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Andris Nelsons leads Mahler’s Symphony No. 3 featuring mezzo-soprano Susan Graham

Andris Nelsons leads Mahler’s Symphony No. 3 featuring mezzo-soprano Susan Graham
Event on 2018-01-19 13:30:00
The outstanding American mezzo Susan Graham joins Andris Nelsons, the BSO, and the women of the Tanglewood Festival Chorus for Mahler's Third Symphony, which, along with his Symphony No. 2, exemplifies the composer's ambitious expansion of the symphonic genre. This is the second of Mahler's trio of "Wunderhorn" symphonies (Nos. 2-4) employing text from the folk-poetry collection Des Knaben Wunderhorn. The six-movement symphony is divided into two parts. Part I is a massive, 30-plus-minute opening movement representing a Bacchic procession celebrating the arrival of summer. Part II (movements 2 through 6) is a series of character pieces representing the responses of, in turn, wild flowers, animals of the forest, mankind itself, angels, and the spirit of love. View biography in full page >

In 2017-18, his fourth season as the BSO's Ray and Maria Stata Music Director, Andris Nelsons leads the Boston Symphony Orchestra in twelve wide-ranging subscription programs at Symphony Hall, repeating three of them at New York's Carnegie Hall in March. Also this season, in November, he and the orchestra tour Japan together for the first time, playing concerts in Nagoya, Osaka, Kawasaki, and Tokyo. In addition, in February 2018 Maestro Nelsons becomes Gewandhauskapellmeister of the Gewandhausorchester Leipzig, in which capacity he will bring both orchestras together for a unique multi-dimensional alliance; under his direction, the BSO celebrates its first "Leipzig Week in Boston" that same month. In the summer of 2015, following his first season as music director, Andris Nelsons' contract with the Boston Symphony Orchestra was extended through the 2021-22 season. Following the 2015 Tanglewood season, he and the BSO undertook a twelve-concert, eight-city tour to major European capitals as well as the Lucerne, Salzburg, and Grafenegg festivals. A second European tour, to eight cities in Germany, Austria, and Luxembourg, took place in May 2016.

The fifteenth music director in the history of the Boston Symphony Orchestra, Andris Nelsons made his BSO debut at Carnegie Hall in March 2011, his Tanglewood debut in July 2012, and his BSO subscription series debut in January 2013. His first CD with the BSO-live recordings of Wagner's Tannhäuser Overture and Sibelius's Symphony No. 2-was released in November 2014 on BSO Classics. April 2017 brought the release on BSO Classics of the four Brahms symphonies with Maestro Nelsons conducting, recorded live at Symphony Hall in November 2016. In an ongoing, multi-year collaboration with Deutsche Grammophon initiated in 2014-15, he and the BSO are making live recordings of Shostakovich's complete symphonies, the opera Lady Macbeth of Mtsensk, and other works by the composer. The first release in this series (the Symphony No. 10 and the Passacaglia from Lady Macbeth of Mtsensk) won the 2016 Grammy Award for Best Orchestral Performance and Gramophone Magazine's Orchestral Award. The second release (symphonies 5, 8, and 9, plus excerpts from Shostakovich's 1932 incidental music to Hamlet) won the 2017 Grammy for Best Orchestral Performance. Also for Deutsche Grammophon, Andris Nelsons is recording the Bruckner symphonies with the Gewandhausorchester Leipzig and the Beethoven symphonies with the Vienna Philharmonic.

In 2017-18, Andris Nelsons is artist-in-residence at the Konzerthaus Dortmund and continues his regular collaboration with the Vienna Philharmonic, leading that orchestra on tour to China. He also maintains regular collaborations with the Royal Concertgebouw Orchestra of Amsterdam, the Berlin Philharmonic, the Bavarian Radio Symphony Orchestra, and the Philharmonia Orchestra. Maestro Nelsons has also been a regular guest at the Bayreuth Festival and at the Royal Opera House, Covent Garden, where he conducts a new David Alden production of Lohengrin this season.

Born in Riga in 1978 into a family of musicians, Andris Nelsons began his career as a trumpeter in the Latvian National Opera Orchestra before studying conducting. He was music director of the City of Birmingham Symphony Orchestra from 2008 to 2015, principal conductor of the Nordwestdeutsche Philharmonie in Herford, Germany, from 2006 to 2009, and music director of Latvian National Opera from 2003 to 2007. Mr. Nelsons is the subject of a 2013 DVD from Orfeo, a documentary film entitled "Andris Nelsons: Genius on Fire." View biography in full page >

Susan Graham – hailed as "an artist to treasure" by the New York Times  – rose to the highest echelon of international performers within just a few years of her professional debut, mastering an astonishing range of repertoire and genres along the way. Her operatic roles span four centuries, from Monteverdi's Poppea to Sister Helen Prejean in Jake Heggie's Dead Man Walking, which was written especially for her. She won a Grammy Award for her collection of Ives songs, and her recital repertoire is so broad that 14 composers from Purcell to Sondheim are represented on her most recent Onyx album, Virgins, Vixens & Viragos. This distinctly American artist has also been recognized throughout her career as one of the foremost exponents of French vocal music. Although a native of Texas, she was awarded the French government's prestigious "Chevalier de la Légion d'Honneur," both for her popularity as a performer in France and in honor of her commitment to French music.

To launch the 2017-18 season, Ms. Graham will reprise her star turn in the title role of Susan Stroman's production of Lehár's The Merry Widow at the MET, then she joins Nathan Gunn for Bernstein's Trouble in Tahiti at Lyric Opera of Chicago, in a special concert to mark the composer's 100th birthday. To conclude the operatic season, she returns to Opera Theatre of Saint Louis opposite James Morris in Marc Blitzstein's 1948 opera Regina. At the Boston Symphony, she joins Charles Dutoit for Berlioz's La Damnation de Faust and Andris Nelsons for Mahler's Third Symphony, which is also the vehicle for her summer collaborations at the Tanglewood Festival and later on tour in Europe. Besides reuniting with Dutoit for Ravel's Shéhérazade at the San Francisco Symphony, she headlines a gala concert to celebrate Tulsa Opera's 70th anniversary. She also gives solo recitals at Emory University and Washington University, and rounds out the season with a night of cabaret at the Park Avenue Armory in New York.

Last season, Graham partnered with Renée Fleming for the San Francisco Symphony's opening-night gala, and joined Anna Netrebko, Plácido Domingo, and a host of other stars to celebrate the Metropolitan Opera's five decades at Lincoln Center. Having created the role of Sister Helen Prejean in the world premiere production of Dead Man Walking  at San Francisco Opera, she reprised her role in Washington National Opera's revival of the piece. She returned to Santa Fe Opera as Prince Orlofsky in a new production of Johann Strauss II's Die Fledermaus, and reprised her signature portrayal of Dido in Berlioz's Les Troyens at the Lyric Opera of Chicago. Concert highlights included selections from Mahler's Des Knaben Wunderhornat Carnegie Hall and Canteloube's Chants d'Auvergne with the Philadelphia Orchestra, as well as a star-studded Der Rosenkavalier at the Boston Symphony. She gave U.S. recitals of "Frauenliebe und -leben Variations," her program inspired by the Schumann song cycle, and expanded her discography with Nonesuch Records' DVD/Blu-ray release of William Kentridge's new treatment of Berg's Lulu, which captured her role debut as Countess Geschwitz at the Met.

Graham's earliest operatic successes were in such trouser roles as Cherubino in Mozart's Le nozze di Figaro. Her technical expertise soon brought mastery of Mozart's more virtuosic roles, like Sesto in La clemenza di Tito, Idamante in Idomeneo and Cecilio in Lucio Silla, as well as the title roles of Handel's Ariodante and Xerxes. She went on to triumph in two iconic Richard Strauss mezzo roles, Octavian in Der Rosenkavalier and the Composer in Ariadne auf Naxos. These brought her to prominence on all the world's major opera stages, including the Met, Lyric Opera of Chicago, San Francisco Opera, Covent Garden, Paris Opera, La Scala, Bavarian State Opera, Vienna State Opera and the Salzburg Festival, among many others. She performed the leading ladies in the MET world premieres of John Harbison's The Great Gatsby  and Tobias Picker's An American Tragedy, and made her Dallas Opera debut as Tina in a new production of The Aspern Papers by Dominick Argento. As Houston Grand Opera's Lynn Wyatt Great Artist, she starred as Prince Orlofsky in the company's first staging of Die Fledermaus in 30 years, before heading an all-star cast as Sycorax in the Met's Baroque pastiche The Enchanted Island  and making her rapturously received musical theater debut in a new production of Rodgers & Hammerstein's The King and I at the Théâtre du Châtelet in Paris.

It was in an early Lyon production of Berlioz's Béatrice et Bénédict that Graham scored particular raves from the international press, and a triumph in the title role of Massenet's Chérubin  at Covent Garden sealed her operatic stardom. Further invitations to collaborate on French music were forthcoming from many preeminent conductors, including Sir Colin Davis, Charles Dutoit, James Levine and Seiji Ozawa. New productions of Gluck's Iphigénie en Tauride, Berlioz's La damnation de Faust  and Massenet's Werther  were mounted for the mezzo in New York, London, Paris, Chicago, San Francisco and beyond. She recently made title role debuts in Offenbach's comic masterpieces La belle Hélène and The Grand Duchess of Gerolstein at Santa Fe Opera, as well as proving herself the standout star of the Met's star-studded revival of Les Troyens, which was broadcast live to cinema audiences worldwide in the company's celebrated "Live in HD" series. Graham's affinity for French repertoire has not been limited to the opera stage, having also served as the foundation for her extensive concert and recital career. Such great cantatas and symphonic song cycles as Berlioz's La mort de Cléopâtreand Les nuits d'été, Ravel's Shéhérazade and Chausson's Poème de l'amour et de la mer  provide opportunities for collaborations with the world's leading orchestras, and she makes regular appearances with the New York Philharmonic, Boston Symphony, Orchestre de Paris and London Symphony Orchestra.

Graham's distinguished discography features all the works described above, as well as a series of lauded solo albums, including Un frisson français, a program of French song recorded with pianist Malcolm Martineau for Onyx; C'est ça la vie, c'est ça l'amour!, an album of 20th-century operetta rarities on Erato; and La Belle Époque, an award-winning collection of songs by Reynaldo Hahn with pianist Roger Vignoles, from Sony Classical. Among the mezzo's numerous honors are Musical America's Vocalist of the Year and an Opera News Award; Gramophone magazine has dubbed her "America's favorite mezzo." View biography in full page >

Tanglewood Festival Chorus
James Burton, BSO Choral Director and Conductor of the Tanglewood Festival Chorus
John Oliver, Founder and Conductor Laureate

This season at Symphony Hall, the Tanglewood Festival Chorus joins the Boston Symphony Orchestra for performances of Mahler's Symphony No. 3 (January 18-20) and Schumann's Nachtlied and Neujahrslied (February 8-10) under BSO Music Director Andris Nelsons; Grieg's incidental music to Peer Gynt under BSO Associate Conductor Ken-David Masur (October 19-24); Berlioz's The Damnation of Faust (October 26-28) and Ravel's complete Daphnis et Chloé (February 15-17) under Charles Dutoit, and Leonard Bernstein's Symphony No. 3, Kaddish, under Giancarlo Guerrero (March 15-17). Members of the chorus also participated in this season's all-Bernstein program on Opening Night. Originally formed under the joint sponsorship of Boston University and the Boston Symphony Orchestra, the all-volunteer Tanglewood Festival Chorus was established in 1970 by its founding conductor John Oliver, who stepped down from his leadership position with the TFC at the end of the 2014 Tanglewood season. Awarded the Tanglewood Medal by the BSO to honor his forty-five years of service to the ensemble, Mr. Oliver now holds the lifetime title of Founder and Conductor Laureate and occupies the Donald and Laurie Peck Master Teacher Chair at the Tanglewood Music Center. In February 2017, having prepared the chorus for that month's BSO performances of Bach's B minor Mass led by Andris Nelsons, the British-born James Burton was named the new Conductor of the Tanglewood Festival Chorus, also being appointed to the newly created position of BSO Choral Director.

