 15-17). Members of the chorus also participated in this season's all-Bernstein program on Opening Night. Originally formed under the joint sponsorship of Boston University and the Boston Symphony Orchestra, the all-volunteer Tanglewood Festival Chorus was established in 1970 by its founding conductor John Oliver, who stepped down from his leadership position with the TFC at the end of the 2014 Tanglewood season. Awarded the Tanglewood Medal by the BSO to honor his forty-five years of service to the ensemble, Mr. Oliver now holds the lifetime title of Founder and Conductor Laureate and occupies the Donald and Laurie Peck Master Teacher Chair at the Tanglewood Music Center. In February 2017, having prepared the chorus for that month's BSO performances of Bach's B minor Mass led by Andris Nelsons, the British-born James Burton was named the new Conductor of the Tanglewood Festival Chorus, also being appointed to the newly created position of BSO Choral Director.

Though first established for performances at the BSO's summer home, the Tanglewood Festival Chorus was soon playing a major role in the BSO's subscription season as well as BSO concerts at Carnegie Hall. Now numbering more than 300 members, the ensemble performs year-round with the Boston Symphony and Boston Pops. It has performed with Seiji Ozawa and the BSO in Hong Kong and Japan, and with the BSO in Europe under James Levine and Bernard Haitink, also giving a cappella  concerts of its own on the two latter occasions. The TFC made its debut in April 1970, in a BSO performance of Beethoven's Ninth Symphony with Leonard Bernstein conducting. Its first recording with the orchestra, Berlioz's La Damnation of Faust  with Seiji Ozawa, received a Grammy nomination for Best Choral Performance of 1975. The TFC has since made dozens of recordings with the BSO and Boston Pops, with James Levine, Seiji Ozawa, Bernard Haitink, Sir Colin Davis, Leonard Bernstein, Keith Lockhart, and John Williams. In August 2011, with John Oliver conducting and soloist Stephanie Blythe, the TFC gave the world premiere of Alan Smith's An Unknown Sphere  for mezzo-soprano and chorus, commissioned by the BSO for the ensemble's 40th anniversary. Its most recent recordings on BSO Classics, all drawn from live performances, include a disc of a cappella  music led by John Oliver and released to mark the TFC's 40th anniversary; and, with James Levine conducting, Ravel's complete Daphnis and Chlo?? (a 2009 Grammy-winner for Best Orchestral Performance), Brahms's German Requiem, and William Bolcom's Eighth Symphony for chorus and orchestra (a BSO 125th Anniversary Commission). Besides their work with the BSO, TFC members have performed Beethoven's Ninth Symphony with Zubin Mehta and the Israel Philharmonic; participated in a Saito Kinen Festival production of Britten's Peter Grimes  under Seiji Ozawa in Japan, and sang Verdi's Requiem with Charles Dutoit to help close a month-long International Choral Festival given in and around Toronto. The ensemble had the honor of singing at Sen. Edward Kennedy's funeral; has performed with the Boston Pops for the Boston Red Sox and Boston Celtics; and can be heard on the soundtracks of Clint Eastwood's Mystic River, John Sayles's Silver City, and Steven Spielberg's Saving Private Ryan. TFC members regularly commute from the greater Boston area, western Massachusetts, Connecticut, Rhode Island, New Hampshire, Vermont, and Maine, and TFC alumni frequently return each summer from as far away as Florida and California to sing with the chorus at Tanglewood. Throughout its history, the TFC has established itself as a favorite of conductors, soloists, critics, and audiences alike. View biography in full page >

James Burton was appointed Conductor of the Tanglewood Festival Chorus, and to the new position of BSO Choral Director, in February 2017. Born in London, Mr. Burton began his training at the Choir of Westminster Abbey, where he became head chorister. He was a choral scholar at St. John's College, Cambridge, and holds a master's degree in orchestral conducting from the Peabody Conservatory, where he studied with Frederik Prausnitz and Gustav Meier. He has conducted concerts with the Royal Liverpool Philharmonic, the Orchestra of the Age of Enlightenment, the Hallé, the Orchestra of Scottish Opera, Royal Northern Sinfonia, BBC Concert Orchestra, and Manchester Camerata; in early 2016 he made his debut with the Orquestra Sinfònica Nacional with concerts in the Palacio de Bellas Artes in Mexico City. Opera credits include Don Giovanni and La bohème at English National Opera, Così fan tutte at English Touring Opera, The Magic Flute at Garsington, and Gianni Schicchi and Suor Angelica at the Prague Summer Nights Festival. He has served on the music staff of the Metropolitan Opera, Opéra de Paris, English National Opera, Opera Rara, and Garsington Opera, where he was honored with the Leonard Ingrams Award in 2008. He has also conducted in London's West End and led a UK tour of Bernstein's Wonderful Town in 2012. His extensive choral conducting has included guest invitations with professional choirs including the Gabrieli Consort, the Choir of the Enlightenment, Wroc?aw Philharmonic, and the BBC Singers, with whom he performed at the Dubai Opera house in its inaugural season earlier this year. From 2002 to 2009 he served as choral director at the Hallé Orchestra, where he was music director of the Hallé Choir and founding conductor of the Hallé Youth Choir, winning the Gramophone Choral Award in 2009. He returned to Manchester in 2014, preparing the choirs for a Grammy-nominated recording under Sir Mark Elder of Vaughan Williams's Sea Symphony. From 2002 to 2017 he was music director of the chamber choir Schola Cantorum of Oxford, touring all over the world and recording with Hyperion Records. He collaborates regularly with leading young musicians and in 2017 appeared as guest director of the National Youth Choir of Japan and the Princeton University Glee Club, as well as the Genesis Sixteen. He teaches conducting, and has given master classes at the Royal Academy of Music and the Royal Welsh College of Music. In 2011 he founded a conducting scholarship with Schola Cantorum of Oxford. His compositions and arrangements have been performed internationally, and his orchestral arrangements for Arlo Guthrie have been performed by the Boston Pops, by many other leading U.S. orchestras, and at the Kennedy Center and Carnegie Hall. His commissions have included the music for the 2010 World Equestrian Games opening ceremony, a setting for chorus and orchestra of Thomas Hardy's The Convergence of the Twain commemorating the 100th anniversary of the Titanic disaster, and a recent Christmas carol premiered by the Choir of St. John's College, Cambridge, live on BBC Radio 3. His choral works are published by Edition Peters. As BSO Choral Director and Conductor of the Tanglewood Festival Chorus, James Burton occupies the Alan J. and Suzanne W. Dworsky Chair, endowed in perpetuity.

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334 Massachusetts Ave
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Tugan Sokhiev conducts Brahms and Prokofiev featuring violinist Vadim Gluzman

Tugan Sokhiev conducts Brahms and Prokofiev featuring violinist Vadim Gluzman
Event on 2018-04-28 20:00:00
For his second week of concerts this season, Tugan Sokhiev leads the BSO in Brahms's towering Violin Concerto, with the outstanding, Ukrainian-born, Israeli violin soloist Vadim Gluzman in his BSO winter season debut. Brahms wrote his concerto in 1878 for his lifelong friend Joseph Joachim. Closing the program is Prokofiev's wartime Symphony No. 5, a powerful, searching, and expansive work premiered in January 1945 with the composer conducting. View biography in full page >

Internationally-acclaimed Russian conductor Tugan Sokhiev is Music Director of Orchestre National du Capitole de Toulouse (ONCT) and has now led them for over a decade. He is also Music Director and Chief Conductor of the Bolshoi Theatre in Moscow and until the end of the 2015/16 season served as Music Director of the Deutsches Symphonie-Orchester Berlin.