Though first established for performances at the BSO's summer home, the Tanglewood Festival Chorus was soon playing a major role in the BSO's subscription season as well as BSO concerts at Carnegie Hall. Now numbering more than 300 members, the ensemble performs year-round with the Boston Symphony and Boston Pops. It has performed with Seiji Ozawa and the BSO in Hong Kong and Japan, and with the BSO in Europe under James Levine and Bernard Haitink, also giving a cappella  concerts of its own on the two latter occasions. The TFC made its debut in April 1970, in a BSO performance of Beethoven's Ninth Symphony with Leonard Bernstein conducting. Its first recording with the orchestra, Berlioz's La Damnation of Faust  with Seiji Ozawa, received a Grammy nomination for Best Choral Performance of 1975. The TFC has since made dozens of recordings with the BSO and Boston Pops, with James Levine, Seiji Ozawa, Bernard Haitink, Sir Colin Davis, Leonard Bernstein, Keith Lockhart, and John Williams. In August 2011, with John Oliver conducting and soloist Stephanie Blythe, the TFC gave the world premiere of Alan Smith's An Unknown Sphere  for mezzo-soprano and chorus, commissioned by the BSO for the ensemble's 40th anniversary. Its most recent recordings on BSO Classics, all drawn from live performances, include a disc of a cappella  music led by John Oliver and released to mark the TFC's 40th anniversary; and, with James Levine conducting, Ravel's complete Daphnis and Chlo?? (a 2009 Grammy-winner for Best Orchestral Performance), Brahms's German Requiem, and William Bolcom's Eighth Symphony for chorus and orchestra (a BSO 125th Anniversary Commission). Besides their work with the BSO, TFC members have performed Beethoven's Ninth Symphony with Zubin Mehta and the Israel Philharmonic; participated in a Saito Kinen Festival production of Britten's Peter Grimes  under Seiji Ozawa in Japan, and sang Verdi's Requiem with Charles Dutoit to help close a month-long International Choral Festival given in and around Toronto. The ensemble had the honor of singing at Sen. Edward Kennedy's funeral; has performed with the Boston Pops for the Boston Red Sox and Boston Celtics; and can be heard on the soundtracks of Clint Eastwood's Mystic River, John Sayles's Silver City, and Steven Spielberg's Saving Private Ryan. TFC members regularly commute from the greater Boston area, western Massachusetts, Connecticut, Rhode Island, New Hampshire, Vermont, and Maine, and TFC alumni frequently return each summer from as far away as Florida and California to sing with the chorus at Tanglewood. Throughout its history, the TFC has established itself as a favorite of conductors, soloists, critics, and audiences alike. View biography in full page >

James Burton was appointed Conductor of the Tanglewood Festival Chorus, and to the new position of BSO Choral Director, in February 2017. Born in London, Mr. Burton began his training at the Choir of Westminster Abbey, where he became head chorister. He was a choral scholar at St. John's College, Cambridge, and holds a master's degree in orchestral conducting from the Peabody Conservatory, where he studied with Frederik Prausnitz and Gustav Meier. He has conducted concerts with the Royal Liverpool Philharmonic, the Orchestra of the Age of Enlightenment, the Hallé, the Orchestra of Scottish Opera, Royal Northern Sinfonia, BBC Concert Orchestra, and Manchester Camerata; in early 2016 he made his debut with the Orquestra Sinfònica Nacional with concerts in the Palacio de Bellas Artes in Mexico City. Opera credits include Don Giovanni and La bohème at English National Opera, Così fan tutte at English Touring Opera, The Magic Flute at Garsington, and Gianni Schicchi and Suor Angelica at the Prague Summer Nights Festival. He has served on the music staff of the Metropolitan Opera, Opéra de Paris, English National Opera, Opera Rara, and Garsington Opera, where he was honored with the Leonard Ingrams Award in 2008. He has also conducted in London's West End and led a UK tour of Bernstein's Wonderful Town in 2012. His extensive choral conducting has included guest invitations with professional choirs including the Gabrieli Consort, the Choir of the Enlightenment, Wroc?aw Philharmonic, and the BBC Singers, with whom he performed at the Dubai Opera house in its inaugural season earlier this year. From 2002 to 2009 he served as choral director at the Hallé Orchestra, where he was music director of the Hallé Choir and founding conductor of the Hallé Youth Choir, winning the Gramophone Choral Award in 2009. He returned to Manchester in 2014, preparing the choirs for a Grammy-nominated recording under Sir Mark Elder of Vaughan Williams's Sea Symphony. From 2002 to 2017 he was music director of the chamber choir Schola Cantorum of Oxford, touring all over the world and recording with Hyperion Records. He collaborates regularly with leading young musicians and in 2017 appeared as guest director of the National Youth Choir of Japan and the Princeton University Glee Club, as well as the Genesis Sixteen. He teaches conducting, and has given master classes at the Royal Academy of Music and the Royal Welsh College of Music. In 2011 he founded a conducting scholarship with Schola Cantorum of Oxford. His compositions and arrangements have been performed internationally, and his orchestral arrangements for Arlo Guthrie have been performed by the Boston Pops, by many other leading U.S. orchestras, and at the Kennedy Center and Carnegie Hall. His commissions have included the music for the 2010 World Equestrian Games opening ceremony, a setting for chorus and orchestra of Thomas Hardy's The Convergence of the Twain commemorating the 100th anniversary of the Titanic disaster, and a recent Christmas carol premiered by the Choir of St. John's College, Cambridge, live on BBC Radio 3. His choral works are published by Edition Peters. As BSO Choral Director and Conductor of the Tanglewood Festival Chorus, James Burton occupies the Alan J. and Suzanne W. Dworsky Chair, endowed in perpetuity.

at Symphony Hall
334 Massachusetts Ave
Boston, United States

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Tugan Sokhiev conducts Brahms and Prokofiev featuring violinist Vadim Gluzman

Tugan Sokhiev conducts Brahms and Prokofiev featuring violinist Vadim Gluzman
Event on 2018-04-28 20:00:00
For his second week of concerts this season, Tugan Sokhiev leads the BSO in Brahms's towering Violin Concerto, with the outstanding, Ukrainian-born, Israeli violin soloist Vadim Gluzman in his BSO winter season debut. Brahms wrote his concerto in 1878 for his lifelong friend Joseph Joachim. Closing the program is Prokofiev's wartime Symphony No. 5, a powerful, searching, and expansive work premiered in January 1945 with the composer conducting. View biography in full page >

Internationally-acclaimed Russian conductor Tugan Sokhiev is Music Director of Orchestre National du Capitole de Toulouse (ONCT) and has now led them for over a decade. He is also Music Director and Chief Conductor of the Bolshoi Theatre in Moscow and until the end of the 2015/16 season served as Music Director of the Deutsches Symphonie-Orchester Berlin.

Plans for the 2016/17 season include performances of La damnation de Faust, Carmen, Katerina Izmailova, Il Viaggio a Reims and The Maid of Orleans at the Bolshoi Theatre, return visits to Berliner Philharmoniker, Philadelphia Orchestra, Philharmonia Orchestra, Vienna Philharmonic (including the Lucerne Festival) and a return to Japan for the NHK Music Festival. He conducts many and varied projects with ONCT within France and on tour in Europe and the Far East.

Recent seasons have included Chicago Symphony, London Symphony Orchestra, Philadelphia Orchestra, Leipzig Gewandhaus, Vienna and Berlin Philharmonics – where critics hailed him 'Dirigentenwunderwaffe' (miracle conductor) – and European touring with the Philharmonia and Mahler Chamber orchestras.  He has toured extensively with ONCT in Europe, Asia, United Kingdom and South America and with DSO Berlin in Europe. He has conducted the Philharmonia Orchestra every season in London since 2003 and toured with them in Europe and has appeared as a guest conductor with Vienna Philharmonic at the Mozartwoche Festival, Finnish Radio Symphony, NHK Symphony, Rotterdam Philharmonic, National Philharmonic of Russia, Accademia Nazionale di Santa Cecilia, RAI Turin, the orchestras of La Scala and the Bayerische Staatsoper, Bournemouth Symphony, Swedish Radio, Oslo Philharmonic, Royal Concertgebouw, Munich Philharmonic and Orchestre National de France. Recent opera has included new productions of Katerina Ismailova and La damnation de Faust at the Bolshoi Theatre.

He built up extensive opera experience early on, including many productions for the Mariinsky and Welsh National Opera and appeared as guest conductor at the Metropolitain Opera New York (with the Mariinsky); Houston Grand Opera, Aix-en-Provence Festival and in Madrid. He was named 'Révélation musicale de l'année' by the French Critics' Union in 2005 for his performance in the Théâtre des Champs-Elysées with Orchestre National du Capitole and in the course of his many collaborations in Toulouse, Berlin, Paris, London and Vienna, swiftly established himself with orchestras, public and critics as an outstanding musician. His discography includes highly-acclaimed recordings for Naïve Classique with Toulouse – including Tchaikovsky's Fourth and Fifth Symphonies, Mussorgsky's Pictures at an Exhibition, Rachmaninov's Symphonic Dances and Prokofiev's Peter and the Wolf andmost recently Stravinsky's Rite of Spring and Firebird.  DSO Berlin releases include Prokofiev's Ivan the Terrible, Fifth Symphony and Scythian Suite for SONY Classical. View biography in full page >

Vadim Gluzman's extraordinary artistry brings to life the glorious violinistic tradition of the 19th and 20th centuries. Gluzman's wide repertoire embraces new music and his performances are heard around the world through live broadcasts and a striking catalogue of award-winning recordings exclusively for the BIS label.

The Israeli violinist appears regularly with major orchestras such as the Berlin Philharmonic, Boston Symphony, Cleveland Orchestra, Chicago Symphony, Philadelphia Orchestra, San Francisco Symphony, Israel Philharmonic, London Philharmonic, London Symphony, and Leipzig Gewandhaus. Gluzman has enjoyed collaborations with many of today's leading conductors, including Christoph von Dohnányi, Tugan Sokhiev, Sir Andrew Davis, Neeme Järvi, Michael Tilson Thomas, Semyon Bychkov, Jukka-Pekka Saraste, Paavo Järvi, Hannu Lintu and Peter Oundjian. His festival appearances include performances at Verbier, Tanglewood, Ravinia, and Lockenhaus, as well as the North Shore Chamber Music Festival in Chicago, Illinois, which was founded by Gluzman and pianist Angela Yoffe, his wife and recital partner.

Highlights of his 2016-17 season include appearances in London at The Proms with the BBC Symphony and Edward Gardner, with the Chicago Symphony under Neeme Järvi, the NDR Elbphilharmonie Orchestra Hamburg under Christoph von Dohnányi, the Deutsches Symphonie-Orchester Berlin under Tugan Sokhiev, and with the Orchestre de Paris under Juraj Val?uha. He will tour the United States with the Orpheus Chamber Orchestra, including an engagement in New York at Carnegie Hall, and perform with Baltimore Symphony, NHK Orchestra in Tokyo, and the Orchestre Philharmonique de Radio France in Paris, among other engagements. Gluzman will lead performances with the Franz Liszt Chamber Orchestra and the ProMusica Chamber Orchestra in Columbus, Ohio, where he continues in his third year as Creative Partner and Principal Guest Artist.

This season Mr. Gluzman will give the world premiere performances of new concertos written for him by two of today's most important composers: Sofia Gubaidulina's Triple Concerto for Violin, Cello and Bayan with Elsbeth Moser, Nicolas Altstaedt and the NDR Radio Philhamonic in Hannover under Andrew Manze; and Elena Firsova's Concerto for Violin and Cello with Johannes Moser and the Deutsches Symphonie-Orchester Berlin under Tugan Sokhiev. Gluzman has given live and recorded premieres of other works by Gubaidulina, as well as Giya Kancheli, Peteris Vasks, Michael Daugherty, and most recently, Lera Auerbach.

Vadim Gluzman's latest CD for the BIS label features Sergey Prokofiev's Violin Concertos No. 1 and 2, as well as the composer's Sonata for Violin Solo, with Estonian National Orchestra conducted by Neeme Järvi. Accolades for his extensive discography on BIS include the Diapason d'Or of the Year, Gramophone's Editor's Choice, Classica Magazine's esteemed Choc de Classica award, and Disc of the Month by The Strad, BBC Music Magazine, ClassicFM, and others.

Born in the former Soviet Union in 1973, Gluzman began violin studies at age 7. He studied with Roman Sne in Latvia and Zakhar Bron in Russia before moving to Israel in 1990, where he became a student of Yair Kless. In the United States, he studied with Arkady Fomin in Dallas and at the Juilliard School with Dorothy DeLay and Masao Kawasaki. Early in his career, Gluzman enjoyed the encouragement and mentorship of Isaac Stern which continued until the Stern's passing in 2001. In 1994 he received the prestigious Henryk Szeryng Foundation Career Award.

Vadim Gluzman plays the legendary 1690 'ex-Leopold Auer' Stradivari on extended loan to him through the generosity of the Stradivari Society of Chicago.

at Symphony Hall
334 Massachusetts Ave
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Annie’s List Dallas Luncheon featuring Senator Kamala Harris

Annie’s List Dallas Luncheon featuring Senator Kamala Harris
Event on 2017-11-10 11:00:00
Join Annie's List for the Dallas Luncheon featuring Senator Kamala Harris. Come hear about Senator Harris's efforts to push forward a progressive agenda in the Senate, while also learning about the importance of organizations that support women like her, such as Annie's List.

On November 10th, connect with political movers and shakers and learn how Annie's List is changing the face of power in North Texas and across the state!

Tickets available at annieslist.com/2017dallaslunch

at Hilton Anatole
2201 Stemmons Freeway
Dallas, United States

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Christoph von Dohnányi conducts J.S. Bach, Beethoven, Bartók and Janá?ek featuring pianist Martin Helmchen

Christoph von Dohnányi conducts J.S. Bach, Beethoven, Bartók and Janá?ek featuring pianist Martin Helmchen
Event on 2017-11-17 13:30:00
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Christoph von Dohnányi is recognized as one of the world's most distinguished conductors. He started his career as assistant to Sir George Solti in Frankfurt and after four years became the youngest General Music Director in Germany, in Lübeck in 1957. He was opera director and GMD at the Frankfurt Opera and Intendant and Chief Conductor at Hamburg State Opera. He was chief conductor at the WDR Sinfonie Orchestra in Cologne and the NDR Sinfonie Orchestra in Hamburg, as well as Principal Conductor and Artistic Adviser of the Philharmonia Orchestra in London, and Principal Guest Conductor and Musical Adviser of L'Orchestre de Paris.

Maestro von Dohnanyi served as sixth Music Director of the Cleveland Orchestra from 1984 to 2002 having been appointed Music Director Designate in 1982. He conducted the orchestra in subscription concerts, in semi-staged concert version opera performances at Severance Hall, and on domestic and international tours to Asia and Europe. He initiated a project conducting world premieres of composers from the Cleveland area. The renovation and the extension of Severance Hall, the founding of the Cleveland Orchestra Youth Orchestra and Youth Chorus were significant achievements during his era as Music Director.

He recorded numerous works with the Cleveland Orchestra: CD releases by Decca feature wide ranging repertoire with works by Mozart, Mahler, Bruckner, Dvorak, Strauss, Ives, Varese, Bartok, Adams, Ruggles, Webern, Ran, Shostakovich and all Schumann symphonies. A compilation of all Beethoven symphonies was recorded by Telarc, and a collection of all Brahms symphonies by Teldec. Live radio broadcast recordings were released by the Cleveland Orchestra, one set in celebration of the orchestra's 75th anniversary and one commemorative box upon finishing his tenure in Cleveland representing his 20 years as Music Director. In 2002 he was named the first Music Director Laureate of the Cleveland Orchestra.

Since ending his tenure in Cleveland Christoph von Dohnányi has been a regular guest conductor with the Boston Symphony, New York Philharmonic, Philadelphia Orchestra, Pittsburgh Symphony, Chicago Symphony and Los Angeles Philharmonic, as well as the Cleveland Orchestra.

Maestro von Dohnányi is Honorary Conductor for Life of the Philharmonia Orchestra. This longstanding partnership began in 1994 when he was appointed Principal Guest Conductor and subsequently became Principal Conductor and Artistic Adviser. In addition to concerts at the South Bank Centre and in venues around England, Dohnányi and the Philharmonia have performed in Europe's musical centers like the Musikverein in Vienna, the Salzburg Festival, Amsterdam's Concertgebouw, the Lucerne Festival and in Paris at the Théâtre des Champs Elyseés. For several seasons they were in residence at the Théâtre du Châtelet presenting new productions of Strauss's Arabella, Die Frau ohne Schatten and Die schweigsame Frau, Schoenberg's Moses und Aron, Stravinsky's Oedipus Rex and Humperdinck's Hänsel und Gretel. His final tour as Principal Conductor of the Philharmonia led them to the U.S., with concerts in Miami's Adrienne Arsht Center for the Performing Arts, at the Walt Disney Concert Hall in Los Angeles, Davies Symphony Hall in San Francisco and at the Orange County Performing Arts Center.

In summer seasons, Maestro von Dohnányi is a frequently seen guest at the Tanglewood Music Festival leading concerts with the Boston Symphony Orchestra including, among many others, the opening concert of the 75th anniversary season of Tanglewood. He conducted the Tanglewood Music Center's 2010 production of Ariadne auf Naxos and in 2013 a performance with the Tanglewood Music Center Orchestra of Mahler's Symphony no.1. At the Ravinia Festival he led the Chicago Symphony in two all Brahms programs in 2011 and a pair of all Beethoven concerts in 2013.

Last season, Mo. von Dohnányi toured with the Philharmonia Orchestra in Europe and conducted the gala concert in London celebrating the orchestra's 70th anniversary. Dohnányi conducts the Orchestre de Paris this season, and leads subscription weeks with the Cleveland Orchestra, New York Philharmonic, and the Boston, Chicago, and Sydney Symphony Orchestras. On May 8, 2016, he led a special concert marking the end of World War II in Europe, leading the Vienna Smphony Orchetra in works by Schoenberg and Beethoven.

His conducting schedule permitting, Maestro von Dohnányi also works with student orchestras of institutions like the New England Conservatory in Boston, Curtis Institute in Philadelphia, the Juilliard School in New York, the Cleveland Institute of Music and, during the summer, at the Tanglewood Music Center.

In November 2013 exceptional events marked his collaboration with the Philharmonia. By invitation of HRH Prince Charles they performed a birthday concert in Buckingham Palace with an all Wagner program, honoring the composer's 200th birthday. The University of London held a ceremony bestowing on Dohnanyi the degree of Doctor of Music, honoris causa, by the Royal Academy of Music.

He has been a frequent guest conductor in concert with the Vienna Philharmonic and at the Vienna State Opera. Herbert von Karajan and his successor Gerard Mortier invited him to the Salzburg Festival. There he led the Vienna Philharmonic in productions of Der Rosenkavalier, Salome, Cosi fan Tutte, Erwartung, Bluebeard's Castle, Die Zauberflöte, and in the world premieres of Henze's Die Bassariden and Cerha's Baal. He also led the Cleveland Orchestra in concerts at the Große Festspielhaus and Felsenreitschule in Salzburg.

For London/Decca he recorded with the Vienna Philharmonic a variety of symphonic works by Schubert, Strauss, Dvorak, Tchaikovsky, all Mendelssohn symphonies and a number of operas, including Beethoven's Fidelio, Berg's Wozzeck and Lulu, Schoenberg's Erwartung, Strauss' Salome, and Wagner's The Flying Dutchman. During opera director Alexander Pereira's tenure Dohnanyi regularly appeared at the Opernhaus Zurich conducting new productions of Strauss's Die Schweigsame Frau, Ariadne auf Naxos, Salome, Elektra, Die Frau ohne Schatten, Stravinsky's Oedipus Rex and Bartók's Bluebeard's Castle, Mozart's Idomeneo, Verdi's Un ballo in maschera, Berg's Wozzeck, Schoenberg's Moses und Aron and Wagner's The Flying Dutchman.

Maestro von Dohnányi has conducted at the world's great opera houses, including Covent Garden, La Scala, the Vienna State Opera, Berlin, Paris and in the US at the Metropolitan Opera, San Francisco Opera and Lyric Opera in Chicago. At the Vienna State Opera he conducted the new production of the Ring des Nibelungen in 1992/93. At the Deutsche Oper Berlin he led the first performance of Henzes Der junge Lord. Herbert von Karajan invited him regularly to conduct the Berlin Philharmonic Orchestra.

He was invited by Wieland Wagner to conduct Tannhäuser und Die Meistersinger von Nürnberg at the Bayreuth Festival, however, after Wieland Wagner's death these contracts were not realized.

Christoph von Dohnányi was born in Berlin in 1929 and studied music in Munich, finishing his studies at the Hochschule für Musik with the award of the Richard Strauss prize of the City of Munich; and at Florida State University with his grandfather, pianist and composer Ernst von Dohnányi. He completed his studies in the US by attending a conducting class at Tanglewood in 1952.

Among his many honors Christoph von Dohnányi has received honorary doctorates of Music from the Eastman School of Music in Rochester, Oberlin College of Music, Cleveland Institute of Music, Kent State University and Case Western Reserve University, London's Royal Academy of Music, and an honorary Doctorate in Humane Letters from the Hebrew Union College – Jewish Institute of Religion, and the Anti-Defamation League's Torch of Freedom Award. He is the recipient of the Goethe plaque of the city of Frankfurt, the prize of Wissenschaft and Forschung of the city of Hamburg and the Bartok medal in Hungary. He is a member of the Order of Arts and Letters of France, and received the Verdienstkreuz of the Republic of Austria and the Bundesverdienstkreuz of the Bundesrepublik Deutschland. View biography in full page >

With his highly virtuosic yet unpretentious style, Martin Helmchen has become one of the great pianists of his generation. Born in 1982, he has made a series of sensational U.S. orchestral debuts, beginning in 2011 at Tanglewood, playing the Schumann Concerto with the Boston Symphony Orchestra under Christoph von Dohnányi. In 2014, with the New York Philharmonic at Lincoln Center, he gave a revelatory performance of the Dvorák Piano Concerto; in 2015, he made his Symphony Hall debut, performing Beethoven's Concerto No. 5 with the Boston Symphony Orchestra; and in 2016, he performed with the Chicago Symphony Orchestra, playing Beethoven's Piano Concerto No. 2. This past season, he debuted with the Mostly Mozart Festival Orchestra at Lincoln Center under Thierry Fischer, performing Mozart's Piano Concerto No. 25. During the 2017/2018 season, he will make debuts with both the San Diego and Kansas City symphonies.

Mr. Helmchen has also appeared with the symphonies of Dallas, Grand Rapids, Houston, Portland (Oregon), Saint Louis, and San Francisco, as well as with the Cleveland Orchestra at Blossom. In May 2014, he made a highly acclaimed recital debut at the Kennedy Center in Washington, D.C.

Among Martin Helmchen's worldwide highlights are performances with the Berlin Philharmonic, Leipzig Gewandhaus Orchestra, London Philharmonic, Orchestre de Paris, Vienna Philharmonic, and the NHK Symphony in Japan. Other international engagements include the City of Birmingham Symphony, Frankfurt Radio Symphony, Gürzenich-Orchester/Cologne, Orchestre Philharmonique de Monte-Carlo, Philharmonia Orchestra/London, Prague Symphony, and the Swedish Chamber Orchestra. Artist-in-Residence with the Zurich Tonhalle Orchestra during the 2011/2012 season, he has also appeared with the BBC/London, Bournemouth Symphony, Deutsche Kammerphilharmonie/Bremen, Dresden Philharmonic, DSO/Berlin, Hallé Orchestra/Manchester, Giuseppe Verdi Symphony/Milan, NDR/Hamburg, Netherlands Philharmonic, Orchestre National de Lyon, Orchestre National de France, Royal Stockholm Philharmonic, Rotterdam Philharmonic, RSO/Berlin, Scottish Chamber Orchestra, and the Stuttgart Radio Orchestra, among others. In France, he tours with La Chambre Philharmonique under Emmanuel Krivine.