Plans for the 2016/17 season include performances of La damnation de Faust, Carmen, Katerina Izmailova, Il Viaggio a Reims and The Maid of Orleans at the Bolshoi Theatre, return visits to Berliner Philharmoniker, Philadelphia Orchestra, Philharmonia Orchestra, Vienna Philharmonic (including the Lucerne Festival) and a return to Japan for the NHK Music Festival. He conducts many and varied projects with ONCT within France and on tour in Europe and the Far East.

Recent seasons have included Chicago Symphony, London Symphony Orchestra, Philadelphia Orchestra, Leipzig Gewandhaus, Vienna and Berlin Philharmonics – where critics hailed him 'Dirigentenwunderwaffe' (miracle conductor) – and European touring with the Philharmonia and Mahler Chamber orchestras.  He has toured extensively with ONCT in Europe, Asia, United Kingdom and South America and with DSO Berlin in Europe. He has conducted the Philharmonia Orchestra every season in London since 2003 and toured with them in Europe and has appeared as a guest conductor with Vienna Philharmonic at the Mozartwoche Festival, Finnish Radio Symphony, NHK Symphony, Rotterdam Philharmonic, National Philharmonic of Russia, Accademia Nazionale di Santa Cecilia, RAI Turin, the orchestras of La Scala and the Bayerische Staatsoper, Bournemouth Symphony, Swedish Radio, Oslo Philharmonic, Royal Concertgebouw, Munich Philharmonic and Orchestre National de France. Recent opera has included new productions of Katerina Ismailova and La damnation de Faust at the Bolshoi Theatre.

He built up extensive opera experience early on, including many productions for the Mariinsky and Welsh National Opera and appeared as guest conductor at the Metropolitain Opera New York (with the Mariinsky); Houston Grand Opera, Aix-en-Provence Festival and in Madrid. He was named 'Révélation musicale de l'année' by the French Critics' Union in 2005 for his performance in the Théâtre des Champs-Elysées with Orchestre National du Capitole and in the course of his many collaborations in Toulouse, Berlin, Paris, London and Vienna, swiftly established himself with orchestras, public and critics as an outstanding musician. His discography includes highly-acclaimed recordings for Naïve Classique with Toulouse – including Tchaikovsky's Fourth and Fifth Symphonies, Mussorgsky's Pictures at an Exhibition, Rachmaninov's Symphonic Dances and Prokofiev's Peter and the Wolf andmost recently Stravinsky's Rite of Spring and Firebird.  DSO Berlin releases include Prokofiev's Ivan the Terrible, Fifth Symphony and Scythian Suite for SONY Classical. View biography in full page >

Vadim Gluzman's extraordinary artistry brings to life the glorious violinistic tradition of the 19th and 20th centuries. Gluzman's wide repertoire embraces new music and his performances are heard around the world through live broadcasts and a striking catalogue of award-winning recordings exclusively for the BIS label.

The Israeli violinist appears regularly with major orchestras such as the Berlin Philharmonic, Boston Symphony, Cleveland Orchestra, Chicago Symphony, Philadelphia Orchestra, San Francisco Symphony, Israel Philharmonic, London Philharmonic, London Symphony, and Leipzig Gewandhaus. Gluzman has enjoyed collaborations with many of today's leading conductors, including Christoph von Dohnányi, Tugan Sokhiev, Sir Andrew Davis, Neeme Järvi, Michael Tilson Thomas, Semyon Bychkov, Jukka-Pekka Saraste, Paavo Järvi, Hannu Lintu and Peter Oundjian. His festival appearances include performances at Verbier, Tanglewood, Ravinia, and Lockenhaus, as well as the North Shore Chamber Music Festival in Chicago, Illinois, which was founded by Gluzman and pianist Angela Yoffe, his wife and recital partner.

Highlights of his 2016-17 season include appearances in London at The Proms with the BBC Symphony and Edward Gardner, with the Chicago Symphony under Neeme Järvi, the NDR Elbphilharmonie Orchestra Hamburg under Christoph von Dohnányi, the Deutsches Symphonie-Orchester Berlin under Tugan Sokhiev, and with the Orchestre de Paris under Juraj Val?uha. He will tour the United States with the Orpheus Chamber Orchestra, including an engagement in New York at Carnegie Hall, and perform with Baltimore Symphony, NHK Orchestra in Tokyo, and the Orchestre Philharmonique de Radio France in Paris, among other engagements. Gluzman will lead performances with the Franz Liszt Chamber Orchestra and the ProMusica Chamber Orchestra in Columbus, Ohio, where he continues in his third year as Creative Partner and Principal Guest Artist.

This season Mr. Gluzman will give the world premiere performances of new concertos written for him by two of today's most important composers: Sofia Gubaidulina's Triple Concerto for Violin, Cello and Bayan with Elsbeth Moser, Nicolas Altstaedt and the NDR Radio Philhamonic in Hannover under Andrew Manze; and Elena Firsova's Concerto for Violin and Cello with Johannes Moser and the Deutsches Symphonie-Orchester Berlin under Tugan Sokhiev. Gluzman has given live and recorded premieres of other works by Gubaidulina, as well as Giya Kancheli, Peteris Vasks, Michael Daugherty, and most recently, Lera Auerbach.

Vadim Gluzman's latest CD for the BIS label features Sergey Prokofiev's Violin Concertos No. 1 and 2, as well as the composer's Sonata for Violin Solo, with Estonian National Orchestra conducted by Neeme Järvi. Accolades for his extensive discography on BIS include the Diapason d'Or of the Year, Gramophone's Editor's Choice, Classica Magazine's esteemed Choc de Classica award, and Disc of the Month by The Strad, BBC Music Magazine, ClassicFM, and others.

Born in the former Soviet Union in 1973, Gluzman began violin studies at age 7. He studied with Roman Sne in Latvia and Zakhar Bron in Russia before moving to Israel in 1990, where he became a student of Yair Kless. In the United States, he studied with Arkady Fomin in Dallas and at the Juilliard School with Dorothy DeLay and Masao Kawasaki. Early in his career, Gluzman enjoyed the encouragement and mentorship of Isaac Stern which continued until the Stern's passing in 2001. In 1994 he received the prestigious Henryk Szeryng Foundation Career Award.

Vadim Gluzman plays the legendary 1690 'ex-Leopold Auer' Stradivari on extended loan to him through the generosity of the Stradivari Society of Chicago.

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334 Massachusetts Ave
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Annie’s List Dallas Luncheon featuring Senator Kamala Harris

Annie’s List Dallas Luncheon featuring Senator Kamala Harris
Event on 2017-11-10 11:00:00
Join Annie's List for the Dallas Luncheon featuring Senator Kamala Harris. Come hear about Senator Harris's efforts to push forward a progressive agenda in the Senate, while also learning about the importance of organizations that support women like her, such as Annie's List.

On November 10th, connect with political movers and shakers and learn how Annie's List is changing the face of power in North Texas and across the state!

Tickets available at annieslist.com/2017dallaslunch

at Hilton Anatole
2201 Stemmons Freeway
Dallas, United States

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Christoph von Dohnányi conducts J.S. Bach, Beethoven, Bartók and Janá?ek featuring pianist Martin Helmchen

Christoph von Dohnányi conducts J.S. Bach, Beethoven, Bartók and Janá?ek featuring pianist Martin Helmchen
Event on 2017-11-17 13:30:00
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Christoph von Dohnányi is recognized as one of the world's most distinguished conductors. He started his career as assistant to Sir George Solti in Frankfurt and after four years became the youngest General Music Director in Germany, in Lübeck in 1957. He was opera director and GMD at the Frankfurt Opera and Intendant and Chief Conductor at Hamburg State Opera. He was chief conductor at the WDR Sinfonie Orchestra in Cologne and the NDR Sinfonie Orchestra in Hamburg, as well as Principal Conductor and Artistic Adviser of the Philharmonia Orchestra in London, and Principal Guest Conductor and Musical Adviser of L'Orchestre de Paris.