Mr. Helmchen has collaborated with such renowned conductors as David Afkham, Marc Albrecht, Herbert Blomstedt, Semyon Bychkov, Christoph von Dohnányi, Sir Mark Elder, Lawrence Foster, Edward Gardner, Valery Gergiev, Hans Graf, Manfred Honeck, Philippe Herreweghe, Pablo Heras-Casado, Marek Janowski, Michail Jurowski, Vladimir Jurowski, Bernhard Klee, Jiri Kout, Sir Neville Marriner, the late Kurt Masur, Andris Nelsons, Sir Roger Norrington, Andrés Orozco-Estrada, Christoph Poppen, Markus Poschner, Michael Sanderling, Heinrich Schiff, Marcus Stenz, Krzysztof Urbanski, Gilbert Varga, and David Zinman, to name a few.

Also an enthusiastic recitalist, Martin Helmchen has performed at prestigious venues around the world, such as The Frick Collection/New York, Carnegie's Weill Recital Hall (with cellist Marie-Elisabeth Hecker), the Coast Recital Society, San Francisco Performances, ArtSpring, the Wigmore Hall/London, and the Alte Oper in Frankfort. He also appears regularly at major German festivals, we well as the Schubertiade, Lockenhaus, and Marlboro. In 2017, he will be artist in residence at Germany's Schwetzingen SWR Festival.

With a passion for chamber music, largely ignited by his early collaborations with the late cellist Boris Pergamenschikow, Mr. Helmchen now performs regularly with Heinrich Schiff and Marie-Elisabeth Hecker. Other partners include Juliane Banse, Veronika Eberle, Julia Fischer (with whom he is on tour in Asia during the current season), Sharon Kam, Gidon Kremer, Sabine Meyer, Christian Tetzlaff, Lars Vogt, and Tabea Zimmermann. Since 2010, he has been an Associate Professor of chamber music at the Kronberg Academy. Last summer he was invited to return to Elena Bashkirova's International Chamber Music Festival in Jerusalem.

An active recording artist, Martin Helmchen's debut disc of Mozart concertos with the Netherlands Chamber Philharmonic was released in September 2007 through his exclusive contract with PentaTone. A second Mozart concerto disc with the same orchestra was released in 2013. His first solo CD, a recording of works by Schubert, won an ECHO Award in 2009. Other discs for PentaTone include the Mendelssohn concertos, the Schumann and Dvorák concertos, and the highly acclaimed complete works of Schubert for violin and piano with Julia Fischer.

Mr. Helmchen studied at the Hochschule für Musik Hanns Eisler in Berlin with Galina Iwanzowa, at the Hochschule für Musik und Theater in Hanover with Arie Vardie, and with William Grant Naboré. His career took off when he won the 2001 Clara Haskil International Piano Competition at the age of nineteen. Other distinctions include a fellowship from the Borletti-Buitoni Trust in 2005; the Credit Suisse Young Artist Award in 2006 (culminating in his debut with the Vienna Philharmonic Orchestra under Valery Gergiev at the Lucerne Festival); and soloist in the "BBC New Generation Artists" program from 2005 to 2007.

at Symphony Hall
334 Massachusetts Ave
Boston, United States

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Opportunity Coalition Event featuring Rick White, President of the Atlantic League of Professional Baseball

Opportunity Coalition Event featuring Rick White, President of the Atlantic League of Professional Baseball
Event on 2017-09-14 17:00:00
Rick White is the President of the Atlantic League of Professional Baseball Clubs, where he supervises the activities of baseball’s leading independent professional league. During his time with the League, Mr. White has overhauled league financial affairs, instituted sponsorship and retail licensing programs and led Pace of Play efforts (reducing average time of game from 3:01 to 2:41) while influencing Major League Baseball to take similar steps.  Due to Mr. White’s efforts, the Atlantic League enjoys the only Working Agreement of its kind with MLB. He is a former Partner at Strategic Marketing Affiliates, a full-service licensing agency representing a portfolio of over 400 North American collegiate properties, recently acquired by Learfield Sports. Mr. White was formerly President and CEO of Imperial Headwear, a top headwear provider to the golf, collegiate and outdoor industries. He led the company to the dominant share of the golf green grass market, with distribution in 98 of North America’s top 100 courses, while driving revenues from M to M, with EBITDA growth from M to over M. White founded Major League Baseball Properties which oversaw trademark licensing, corporate sponsorship, publishing, international and special events. He originated sports’ first head-to-toe authentic fan apparel (“Diamond Collection”), pioneered vintage products (“Cooperstown Collection”), created sports fan festivals (“All-Star FanFest”) and launched MLB Clubhouse Shops. He led licensed product sales from 0M to B and was the first non-Commissioner to be conferred the Baseball Alumni Team’s Big Bat Award. Mr. White founded Strategic Merchandising Associates (precursor to Strategic Marketing Affiliates), a lifestyle-market consulting firm, serving clients such as the Dallas Cowboys, Ivy League, Purdue University and other professional and collegiate teams, leagues, conferences and athletic departments. He was architect of the largest sponsorship in U.S. team sports history (9M) between Adidas and the New York Yankees. After SMA, Mr. White headed subsidiary brands for Nike, including Cole Haan, Nike Team Sports and Bauer-Nike Hockey. Under Mr. White’s direction, revenues grew from 0M to 0M. White also served as CEO of Reed Exhibitions, the largest trade show and conference production company in North America and later as CEO of the Phoenix Footwear Group, where he led sales from M to 0M in just two years. Mr. White is a native of Los Angeles, California. He attended Chapman University, where he was student body president and played on the school’s nationally ranked baseball team. Mr. White was graduating class speaker and was awarded the prestigious International Rotary Fellowship for graduate study abroad. He graduated Magna Cum Laude, with a B.S. in Psychology. He later attended Purdue University’s Krannert School where he earned his MBA. Mr. White has been named Boy Scout Man of the Year and has been awarded the Colorado PGA’s President’s Award.  He is married to Lynne Cribari.  The couple has a daughter, Madison. 

at WeWork | Triangle Building
1550 Wewatta St , 2nd Floor
Denver, United States

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Decibel Magazine Tour Featuring Kreator and Obituary

Decibel Magazine Tour Featuring Kreator and Obituary
Event on 2017-03-22 18:00:00

at House of Blues – Dallas
2200 N Lamar St
Dallas, United States

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Andris Nelsons conducts an All-Mozart Program featuring pianist Radu Lupu, vocal soloists, and chorus

Andris Nelsons conducts an All-Mozart Program featuring pianist Radu Lupu, vocal soloists, and chorus
Event on 2017-04-20 20:00:00
Andris Nelsons leads this all-Mozart program featuring four acclaimed vocalists in Mozart's transformative Requiem, which he began in response to a mysterious commission. The work remained incomplete at his death in 1791, but at Constanze Mozart's request, Mozart's pupil Franz Xaver Süssmayer finished it with remarkable fidelity to the master's style. Opening the program, the great Romanian pianist Radu Lupu plays one of Mozart's most unusual piano concertos, No. 24 in C minor. Composed in the spring of 1786 and premiered by the composer in Vienna, the proto-Romantic C minor is unique in its strangeness and restlessness, and features a fascinating theme-and-variations finale. View biography in full page >

In 2016-17, his third season as the BSO's Ray and Maria Stata Music Director, Andris Nelsons leads the Boston Symphony Orchestra in fourteen wide-ranging subscription programs at Symphony Hall, repeating three of them at New York's Carnegie Hall in late February/early March, followed by two concerts in Montreal and Toronto. In the summer of 2015, following his first season as music director, his contract with the Boston Symphony Orchestra was extended through the 2021-22 season. In addition, in 2017 he becomes Gewandhauskapellmeister of the Gewandhausorchester Leipzig, in which capacity he will also bring the BSO and GWO together for a unique multi-dimensional alliance. Following the 2015 Tanglewood season, Maestro Nelsons and the BSO undertook a twelve-concert, eight-city tour to major European capitals as well as the Lucerne, Salzburg, and Grafenegg festivals. A second European tour, to eight cities in Germany (including the BSO's first performance in Leipzig's famed Gewandhaus), Austria, and Luxembourg, took place in May 2016.

The fifteenth music director in the history of the Boston Symphony Orchestra, Andris Nelsons made his BSO debut at Carnegie Hall in March 2011 with Mahler's Symphony No. 9. He made his Tanglewood debut in July 2012, leading both the BSO and Tanglewood Music Center Orchestra as part of Tanglewood's 75th Anniversary Gala. His first CD with the BSO-live recordings of Wagner's Tannhäuser Overture and Sibelius's Symphony No. 2-was released in November 2014 on BSO Classics. In 2014-15, in collaboration with Deutsche Grammophon, he and the BSO initiated a multi-year recording project entitled "Shostakovich Under Stalin's Shadow," to include live performances of Shostakovich's symphonies 5 through 10 and other works composed under the life-threatening shadow of Soviet dictator Joseph Stalin. Released in July 2015, their first Shostakovich disc-the Symphony No. 10 and the Passacaglia from the opera Lady Macbeth of Mtsensk-won the 2016 Grammy Award for Best Orchestral Performance. May 2016 brought not only the second release in this series-a two-disc set including symphonies 5, 8, and 9 and excerpts from Shostakovich's 1932 incidental music for Hamlet-but also the extension of the collaboration with Deutsche Grammophon to encompass the composer's complete symphonies and Lady Macbeth of Mtsensk. More recently, this past August, their disc of Shostakovich's Symphony No. 10 won Gramophone Magazine's Orchestral Award.

From 2008 to 2015, Andris Nelsons was critically acclaimed as music director of the City of Birmingham Symphony Orchestra. In the next few seasons, he continues his collaborations with the Berlin Philharmonic, Vienna Philharmonic, the Royal Concertgebouw Orchestra of Amsterdam, the Bavarian Radio Symphony Orchestra, and the Philharmonia Orchestra. A regular guest at the Royal Opera House, Vienna State Opera, and Metropolitan Opera, he returned to the Bayreuth Festival in summer 2014 to conduct Wagner's Lohengrin, in a production directed by Hans Neuenfels, which he premiered at Bayreuth in 2010. Under a new, exclusive contract with Deutsche Grammophon, Mr. Nelsons will record the complete Beethoven symphonies with the Vienna Philharmonic and Bruckner symphonies with the Gewandhausorchester Leipzig.

Born in Riga in 1978 into a family of musicians, Andris Nelsons began his career as a trumpeter in the Latvian National Opera Orchestra before studying conducting. He was principal conductor of the Nordwestdeutsche Philharmonie in Herford, Germany, from 2006 to 2009 and music director of the Latvian National Opera from 2003 to 2007. Mr. Nelsons is the subject of a 2013 DVD from Orfeo, a documentary film entitled "Andris Nelsons: Genius on Fire."

(September 2016)

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Radu Lupu is firmly established as one of the most important musicians of his generation and is widely acknowledged as a leading interpreter of the works of Beethoven, Brahms, Mozart and Schubert. Since winning the prestigious Van Cliburn (1966) and Leeds Piano Competitions (1969), Mr. Lupu  has regularly performed as soloist and recitalist in the musical capitals and major festivals of Europe and the United States. He has appeared many times with the Berlin Philharmonic since his debut with that orchestra at the 1978 Salzburg Festival under Herbert von Karajan, and with the Vienna Philharmonic, including the opening concert of the 1986 Salzburg Festival under Riccardo Muti. He is also a frequent visitor to the Royal Concertgebouw Orchestra and all of the major London orchestras. He has played at most notable music festivals and has been a regular guest at the Salzburg and Lucerne Festivals.

In the 2015/16 season Mr. Lupu's engagements will include performances with the Cleveland Orchestra at Teatro alla Scala in Milan and Gasteig in Munich. His first major American appearances were in 1972 with the Cleveland Orchestra under Daniel Barenboim in New York and with the Chicago Symphony led by Carlo Maria Giulini. Concerts with the New York Philharmonic soon followed and Mr. Lupu has since appeared with all of the foremost American orchestras.

Mr. Lupu has made more than 20 recordings for London/Decca, including the complete Beethoven concertos with the Israel Philharmonic and Zubin Mehta, the complete Mozart violin and piano sonatas with Szymon Goldberg, Grieg and Schumann Concertos, Debussy and Franck Violin and Piano Sonatas with Kyung Wha Chung, and numerous solo recordings of Beethoven, Brahms and Schubert. His most recent London/Decca releases are of Schubert's Sonatas, D. 960 and 664, which won a Grammy® Award in 1995, and of Schumann's "Kinderszenen," "Kreisleriana" and "Humoresque," which won an Edison Award in 1995. He has also made two records with pianist Murray Perahia (Sony Classical) and two albums of Schubert Lieder with soprano Barbara Hendricks (EMI). In 1998, for Teldec, he joined Daniel Barenboim for a disc of Schubert works for piano, four hands. In 2001 Decca re-released a 2-CD set of Schubert's music for violin and piano, featuring Mr. Lupu together with Szymon Goldberg.   

Born in Romania in l945, Mr. Lupu began studying the piano at the age of 6 with Lia Busuioseanu. He made his public debut with a complete program of his own music at l2, continuing his studies for several years with Florica Muzicescu and Cella Delavrance. In l96l he won a scholarship to the Moscow State Conservatory where he studied with Galina Eghyazarova, Heinrich Neuhaus and his son, Stanislav Neuhaus. During his seven years at the Moscow Conservatory he won first prize in the l967 Enescu International Competition in addition to the Van Cliburn and Leeds International competitions. In 1989 and again in 2006, he was awarded the prestigious "Abbiati" prize given by the Italian Critics' Association. He is also the recipient of the 2006 Premio Internazionale Arturo Benedetti Michelangeli award. View biography in full page >

View biography in full page >

View biography in full page >

View biography in full page >

Morris Robinson is quickly gaining a reputation as one of the most interesting and sought after basses performing today.

A graduate of the Metropolitan Opera Lindemann Young Artist Development Program, Mr. Robinson made his debut at the Metropolitan Opera in their production of Fidelio.  He has since appeared there as Sarastro in Die Zauberflöte(both in the original production and in the children's English version), Ferrando in Il Trovatore,    the King in Aida, and in roles in NabuccoTannhäuser, and the new productions of Les Troyens  and Salome.  He has also appeared at the San Francisco Opera, Lyric Opera of Chicago, Dallas Opera, Houston Grand Opera, Boston Lyric Opera,  Pittsburgh Opera, Opera Philadelphia, Seattle Opera, Los Angeles Opera, Cincinnati Opera, Boston Lyric Opera, Opera Theater of St. Louis, Vancouver Opera, Wolf Trap Opera, Opera Australia, and the Aix-en-Provence Festival. His many roles include Sarastro in Die Zauberflöte, Osmin in Die Entführung aus dem Serail, Ramfis in Aida,  Zaccaria in Nabucco,  Sparafucile in Rigoletto, Commendatore in Don Giovanni,  Grand Inquisitor in Don Carlos,  Timur inTurandot, the Bonze in Madama Butterfly,  Padre Guardiano in La Forza del Destino,  Ferrando in Il Trovatore,  and Fasolt in Das Rheingold. 

Also a prolific concert singer, Mr. Robinson has appeared with the Chicago Symphony Orchestra, Los Angeles Philharmonic Orchestra, Atlanta Symphony Orchestra, National Symphony Orchestra, Houston Symphony, L'Orchestre Symphonique de Montreal, Ft. Worth Symphony Orchestra, Baltimore Symphony, Met Chamber Orchestra, Nashville Symphony Orchestra, São Paulo Symphony Orchestra, New England String Ensemble, and at the Ravinia, Mostly Mozart, Tanglewood, Cincinnati May, Verbier, and Aspen Music Festivals. He also appeared in Carnegie Hall as part of Jessye Norman's HONOR!  Festival. In recital he has been presented by Spivey Hall in Atlanta, the Savannah Music Festival, the National Academy of Sciences in Washington, DC, the Philadelphia Chamber Music Society, and the Metropolitan Museum of Art in New York City. 

Mr. Robinson's first album, Going Home,  was released on the Decca label. He also appears as Joe in the newly released DVD of the San Francisco Opera production of Show Boat.

This season, Mr. Robinson returns to the Los Angeles Opera as Oroveso in Norma  and the Dallas Opera as Joe inShow Boat.  He also appears in concert with the Los Angeles Master Chorale, Milwaukee Symphony, and Baltimore Symphony, and as the Atlanta Symphony Orchestra's 2015-2016 Artist in Residence, he appears in several concerts and recitals throughout the season. And in the fall of 2016, he makes his debut at the Teatro alla Scala in the title role of Porgy and Bess  conducted by Nikolaus Harnoncourt

An Atlanta native, Mr. Robinson is a graduate of The Citadel and received his musical training from the Boston University Opera Institute. View biography in full page >

This season at Symphony Hall, the Tanglewood Festival Chorus joins the Boston Symphony Orchestra for performances under Andris Nelsons of Prokofiev's Alexander Nevsky cantata, Strauss's Elektra, Bach's motet Komm, Jesu, komm! and chorale Es ist genug, Mendelssohn's Midsummer Night's Dream music, and the American premiere of Gia Kancheli's Dixi (also performing the Prokofiev cantata and Elektra at Carnegie Hall in New York), as well as Berlioz's Resurrexit and Te Deum under Charles Dutoit. Originally formed under the joint sponsorship of Boston University and the Boston Symphony Orchestra, the all-volunteer Tanglewood Festival Chorus was established in 1970 by its founding conductor John Oliver, who stepped down from his leadership position with the TFC this past August. Awarded the Tanglewood Medal by the BSO to honor his forty-five years of service to the ensemble, Mr. Oliver now holds the newly created lifetime title of Founder and Conductor Laureate and will occupy a Master Teacher Chair at the Tanglewood Music Center beginning next summer.

Though first established for performances at the BSO's summer home, the Tanglewood Festival Chorus was soon playing a major role in the BSO's subscription season as well as BSO concerts at Carnegie Hall. Now numbering more than 300 members, the ensemble performs year-round with the Boston Symphony and Boston Pops. It has performed with Seiji Ozawa and the BSO in Hong Kong and Japan, and with the BSO in Europe under James Levine and Bernard Haitink, also giving a cappella concerts of its own on the two latter occasions. The TFC made its debut in April 1970, in a BSO performance of Beethoven's Ninth Symphony with Leonard Bernstein conducting. Its first recording with the orchestra, Berlioz's La Damnation of Faust with Seiji Ozawa, received a Grammy nomination for Best Choral Performance of 1975. The TFC has since made dozens of recordings with the BSO and Boston Pops, with James Levine, Seiji Ozawa, Bernard Haitink, Sir Colin Davis, Leonard Bernstein, Keith Lockhart, and John Williams. In August 2011, with John Oliver conducting and soloist Stephanie Blythe, the TFC gave the world premiere of Alan Smith's An Unknown Sphere for mezzo-soprano and chorus, commissioned by the BSO for the ensemble's 40th anniversary. Its most recent recordings on BSO Classics, all drawn from live performances, include a disc of a cappella music led by John Oliver and released to mark the TFC's 40th anniversary; and, with James Levine conducting, Ravel's complete Daphnis and Chloé (a Grammy-winner for Best Orchestral Performance of 2009), Brahms's German Requiem, and William Bolcom's Eighth Symphony for chorus and orchestra (a BSO 125th Anniversary Commission).

Besides their work with the Boston Symphony, members of the Tanglewood Festival Chorus have performed Beethoven's Ninth Symphony with Zubin Mehta and the Israel Philharmonic; participated in a Saito Kinen Festival production of Britten's  Peter Grimes under Seiji Ozawa in Japan, and sang Verdi's Requiem with Charles Dutoit to help close a month-long International Choral Festival given in and around Toronto. The ensemble had the honor of singing at Sen. Edward Kennedy's funeral; has performed with the Boston Pops for the Boston Red Sox and Boston Celtics; and can also be heard on the soundtracks of Clint Eastwood's Mystic River, John Sayles's Silver City, and Steven Spielberg's Saving Private Ryan. TFC members regularly commute from the greater Boston area, western Massachusetts, Connecticut, Rhode Island, New Hampshire, Vermont, and Maine, and TFC alumni frequently return each summer from as far away as Florida and California to sing with the chorus at Tanglewood. Throughout its history, the TFC has established itself as a favorite of conductors, soloists, critics, and audiences alike.

Tanglewood Festival Chorus
John Oliver,  Founder and Conductor Laureate
2014-15 Winter Season Roster as of June 16, 2015

§ = membership of 40 years or more
* = membership of 35-39 years
# = membership of 25-34 years

Sopranos:

Deborah Abel
Natalie Aldrich
Carol Amaya
Alison Anderson
Emily Anderson
Deborah C. Barry
Kettly Benoit
Debra Benschneider
Michele Bergonzi #
Aimée Birnbaum
Joy Emerson Brewer
Alison M. Burns
Norma Caiazza
Valeska Cambron
Jeni Lynn Cameron
Susan Cavalieri #
Catherine C. Cave
Stephanie Chambers
Anna S. Choi
Lorenzee Cole #
Lisa Conant
Sarah Dorfman Daniello #
Bridget Dennis
Emilia DiCola
Christine Pacheco Duquette *
Sarah Eastman
Amal El-Shrafi
Sarah Evans
Mary A. V. Feldman #
Margaret Felice
Adrianne Fleming
Katherine Barrett Foley
Sandra Brayton Foley
Kaila J. Frymire
Hailey Fuqua
Diana Galeano
Diana Gamet
Chrystina Gastelum
Karen Ginsburg
Bonnie Gleason
Jean Grace
Christina Grandy de Oliveira
Julia Grizzell
Hannah Grube
Ashley Gryta
Beth Grzegorzewski
Carrie Louise Hammond
Cynde Hartman
Alexandra Harvey
Lisa Herrmann
Kathy Ho
Eileen Huang
Maureen Renee Hughes
Stephanie Janes
Polina Dimitrova Kehayova
Carrie Kenney
Ann K. Kilmartin
Donna Kim
Greta Koning
Sarah Kornfeld
Nancy Kurtz
Jane Labriola
Alison E. LaGarry
Barbara Abramoff Levy §
Farah Darliette Lewis
Suzanne Lis
Naomi Lopin Osborne
Sarah Mayo
Hannah McMeans
Christiana Donal Meeks
Deirdre Michael
Kieran Murray
Erin Nafziger
Kathleen O'Boyle
Heather O'Connor
Ebele Okpokwasili-Johnson
Jaylyn Olivo
Laurie Stewart Otten
Kimberly Pearson
Avery Peterman
Laura Stanfield Prichard
Livia M. Racz
Emily Rosenberg
Jessica Rucinski
Adi Rule
Melanie Salisbury #
Casandra Scarlett
Johanna Schlegel
Pamela Schweppe #
Sandra J. Shepard
Joan P. Sherman §
Erin M. Smith
Judy Stafford
Stephanie Steele
Patricia J. Stewart #
Dana R. Sullivan
Emily Suuberg
Jessica Taylor
Sarah Telford #
Nora Anne Watson
Alison L. Weaver
Sarah Wesley
Kirstie Wheeler
Kira Winter
Lauren Woo
Bethany Worrell
Susan Glazer Yospin
Wanzhe Zhang
Meghan Renee ZuverAltos:

Anete Adams
Kristen Ascenzi
Virginia Bailey
Kristen S. Bell
Martha A. R. Bewick
Betty Blanchard Blume #
Betsy Bobo
Lauren A. Boice
Donna J. Brezinski
Sharon Brown
Janet L. Buecker
Janet Casey
Elizabeth Clifford
Cypriana Slosky Coelho
Sarah Cohan
Ethel Crawford #
Abbe Dalton Clark
Kathryn DerMarderosian
Diane Droste #
Barbara Durham
Barbara Naidich Ehrmann #
Paula Folkman *
Debra Swartz Foote
Dorrie Freedman §
Irene Gilbride *
Denise Glennon
Mara Goldberg
Lianne Goodwin
Ana Guigui
Rachel K. Hallenbeck #
Julie Hausmann
Sarah Jacobson
Betty Jenkins
Irina Kareva
Susan L. Kendall
Evelyn Eshleman Kern #
Yoo-Kyung Kim
Eve Kornhauser
Nora Kory

Annie Lee
Katherine Mallin Lilly
Gale Tolman Livingston #
Anne Forsyth Martín
Kristen McEntee
Louise-Marie Mennier
Ana Morel
Louise Morrish
Tracy Elissa Nadolny
Kendra Nutting
Fumiko Ohara #
Andrea Okerholm Huttlin
Maya Pardo
Roslyn Pedlar #
Laurie R. Pessah
Linda Doreen Rapciak
Daniel Roihl
Lori Salzman
Kathleen Hunkele Schardin
Jeanne Ann Sevigny
Elodie Simonis
Anne K. Smith
Ada Park Snider *
Amy Spound
Julie Steinhilber #
Nancy Stevenson *
Celia Tafuri
Lelia Tenreyro-Viana
Michele C. Truhe
Martha F. Vedrine
Cindy M. Vredeveld
Christina Wallace Cooper #
Sara Weaver
Laura Webb
Marguerite Weidknecht #
Karen Thomas Wilcox
Lidiya Yankovskaya
Tibisay Zea Tenors:

Brad W. Amidon #
Armen Babikyan
Brent Barbieri
James Barnswell
John C. Barr #
Victor Calcaterra
Felix M. Caraballo
Ryan Casperson
Chad D. Chaffee
Jiahao Chen
Stephen Chrzan
Andrew Crain #
John Cunningham
Sean Dillon
Tom Dinger
C Paul Dredge
Ron Efromson
Carey D. Erdman
Keith Erskine
Aidan Christopher Gent
Len Giambrone
James E. Gleason
Gregory A. Gonser
Leon Grande
J. Stephen Groff #
David Halloran #
John W. Hickman #
William Hobbib
Stanley G. Hudson #
Pui Chuen Hui
Matthew Jaquith
Timothy O. Jarrett
James R. Kauffman #
Christopher G Keene
Jordan King
Elijah Langille
Michael Lapomardo
Kwan H. Lee
Michael Lemire

Lance Levine
Dane Lighthart
Zachary Lounsbury
Henry Lussier §
Daniel Mahoney
Ronald J. Martin
Mark Mulligan
David Norris *
Jonathan Oakes
Lukas Papenfusscline
John R. Papirio
Kevin Parker
Dwight E. Porter *
Guy F. Pugh
Peter Pulsifer
Nate Ramsayer
Lee Ransom
David L. Raish #
Tom Regan
Brian R. Robinson
Francis Rogers
David Roth
Joshuah Rotz
Carl Schlaikjer
Blake Siskavich
Arend Sluis
Peter L. Smith
Stephen E. Smith
Don P. Sturdy #
Jared A. Suresky
Leslie Tay
Daniel Thompson
Martin S. Thomson
Stephen J. Twiraga
Adam Van der Sluis
Stratton Vitikos
Andrew Wang
Joseph Y. Wang
Matthew Wang
Hyun Yong Woo Basses:

Nicholas Altenbernd
Thomas Anderson
Vartan T. Babikyan
Scott Barton
Nathan Black
Daniel E. Brooks #
Nicholas A. Brown
Stephen J. Buck
Eric Chan
Matthew Collins
George F. Coughlin
Matthew E. Crawford
Michael Cross
Christopher Davey
Arthur M. Dunlap
Michel Epsztein
Jeff Foley
Mark Gianino
Alexander Goldberg
Jim Gordon
Jay S. Gregory #
Andrew Gribbin
Mark L. Haberman #
Jeramie D. Hammond
Geoffrey Herrmann
Robert Hicks
William Hurwitz
Marc J. Kaufman
Nathan Kessel
David M. Kilroy
Will Koffel
Yangming Kou
G.P. Paul Kowal #
Bruce Kozuma #
Carl Kraenzel
Timothy Lanagan #
Ryan M. Landry
Joseph E. Landry
Maxwell Levy
Daniel Lichtenfeld
Nathan Lofton
David K. Lones #
Christopher T. Loschen
Martin F. Mahoney II
Greg Mancusi-Ungaro
James Mangan
Lynd Matt
Patrick McGill
Devon Morin
Eryk P. Nielsen
Richard Oedel
Stephen H. Owades §
William Brian Parker
Sam Filson Parkinson
Donald R. Peck #
Michael Prichard #
Bradley Putnam
Sebastian Rémi
Steven Rogers
Peter Rothstein §
Jonathan Saxton
Charles F. Schmidt
Karl Josef Schoellkopf #
Andrew Scoglio
Stefan Sigurjonsson
Kenneth D. Silber
Matthew Stansfield
Mark Stepner
Scott Street
Charles Sullivan
Joseph J. Tang
Craig A. Tata
Alexander Teplansky
Stephen Tinkham
Samuel Truesdell
Bradley Turner #
Arthur Turton
Jonathan VanderWoude
Thomas C. Wang #
Terry Ward #
Matt Weaver
Peter J. Wender §
Lawson L.S. Wong
Carl T. Wrubel
Channing YuWilliam Cutter, Rehearsal Conductor
Martin Amlin, Rehearsal Pianist
Eileen Huang, Rehearsal Pianist
Matthew A. Larson, Rehearsal Pianist
Erik Johnson, Chorus Manager
Emily W. Siders, Assistant Chorus Manager

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Andris Nelsons conducts Schuller, Mozart and Beethoven featuring pianist Emanuel Ax

Andris Nelsons conducts Schuller, Mozart and Beethoven featuring pianist Emanuel Ax
Event on 2017-02-21 20:00:00
Andris Nelsons and Emanuel Ax team up for one of the pianist's favorites, Mozart's gregarious, large-scale Piano Concerto in E-flat, K.482, composed in late 1785 when Mozart was also working on his comic opera The Marriage of Figaro. The American composer Gunther Schuller wrote his kaleidoscopic Seven Studies on Themes of Paul Klee in 1959. Each of its movements is based on a different Klee work, inspiring from the composer a wealth of styles ranging from the blues to mysterious modernism. Closing the program is Beethoven's revolutionary Symphony No. 3, Eroica, which radically expanded the boundaries of the symphonic genre. View biography in full page >

In 2016-17, his third season as the BSO's Ray and Maria Stata Music Director, Andris Nelsons leads the Boston Symphony Orchestra in fourteen wide-ranging subscription programs at Symphony Hall, repeating three of them at New York's Carnegie Hall in late February/early March, followed by two concerts in Montreal and Toronto. In the summer of 2015, following his first season as music director, his contract with the Boston Symphony Orchestra was extended through the 2021-22 season. In addition, in 2017 he becomes Gewandhauskapellmeister of the Gewandhausorchester Leipzig, in which capacity he will also bring the BSO and GWO together for a unique multi-dimensional alliance. Following the 2015 Tanglewood season, Maestro Nelsons and the BSO undertook a twelve-concert, eight-city tour to major European capitals as well as the Lucerne, Salzburg, and Grafenegg festivals. A second European tour, to eight cities in Germany (including the BSO's first performance in Leipzig's famed Gewandhaus), Austria, and Luxembourg, took place in May 2016.

The fifteenth music director in the history of the Boston Symphony Orchestra, Andris Nelsons made his BSO debut at Carnegie Hall in March 2011 with Mahler's Symphony No. 9. He made his Tanglewood debut in July 2012, leading both the BSO and Tanglewood Music Center Orchestra as part of Tanglewood's 75th Anniversary Gala. His first CD with the BSO-live recordings of Wagner's Tannhäuser Overture and Sibelius's Symphony No. 2-was released in November 2014 on BSO Classics. In 2014-15, in collaboration with Deutsche Grammophon, he and the BSO initiated a multi-year recording project entitled "Shostakovich Under Stalin's Shadow," to include live performances of Shostakovich's symphonies 5 through 10 and other works composed under the life-threatening shadow of Soviet dictator Joseph Stalin. Released in July 2015, their first Shostakovich disc-the Symphony No. 10 and the Passacaglia from the opera Lady Macbeth of Mtsensk-won the 2016 Grammy Award for Best Orchestral Performance. May 2016 brought not only the second release in this series-a two-disc set including symphonies 5, 8, and 9 and excerpts from Shostakovich's 1932 incidental music for Hamlet-but also the extension of the collaboration with Deutsche Grammophon to encompass the composer's complete symphonies and Lady Macbeth of Mtsensk. More recently, this past August, their disc of Shostakovich's Symphony No. 10 won Gramophone Magazine's Orchestral Award.

From 2008 to 2015, Andris Nelsons was critically acclaimed as music director of the City of Birmingham Symphony Orchestra. In the next few seasons, he continues his collaborations with the Berlin Philharmonic, Vienna Philharmonic, the Royal Concertgebouw Orchestra of Amsterdam, the Bavarian Radio Symphony Orchestra, and the Philharmonia Orchestra. A regular guest at the Royal Opera House, Vienna State Opera, and Metropolitan Opera, he returned to the Bayreuth Festival in summer 2014 to conduct Wagner's Lohengrin, in a production directed by Hans Neuenfels, which he premiered at Bayreuth in 2010. Under a new, exclusive contract with Deutsche Grammophon, Mr. Nelsons will record the complete Beethoven symphonies with the Vienna Philharmonic and Bruckner symphonies with the Gewandhausorchester Leipzig.

Born in Riga in 1978 into a family of musicians, Andris Nelsons began his career as a trumpeter in the Latvian National Opera Orchestra before studying conducting. He was principal conductor of the Nordwestdeutsche Philharmonie in Herford, Germany, from 2006 to 2009 and music director of the Latvian National Opera from 2003 to 2007. Mr. Nelsons is the subject of a 2013 DVD from Orfeo, a documentary film entitled "Andris Nelsons: Genius on Fire."

(September 2016)

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Born in Lvov, Poland, Emanuel Ax moved to Winnipeg, Canada, with his family when he was a young boy. His studies at the Juilliard School were supported by the sponsorship of the Epstein Scholarship Program of the Boys Clubs of America, and he subsequently won the Young Concert Artists Award. Additionally, he attended Columbia University where he majored in French. Mr. Ax captured public attention in 1974 when he won the first Arthur Rubinstein International Piano Competition in Tel Aviv. In 1975 he won the Michaels Award of Young Concert Artists followed four years later by the coveted Avery Fisher Prize.

Two major projects are planned for the second half of the upcoming 2014-15 season, the first being a two week "Celebrate the Piano" festival with the Toronto Symphony curated by Mr. Ax that will present performances by multiple pianists, including Mr. Ax, exploring the many facets of the piano. The second will be a European  tour with the Philadelphia Orchestra and Yannick Nézet-Séguin beginning with a joint appearance in Carnegie Hall. Throughout the season he will return to the orchestras of New York, Los Angeles, San Francisco, Boston, Cincinnati, Dallas, Washington, Nashville, Atlanta, St. Louis, Montreal and Ottawa. Recitals will take him to Vancouver, San Francisco and the mid-west ending in Lincoln Center's Tully Hall where he will also appear in duo with baritone Simon Keenlyside. In Europe he will return to the Berlin Philharmonic followed by a tour to Vienna, Salzburg, Graz and London performing Winterreise with Simon Keenlyside as well as presenting both Brahms Concerti in Amsterdam and Paris with the Chamber Orchestra of Europe under Bernard Haitink. Other European orchestras this season feature the London Symphony, Czech Philharmonic, Tonhalle Zurich and the National Orchestras of Toulouse and Lyon.