Maestro von Dohnanyi served as sixth Music Director of the Cleveland Orchestra from 1984 to 2002 having been appointed Music Director Designate in 1982. He conducted the orchestra in subscription concerts, in semi-staged concert version opera performances at Severance Hall, and on domestic and international tours to Asia and Europe. He initiated a project conducting world premieres of composers from the Cleveland area. The renovation and the extension of Severance Hall, the founding of the Cleveland Orchestra Youth Orchestra and Youth Chorus were significant achievements during his era as Music Director.

He recorded numerous works with the Cleveland Orchestra: CD releases by Decca feature wide ranging repertoire with works by Mozart, Mahler, Bruckner, Dvorak, Strauss, Ives, Varese, Bartok, Adams, Ruggles, Webern, Ran, Shostakovich and all Schumann symphonies. A compilation of all Beethoven symphonies was recorded by Telarc, and a collection of all Brahms symphonies by Teldec. Live radio broadcast recordings were released by the Cleveland Orchestra, one set in celebration of the orchestra's 75th anniversary and one commemorative box upon finishing his tenure in Cleveland representing his 20 years as Music Director. In 2002 he was named the first Music Director Laureate of the Cleveland Orchestra.

Since ending his tenure in Cleveland Christoph von Dohnányi has been a regular guest conductor with the Boston Symphony, New York Philharmonic, Philadelphia Orchestra, Pittsburgh Symphony, Chicago Symphony and Los Angeles Philharmonic, as well as the Cleveland Orchestra.

Maestro von Dohnányi is Honorary Conductor for Life of the Philharmonia Orchestra. This longstanding partnership began in 1994 when he was appointed Principal Guest Conductor and subsequently became Principal Conductor and Artistic Adviser. In addition to concerts at the South Bank Centre and in venues around England, Dohnányi and the Philharmonia have performed in Europe's musical centers like the Musikverein in Vienna, the Salzburg Festival, Amsterdam's Concertgebouw, the Lucerne Festival and in Paris at the Théâtre des Champs Elyseés. For several seasons they were in residence at the Théâtre du Châtelet presenting new productions of Strauss's Arabella, Die Frau ohne Schatten and Die schweigsame Frau, Schoenberg's Moses und Aron, Stravinsky's Oedipus Rex and Humperdinck's Hänsel und Gretel. His final tour as Principal Conductor of the Philharmonia led them to the U.S., with concerts in Miami's Adrienne Arsht Center for the Performing Arts, at the Walt Disney Concert Hall in Los Angeles, Davies Symphony Hall in San Francisco and at the Orange County Performing Arts Center.

In summer seasons, Maestro von Dohnányi is a frequently seen guest at the Tanglewood Music Festival leading concerts with the Boston Symphony Orchestra including, among many others, the opening concert of the 75th anniversary season of Tanglewood. He conducted the Tanglewood Music Center's 2010 production of Ariadne auf Naxos and in 2013 a performance with the Tanglewood Music Center Orchestra of Mahler's Symphony no.1. At the Ravinia Festival he led the Chicago Symphony in two all Brahms programs in 2011 and a pair of all Beethoven concerts in 2013.

Last season, Mo. von Dohnányi toured with the Philharmonia Orchestra in Europe and conducted the gala concert in London celebrating the orchestra's 70th anniversary. Dohnányi conducts the Orchestre de Paris this season, and leads subscription weeks with the Cleveland Orchestra, New York Philharmonic, and the Boston, Chicago, and Sydney Symphony Orchestras. On May 8, 2016, he led a special concert marking the end of World War II in Europe, leading the Vienna Smphony Orchetra in works by Schoenberg and Beethoven.

His conducting schedule permitting, Maestro von Dohnányi also works with student orchestras of institutions like the New England Conservatory in Boston, Curtis Institute in Philadelphia, the Juilliard School in New York, the Cleveland Institute of Music and, during the summer, at the Tanglewood Music Center.