The 2013/14 season began with appearances at the Barbican Centre followed by Lincoln Center with the London Symphony Orchestra conducted by Bernard Haitink as well as collaborations with the Concertgebouworkester and Mariss Jansons in Amsterdam, Bucharest, China and Japan during their world-wide centenary celebrations. The second half of the season saw the realization of a project inspired by Brahms which included new pieces from composers Missy Mazzoli, Nico Muhly, and Brett Dean all producing works linked to Brahms commissioned jointly between the Los Angeles Philharmonic, Cal Performances Berkeley, Chicago Symphony and Carnegie Hall with the participation of collaborators Anne-Sophie von Otter and Yo-Yo Ma. To conclude the season, he traveled  to Hong Kong and Australia for a complete cycle of Beethoven concerti with Chief Conductor David Robertson in Sydney and with Sir Andrew Davis in Melbourne.

A Sony Classical exclusive recording artist since 1987, recent releases include Mendelssohn Trios with Yo-Yo- Ma and Itzhak Perlman, Strauss's Enoch Arden narrated by Patrick Stewart, and discs of two-piano music by Brahms and Rachmaninoff with Yefim Bronfman. Mr. Ax has received GRAMMY® Awards for the second and third volumes of his cycle of Haydn's piano sonatas. He has also made a series of Grammy-winning recordings with cellist Yo-Yo Ma of the Beethoven and Brahms sonatas for cello and piano. His other recordings include the concertos of Liszt and Schoenberg, three solo Brahms albums, an album of tangos by Astor Piazzolla, and the premiere recording of John Adams's Century Rolls with the Cleveland Orchestra for Nonesuch. In the 2004/05 season Mr. Ax also contributed to an International EMMY® Award-Winning BBC documentary commemorating the Holocaust that aired on the 60th anniversary of the liberation of Auschwitz. In 2013, Mr. Ax's recording Variations received the Echo Klassik Award for Solo Recording of the Year (19th century music)/Piano.

In recent years, Mr. Ax has turned his attention toward the music of 20th-century composers, premiering works by John Adams, Christopher Rouse, Krzysztof Penderecki, Bright Sheng, and Melinda Wagner. Mr. Ax is also devoted to chamber music, and has worked regularly with such artists as Young Uck Kim, Cho-Liang Lin, Mr. Ma, Edgar Meyer, Peter Serkin, Jaime Laredo, and the late Isaac Stern.
Mr. Ax resides in New York City with his wife, pianist Yoko Nozaki. They have two children together, Joseph and Sarah. He is a Fellow of the American Academy of Arts and Sciences and holds honorary doctorates of music from Yale and Columbia Universities.

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François-Xavier Roth conducts Berlioz, Pintscher and Beethoven featuring cellist Alisa Weilerstein

François-Xavier Roth conducts Berlioz, Pintscher and Beethoven featuring cellist Alisa Weilerstein
Event on 2017-03-25 20:00:00

American cellist Alisa Weilerstein joins French conductor François-Xavier Roth for the world premiere of the BSO-commissioned un despertar, for cello and orchestra by German composer Matthias Pintscher, with whom Weilerstein has collaborated in the past. Pintscher, also a noted conductor, is a major figure in classical music in both Europe and the U.S. Opening the program is Hector Berlioz's alternately romantic and swashbuckling Le Corsaire Overture, which, as was often the composer's practice, took shape from earlier sketches. The title is an incidental reference to James Fenimore Cooper's The Red Rover ("Le Corsaire rouge"). Beethoven's Symphony No. 6, Pastoral, is his only explicitly programmatic symphony, a fundamentally cheerful work illustrating a sojourn in the countryside. View biography in full page >

François-Xavier Roth, born in Paris in November 1971, is one of the most charismatic and enterprising conductors of his generation. He is General Music Director of the City of Cologne, leading both the Gürzenich Orchestra and the Opera, and Principal Conductor of the SWR Sinfonieorchester Baden-Baden und Freiburg.

His repertoire ranges from music of the seventeenth century to contemporary work and encompasses all genres: symphonic, operatic and chamber. In 2003, he founded the innovative orchestra, Les Siècles, which performs contrasting and colourful programmes on modern and period instruments, often within the same concert. With Les Siècles, he has given concerts in France, Italy, Germany, England and Japan. To mark the centenary of The Rite of Spring, they toured the work on period instruments including performances at the BBC Proms and the Alte Oper, Frankfurt, captured in a widely acclaimed and award-winning recording. They will partner with the Pina Bausch Company for danced performances of the work in Summer 2016.

In its 70th anniversary year, he leads the SWR Sinfonieorchester Freiburg & Baden-Baden in guest visits to London (BBC Proms), Hamburg and the Lucerne and Berlin Festivals. They will complete their cycle of performances and recordings of the symphonic poems of Richard Strauss. With this orchestra he has premiered works by Philippe Manoury, Yann Robin and Georg-Friedrich Haas and collaborated with composers Wolfgang Rihm, Jörg Widmann and Helmut Lachenmann.

With a reputation for enterprising programming, his incisive approach and communication skills are valued around the world. He is working with leading orchestras including the Berlin Philharmonic, Royal Concertgebouw and Boston Symphony. Over the next two seasons he curates a series, with the London Symphony, exploring the musical legacy of the post-Romantic period.

His work in the opera house has included productions of Thomas' Mignon, Offenbach's Les Brigands and Delibes' Lakmé at the Opéra Comique in Paris, Morton Feldman's Neither at the Berlin Staatsoper and Wagner's The Flying Dutchman with Les Siècles. His first Cologne opera season includes Berlioz' Benvenuto Cellini, in a new production by La Fura dels Baus and Mozart's Don Giovanni.

Outreach projects are an important aspect of François-Xavier Roth's work. He is conductor of the ground-breaking LSO Panufnik Young Composers Scheme and, with the Festival Berlioz and Les Siècles, founded the Jeune Orchestre Européen Hector Berlioz, an orchestra-academy with its own collection of period instruments. Roth and Les Siècles devised Presto!, their own television series for France 2, attracting weekly audiences of over three million. In Cologne, he has announced initiatives to take music to new, unconventional venues and initiate collaborations with the City's cultural institutions. View biography in full page >

"A young cellist whose emotionally resonant performances of both traditional and contemporary music have earned her international recognition, … Weilerstein is a consummate performer, combining technical precision with impassioned musicianship." So stated the MacArthur Foundation when awarding Alisa Weilerstein a 2011 MacArthur "genius grant" Fellowship, prompting the New York Times to respond: "Any fellowship that recognizes the vibrancy of an idealistic musician like Ms. Weilerstein … deserves a salute from everyone in classical music." In performances marked by intensity, sensitivity, and a wholehearted immersion in each of the works she interprets, the American cellist has long proven herself to be in possession of a distinctive musical voice. An exclusive recording artist for Decca Classics since 2010, she is the first cellist to be signed by the prestigious label in more than 30 years.

To launch the 2014-15 season, Weilerstein joined the Milwaukee Symphony and Edo de Waart for the Elgar concerto, which is also the vehicle for engagements with the Cleveland Orchestra, Dallas Symphony, London's Philharmonia Orchestra, the Stuttgart Symphony, the Netherlands Philharmonic, and Tokyo's NHK Symphony. She plays Dvorák with the New York Philharmonic and Christoph von Dohnányi; Haydn on a German tour with the Australian Chamber Orchestra; and Shostakovich with England's Hallé Orchestra, the Warsaw Philharmonic, and the Orchestra of St. Luke's at Carnegie Hall; and collaborates with the Orchestre de Paris, Zurich's Tonhalle Orchestra, Berlin's Konzerthausorchester, the Montreal Symphony, the Czech Philharmonic, Denmark's Aalborg Symphony, Spain's Orquesta de Valencia, and the Luxembourg Philharmonic. Upcoming recital highlights include appearances in Boston, Aspen, and London's Wigmore Hall, where Weilerstein showcases repertoire from Solo, her 2014 Decca compilation of unaccompanied 20th-century cello music. The album's centerpiece is Kodály's Sonata, a signature work that she also performs on the soundtrack of If I Stay, a 2014 feature film starring Chloë Grace Moretz, in which the cellist makes a cameo appearance as herself.

For her first album on the Decca label, Weilerstein recorded the Elgar and Elliott Carter cello concertos with Daniel Barenboim and the Staatskapelle Berlin. The disc was named "Recording of the Year 2013" by both Norman Lebrecht and BBC Music magazine, which featured the cellist on the cover of its May 2014 issue. On her second Decca disc, released in early 2014, she plays Dvorák's Cello Concerto with Jirí Belohlávek and the Czech Philharmonic.

Weilerstein's major career milestones include an emotionally devastating account of Elgar's concerto with the Berlin Philharmonic and Daniel Barenboim in Oxford, England, for the orchestra's 2010 European Concert, which was televised live to an audience of millions worldwide, and subsequently released on DVD by EuroArts. She and Barenboim reunited in 2012-13 to play Elliott Carter's concerto on a German tour with the Berlin Staatskapelle. In 2009, she was one of four artists invited by Michelle Obama to participate in a widely celebrated and high profile classical music event at the White House, featuring student workshops hosted by the First Lady and performances before guests including President Obama and the First Family. A month later, Weilerstein toured Venezuela as soloist with the Simón Bolívar Symphony Orchestra under Gustavo Dudamel. She has since made numerous return visits to teach and perform with the orchestra as part of its famed El Sistema music education program. Other highlights of recent seasons include her debuts at the BBC Proms in 2010, and with England's Academy of St. Martin-in-the-Fields, which she joined in 2013 for a 16-city U.S. tour.

Committed to expanding the cello repertoire, Weilerstein is an ardent champion of new music. She gave the New York premiere of Matthias Pintscher's Reflections on Narcissus under the composer's own direction during the New York Philharmonic's inaugural 2014 Biennial, and has worked extensively with Osvaldo Golijov, who rewrote Azul for cello and orchestra (originally premiered by Yo-Yo Ma) for her New York premiere performance at the opening of the 2007 Mostly Mozart Festival. Weilerstein has since played the work with orchestras around the world, besides frequently programming the Argentinean composer's  Omaramor for solo cello. At the 2008 Caramoor festival, she gave the world premiere of Lera Auerbach's 24 Preludes for Violoncello and Piano  with the composer at the keyboard, and the two have subsequently reprised the work at the Schleswig-Holstein Festival, the Kennedy Center, and for San Francisco Performances. Joseph Hallman, a 2014 Grammy Award nominee, has also written multiple works for Weilerstein, including a cello concerto that she premiered with the St. Petersburg Philharmonic in 2008.

Weilerstein has appeared at major music festivals throughout the world, including Aspen, Bad Kissingen, Delft, Edinburgh, Jerusalem Chamber Music, La Jolla SummerFest, Mostly Mozart, Salzburg, Schleswig-Holstein, Tanglewood, and Verbier. In addition to her appearances as a soloist and recitalist, Weilerstein performs regularly as a chamber musician. She has been part of a core group of musicians at the Spoleto Festival USA for the past eight years and also performs with her parents, Donald and Vivian Hornik Weilerstein, as the Weilerstein Trio, the trio-in-residence at Boston's New England Conservatory.

The cellist is the winner of both Lincoln Center's 2008 Martin E. Segal prize for exceptional achievement and the 2006 Leonard Bernstein Award. She received an Avery Fisher Career Grant in 2000 and was selected for two prestigious young artists programs in the 2000-01 season: the ECHO (European Concert Hall Organization) "Rising Stars" recital series and the Chamber Music Society of Lincoln Center's Chamber Music Society Two.

Born in 1982, Weilerstein discovered her love for the cello at just two and a half, when her grandmother assembled a makeshift set of instruments from cereal boxes to entertain her while she was ill with chicken pox. Although immediately drawn to the Rice Krispies box cello, Weilerstein soon grew frustrated that it didn't produce any sound. After persuading her parents to buy her a real cello at the age of four, she developed a natural affinity for the instrument and gave her first public performance six months later. At 13, in October 1995, she played Tchaikovsky's "Rococo" Variations for her Cleveland Orchestra debut, and in March 1997 she made her first Carnegie Hall appearance with the New York Youth Symphony. A graduate of the Young Artist Program at the Cleveland Institute of Music, where she studied with Richard Weiss, the cellist also graduated in May 2004 with a degree in History from Columbia University. In November 2008, Weilerstein, who was diagnosed with type 1 diabetes when she was nine, became a Celebrity Advocate for the Juvenile Diabetes Research Foundation.