In November 2013 exceptional events marked his collaboration with the Philharmonia. By invitation of HRH Prince Charles they performed a birthday concert in Buckingham Palace with an all Wagner program, honoring the composer's 200th birthday. The University of London held a ceremony bestowing on Dohnanyi the degree of Doctor of Music, honoris causa, by the Royal Academy of Music.

He has been a frequent guest conductor in concert with the Vienna Philharmonic and at the Vienna State Opera. Herbert von Karajan and his successor Gerard Mortier invited him to the Salzburg Festival. There he led the Vienna Philharmonic in productions of Der Rosenkavalier, Salome, Cosi fan Tutte, Erwartung, Bluebeard's Castle, Die Zauberflöte, and in the world premieres of Henze's Die Bassariden and Cerha's Baal. He also led the Cleveland Orchestra in concerts at the Große Festspielhaus and Felsenreitschule in Salzburg.

For London/Decca he recorded with the Vienna Philharmonic a variety of symphonic works by Schubert, Strauss, Dvorak, Tchaikovsky, all Mendelssohn symphonies and a number of operas, including Beethoven's Fidelio, Berg's Wozzeck and Lulu, Schoenberg's Erwartung, Strauss' Salome, and Wagner's The Flying Dutchman. During opera director Alexander Pereira's tenure Dohnanyi regularly appeared at the Opernhaus Zurich conducting new productions of Strauss's Die Schweigsame Frau, Ariadne auf Naxos, Salome, Elektra, Die Frau ohne Schatten, Stravinsky's Oedipus Rex and Bartók's Bluebeard's Castle, Mozart's Idomeneo, Verdi's Un ballo in maschera, Berg's Wozzeck, Schoenberg's Moses und Aron and Wagner's The Flying Dutchman.

Maestro von Dohnányi has conducted at the world's great opera houses, including Covent Garden, La Scala, the Vienna State Opera, Berlin, Paris and in the US at the Metropolitan Opera, San Francisco Opera and Lyric Opera in Chicago. At the Vienna State Opera he conducted the new production of the Ring des Nibelungen in 1992/93. At the Deutsche Oper Berlin he led the first performance of Henzes Der junge Lord. Herbert von Karajan invited him regularly to conduct the Berlin Philharmonic Orchestra.

He was invited by Wieland Wagner to conduct Tannhäuser und Die Meistersinger von Nürnberg at the Bayreuth Festival, however, after Wieland Wagner's death these contracts were not realized.

Christoph von Dohnányi was born in Berlin in 1929 and studied music in Munich, finishing his studies at the Hochschule für Musik with the award of the Richard Strauss prize of the City of Munich; and at Florida State University with his grandfather, pianist and composer Ernst von Dohnányi. He completed his studies in the US by attending a conducting class at Tanglewood in 1952.

Among his many honors Christoph von Dohnányi has received honorary doctorates of Music from the Eastman School of Music in Rochester, Oberlin College of Music, Cleveland Institute of Music, Kent State University and Case Western Reserve University, London's Royal Academy of Music, and an honorary Doctorate in Humane Letters from the Hebrew Union College – Jewish Institute of Religion, and the Anti-Defamation League's Torch of Freedom Award. He is the recipient of the Goethe plaque of the city of Frankfurt, the prize of Wissenschaft and Forschung of the city of Hamburg and the Bartok medal in Hungary. He is a member of the Order of Arts and Letters of France, and received the Verdienstkreuz of the Republic of Austria and the Bundesverdienstkreuz of the Bundesrepublik Deutschland. View biography in full page >

With his highly virtuosic yet unpretentious style, Martin Helmchen has become one of the great pianists of his generation. Born in 1982, he has made a series of sensational U.S. orchestral debuts, beginning in 2011 at Tanglewood, playing the Schumann Concerto with the Boston Symphony Orchestra under Christoph von Dohnányi. In 2014, with the New York Philharmonic at Lincoln Center, he gave a revelatory performance of the Dvorák Piano Concerto; in 2015, he made his Symphony Hall debut, performing Beethoven's Concerto No. 5 with the Boston Symphony Orchestra; and in 2016, he performed with the Chicago Symphony Orchestra, playing Beethoven's Piano Concerto No. 2. This past season, he debuted with the Mostly Mozart Festival Orchestra at Lincoln Center under Thierry Fischer, performing Mozart's Piano Concerto No. 25. During the 2017/2018 season, he will make debuts with both the San Diego and Kansas City symphonies.

Mr. Helmchen has also appeared with the symphonies of Dallas, Grand Rapids, Houston, Portland (Oregon), Saint Louis, and San Francisco, as well as with the Cleveland Orchestra at Blossom. In May 2014, he made a highly acclaimed recital debut at the Kennedy Center in Washington, D.C.

Among Martin Helmchen's worldwide highlights are performances with the Berlin Philharmonic, Leipzig Gewandhaus Orchestra, London Philharmonic, Orchestre de Paris, Vienna Philharmonic, and the NHK Symphony in Japan. Other international engagements include the City of Birmingham Symphony, Frankfurt Radio Symphony, Gürzenich-Orchester/Cologne, Orchestre Philharmonique de Monte-Carlo, Philharmonia Orchestra/London, Prague Symphony, and the Swedish Chamber Orchestra. Artist-in-Residence with the Zurich Tonhalle Orchestra during the 2011/2012 season, he has also appeared with the BBC/London, Bournemouth Symphony, Deutsche Kammerphilharmonie/Bremen, Dresden Philharmonic, DSO/Berlin, Hallé Orchestra/Manchester, Giuseppe Verdi Symphony/Milan, NDR/Hamburg, Netherlands Philharmonic, Orchestre National de Lyon, Orchestre National de France, Royal Stockholm Philharmonic, Rotterdam Philharmonic, RSO/Berlin, Scottish Chamber Orchestra, and the Stuttgart Radio Orchestra, among others. In France, he tours with La Chambre Philharmonique under Emmanuel Krivine.

Mr. Helmchen has collaborated with such renowned conductors as David Afkham, Marc Albrecht, Herbert Blomstedt, Semyon Bychkov, Christoph von Dohnányi, Sir Mark Elder, Lawrence Foster, Edward Gardner, Valery Gergiev, Hans Graf, Manfred Honeck, Philippe Herreweghe, Pablo Heras-Casado, Marek Janowski, Michail Jurowski, Vladimir Jurowski, Bernhard Klee, Jiri Kout, Sir Neville Marriner, the late Kurt Masur, Andris Nelsons, Sir Roger Norrington, Andrés Orozco-Estrada, Christoph Poppen, Markus Poschner, Michael Sanderling, Heinrich Schiff, Marcus Stenz, Krzysztof Urbanski, Gilbert Varga, and David Zinman, to name a few.

Also an enthusiastic recitalist, Martin Helmchen has performed at prestigious venues around the world, such as The Frick Collection/New York, Carnegie's Weill Recital Hall (with cellist Marie-Elisabeth Hecker), the Coast Recital Society, San Francisco Performances, ArtSpring, the Wigmore Hall/London, and the Alte Oper in Frankfort. He also appears regularly at major German festivals, we well as the Schubertiade, Lockenhaus, and Marlboro. In 2017, he will be artist in residence at Germany's Schwetzingen SWR Festival.

With a passion for chamber music, largely ignited by his early collaborations with the late cellist Boris Pergamenschikow, Mr. Helmchen now performs regularly with Heinrich Schiff and Marie-Elisabeth Hecker. Other partners include Juliane Banse, Veronika Eberle, Julia Fischer (with whom he is on tour in Asia during the current season), Sharon Kam, Gidon Kremer, Sabine Meyer, Christian Tetzlaff, Lars Vogt, and Tabea Zimmermann. Since 2010, he has been an Associate Professor of chamber music at the Kronberg Academy. Last summer he was invited to return to Elena Bashkirova's International Chamber Music Festival in Jerusalem.

An active recording artist, Martin Helmchen's debut disc of Mozart concertos with the Netherlands Chamber Philharmonic was released in September 2007 through his exclusive contract with PentaTone. A second Mozart concerto disc with the same orchestra was released in 2013. His first solo CD, a recording of works by Schubert, won an ECHO Award in 2009. Other discs for PentaTone include the Mendelssohn concertos, the Schumann and Dvorák concertos, and the highly acclaimed complete works of Schubert for violin and piano with Julia Fischer.

Mr. Helmchen studied at the Hochschule für Musik Hanns Eisler in Berlin with Galina Iwanzowa, at the Hochschule für Musik und Theater in Hanover with Arie Vardie, and with William Grant Naboré. His career took off when he won the 2001 Clara Haskil International Piano Competition at the age of nineteen. Other distinctions include a fellowship from the Borletti-Buitoni Trust in 2005; the Credit Suisse Young Artist Award in 2006 (culminating in his debut with the Vienna Philharmonic Orchestra under Valery Gergiev at the Lucerne Festival); and soloist in the "BBC New Generation Artists" program from 2005 to 2007.

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Opportunity Coalition Event featuring Rick White, President of the Atlantic League of Professional Baseball

Opportunity Coalition Event featuring Rick White, President of the Atlantic League of Professional Baseball
Event on 2017-09-14 17:00:00
Rick White is the President of the Atlantic League of Professional Baseball Clubs, where he supervises the activities of baseball’s leading independent professional league. During his time with the League, Mr. White has overhauled league financial affairs, instituted sponsorship and retail licensing programs and led Pace of Play efforts (reducing average time of game from 3:01 to 2:41) while influencing Major League Baseball to take similar steps.  Due to Mr. White’s efforts, the Atlantic League enjoys the only Working Agreement of its kind with MLB. He is a former Partner at Strategic Marketing Affiliates, a full-service licensing agency representing a portfolio of over 400 North American collegiate properties, recently acquired by Learfield Sports. Mr. White was formerly President and CEO of Imperial Headwear, a top headwear provider to the golf, collegiate and outdoor industries. He led the company to the dominant share of the golf green grass market, with distribution in 98 of North America’s top 100 courses, while driving revenues from M to M, with EBITDA growth from M to over M. White founded Major League Baseball Properties which oversaw trademark licensing, corporate sponsorship, publishing, international and special events. He originated sports’ first head-to-toe authentic fan apparel (“Diamond Collection”), pioneered vintage products (“Cooperstown Collection”), created sports fan festivals (“All-Star FanFest”) and launched MLB Clubhouse Shops. He led licensed product sales from 0M to B and was the first non-Commissioner to be conferred the Baseball Alumni Team’s Big Bat Award. Mr. White founded Strategic Merchandising Associates (precursor to Strategic Marketing Affiliates), a lifestyle-market consulting firm, serving clients such as the Dallas Cowboys, Ivy League, Purdue University and other professional and collegiate teams, leagues, conferences and athletic departments. He was architect of the largest sponsorship in U.S. team sports history (9M) between Adidas and the New York Yankees. After SMA, Mr. White headed subsidiary brands for Nike, including Cole Haan, Nike Team Sports and Bauer-Nike Hockey. Under Mr. White’s direction, revenues grew from 0M to 0M. White also served as CEO of Reed Exhibitions, the largest trade show and conference production company in North America and later as CEO of the Phoenix Footwear Group, where he led sales from M to 0M in just two years. Mr. White is a native of Los Angeles, California. He attended Chapman University, where he was student body president and played on the school’s nationally ranked baseball team. Mr. White was graduating class speaker and was awarded the prestigious International Rotary Fellowship for graduate study abroad. He graduated Magna Cum Laude, with a B.S. in Psychology. He later attended Purdue University’s Krannert School where he earned his MBA. Mr. White has been named Boy Scout Man of the Year and has been awarded the Colorado PGA’s President’s Award.  He is married to Lynne Cribari.  The couple has a daughter, Madison. 

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