Last updated October 2014. Contact Opus 3 Artists for the most up-to-date version.

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Sakari Oramo conducts Sibelius and Busoni featuring pianist Kirill Gerstein

Sakari Oramo conducts Sibelius and Busoni featuring pianist Kirill Gerstein
Event on 2017-03-10 13:30:00
Finnish conductor Sakari Oramo and Russian pianist Kirill Gerstein return to Symphony Hall, joining the BSO and the men of the Tanglewood Festival Chorus for the visionary Italian composer Ferruccio Busoni's monumental Piano Concerto, a fascinating but rarely heard work of Mahlerian scope dating from the first years of the 20th century. These are the first BSO performances. (Future BSO conductor Karl Muck led the premiere in Berlin in 1904.) Opening the program is a very different sort of piece from the same era, Jean Sibelius's Symphony No. 3, a sunny, open work with numerous touches of folk-music simplicity. View biography in full page >

Sakari Oramo is Chief Conductor of the Finnish Radio Symphony Orchestra, Principal Conductor of Kokkola Opera, and Chief Conductor and Artistic Advisor of the Royal Stockholm Philharmonic Orchestra. Between 1999 and 2008 he was Music Director of the City of Birmingham Symphony Orchestra.

Oramo appears regularly as guest conductor with the most prestigious orchestras, including the Berliner Philharmoniker, Royal Concertgebouw Orchestra, NDR Sinfonieorchester and the New York and Oslo Philharmonics. Future highlights include engagements with the Boston Symphony Orchestra, Göteborgs Symfoniker, Staatskapelle Dresden, Orchestre de Paris and a European tour with the Chamber Orchestra of Europe in April 2010.

Originally a concertmaster of the orchestra and an accomplished violinist, Sakari Oramo rose to prominence after stepping in to conduct the Finnish Radio Symphony Orchestra at a very short notice. The success of this concert led to his appointment as Associate Principal Conductor with the orchestra in 1993, becoming their Chief Conductor in 2003.

During his ten seasons as Music Director of the City of Birmingham Symphony Orchestra, Sakari Oramo toured extensively with the orchestra, including a visit to Romania in 2001 where he was awarded the prize for an "outstanding performance of Enescu's work" at the George Enescu International Festival in Bucharest.

Oramo's programmes reflect his Finnish origins, and explore the English tradition through composers such as Bax, Bridge, Britten, Elgar, Vaughan Williams, Walton and Constant Lambert. He is also a strong advocate of contemporary music. In 2003 he was Artistic Director of 'Floof' – the City of Birmingham Symphony Orchestra's critically-acclaimed new music festival.

Sakari Oramo has many recordings to his credit. With the Finnish Radio Symphony Orchestra he has recorded for Ondine a number of discs, including twentieth and twenty-first century works by Finish composer such as Klami, Pingoud, Kaipainen and Lindberg. Oramo has also featured on record as a violinist, performing Kurtag's Kafka-Fragments with the soprano Anu Komsi, as well as works by Magnus Lindberg with the Avanti! String Quartet and with the Avanti! Chamber Orchestra for Ondine.

Oramo's highly-acclaimed discs with the City of Birmingham Symphony Orchestra on Warner Classics include a live recording of Mahler's Symphony No. 5, a complete Sibelius Symphony Cycle, and Grieg and Sibelius songs with soprano Karita Mattila. He has also recorded Shostakovich's Violin Concerto No.1 with Leila Josefowicz, and the Rachmaninov Piano Concertos with Nikolai Lugansky. His complete set of Saint-Saëns Piano Concertos with Stephen Hough for Hyperion has earned several awards, including the Gramophone 'Gold Disc' Award in 2008.

In June 2004, Sakari Oramo received an Honorary Doctorate from the University of Central England, Birmingham, in recognition of his outstanding contribution to the musical life of the city. In 2008 he was awarded  the Elgar Medal for furthering the reputation of Elgar and his music, and in 2009 he received an Honorary OBE from HM the Queen in recognition of his services to music. View biography in full page >

The multifaceted pianist Kirill Gerstein is rapidly ascending into classical music's highest ranks. With a masterful technique, discerning intelligence, and a musical curiosity that has led him to explore repertoire spanning centuries and numerous styles, he has proven to be one of today's most intriguing and versatile musicians.

Mr. Gerstein is the sixth recipient of the prestigious Gilmore Artist Award, presented every four years to an exceptional pianist who, regardless of age or nationality, possesses broad and profound musicianship and charisma and who desires and can sustain a career as a major international concert artist. Since receiving the award in 2010, Mr. Gerstein has shared his prize through the commissioning of boundary-crossing new works by Oliver Knussen, Chick Corea, Brad Mehldau, Timothy Andres and Alexander Goehr. Mr. Gerstein was also awarded First Prize at the 2001 Arthur Rubinstein Piano Competition in Tel Aviv, received a 2002 Gilmore Young Artist Award and a 2010 Avery Fisher Grant.

Highlights of his 2015-16 season in North America include performances of Scriabin's Prometheus: Poem of Fire with Ricardo Muti and the Chicago Symphony, Rachmaninoff Concerto No. 2 with Semyon Bychkov and the Berlin Philharmonic, Rachmaninoff Concerto No. 1 with the Cleveland Orchestra, and playing both of George Gershwin's piano concertos in the original jazz-band version to open New York's 92nd Street Y's 15/16 season; re-engagements with the Los Angeles Philharmonic as well as with the Toronto, Cincinnati, Dallas, Houston, Colorado, Utah and Oregon symphonies and the National Arts Centre Orchestra; a tour to Australia and New Zealand; his debut with the Royal Concertgebouw with concerts in Amsterdam and Frankfurt; a European tour with the Czech Philharmonic; and recitals in New York and Houston.

Kirill Gerstein's recent North American engagements include performances with the New York Philharmonic, the Philadelphia and Minnesota Orchestras, and the Boston, St. Louis, San Francisco, Atlanta, Baltimore, Detroit, Indianapolis and Montreal symphonies among others. He has also recently appeared at the Aspen Music Festival, Santa Fe Chamber Music Festival, Chicago's Grant Park, Tanglewood with the Boston Symphony, Blossom with the Cleveland Orchestra, and with the Philadelphia Orchestra at the Bravo! Vail Valley Festival, Mann Music Center and Saratoga; and performed in recital at New York's 92nd St. Y and Zankel Hall at Carnegie Hall, the Kennedy Center and in Boston, Toronto, Berkeley, Vancouver, Detroit, Miami and Princeton.

Internationally, Kirill Gerstein has played with such prominent European orchestras as the Czech, Munich, Rotterdam and London Philharmonics, the City of Birmingham Symphony Orchestra, Deutsches Symphonie-Orchester Berlin, Dresden Staatskappelle, Finnish Radio Orchestra, Tonkünstler Orchestra Vienna, WDR Symphony Orchestra Cologne and the Zurich Tonhalle, as well as with the NHK Symphony Orchestra in Tokyo. He has performed recitals in Paris, Prague, Hamburg, London's Wigmore Hall and Queen Elizabeth Hall, and at the Liszt Academy in Budapest. He made his Salzburg Festival debut playing solo and two piano works with Andras Schiff and has also appeared at the Lucerne and Jerusalem Chamber Music Festivals as well as at the Proms in London.

Mr. Gerstein's second solo recording featuring Mussorgsky's Pictures at an Exhibition and Schumann's Carnaval was released by Myrios Classics in June 2014. His first solo recording with works by Schumann, Liszt and Oliver Knussen, also for Myrios, was chosen by The New York Times as one of the best recordings of 2010. He also collaborated with Tabea Zimmerman on two recordings of sonatas for viola and piano for Myrios, released in February 2011 and November 2012. His most recent recording of the Tchaikovsky Piano Concerto No. 1 and the Prokofiev Piano Concerto No. 2 with the Deutsches Symphonie-Orchester Berlin was released by Myrios in March 2015 and is the first recording using the new critical edition recently completed by the Tchaikovsky Museum in Moscow using the composer's original second version.

Born in 1979 in Voronezh, Russia, Mr. Gerstein studied piano at a special music school for gifted children and taught himself to play jazz by listening to his parents' extensive record collection. At the age of 14, he came to the United States to study jazz piano as the youngest student ever to attend Boston's Berklee College of Music. After completing his studies in three years and following his second summer at the Boston University program at Tanglewood, Mr. Gerstein turned his focus back to classical music and moved to New York City to attend the Manhattan School of Music, where he studied with Solomon Mikowsky and earned both Bachelors and Masters of Music degrees by the age of 20. He continued his studies in Madrid with Dmitri Bashkirov and in Budapest with Ferenc Rados.

Mr. Gerstein became an American citizen in 2003 and divides his time between the United States and Germany. View biography in full page >

This season at Symphony Hall, the Tanglewood Festival Chorus joins the Boston Symphony Orchestra for performances under Andris Nelsons of Prokofiev's Alexander Nevsky cantata, Strauss's Elektra, Bach's motet Komm, Jesu, komm! and chorale Es ist genug, Mendelssohn's Midsummer Night's Dream music, and the American premiere of Gia Kancheli's Dixi (also performing the Prokofiev cantata and Elektra at Carnegie Hall in New York), as well as Berlioz's Resurrexit and Te Deum under Charles Dutoit. Originally formed under the joint sponsorship of Boston University and the Boston Symphony Orchestra, the all-volunteer Tanglewood Festival Chorus was established in 1970 by its founding conductor John Oliver, who stepped down from his leadership position with the TFC this past August. Awarded the Tanglewood Medal by the BSO to honor his forty-five years of service to the ensemble, Mr. Oliver now holds the newly created lifetime title of Founder and Conductor Laureate and will occupy a Master Teacher Chair at the Tanglewood Music Center beginning next summer.

Though first established for performances at the BSO's summer home, the Tanglewood Festival Chorus was soon playing a major role in the BSO's subscription season as well as BSO concerts at Carnegie Hall. Now numbering more than 300 members, the ensemble performs year-round with the Boston Symphony and Boston Pops. It has performed with Seiji Ozawa and the BSO in Hong Kong and Japan, and with the BSO in Europe under James Levine and Bernard Haitink, also giving a cappella concerts of its own on the two latter occasions. The TFC made its debut in April 1970, in a BSO performance of Beethoven's Ninth Symphony with Leonard Bernstein conducting. Its first recording with the orchestra, Berlioz's La Damnation of Faust with Seiji Ozawa, received a Grammy nomination for Best Choral Performance of 1975. The TFC has since made dozens of recordings with the BSO and Boston Pops, with James Levine, Seiji Ozawa, Bernard Haitink, Sir Colin Davis, Leonard Bernstein, Keith Lockhart, and John Williams. In August 2011, with John Oliver conducting and soloist Stephanie Blythe, the TFC gave the world premiere of Alan Smith's An Unknown Sphere for mezzo-soprano and chorus, commissioned by the BSO for the ensemble's 40th anniversary. Its most recent recordings on BSO Classics, all drawn from live performances, include a disc of a cappella music led by John Oliver and released to mark the TFC's 40th anniversary; and, with James Levine conducting, Ravel's complete Daphnis and Chloé (a Grammy-winner for Best Orchestral Performance of 2009), Brahms's German Requiem, and William Bolcom's Eighth Symphony for chorus and orchestra (a BSO 125th Anniversary Commission).

Besides their work with the Boston Symphony, members of the Tanglewood Festival Chorus have performed Beethoven's Ninth Symphony with Zubin Mehta and the Israel Philharmonic; participated in a Saito Kinen Festival production of Britten's  Peter Grimes under Seiji Ozawa in Japan, and sang Verdi's Requiem with Charles Dutoit to help close a month-long International Choral Festival given in and around Toronto. The ensemble had the honor of singing at Sen. Edward Kennedy's funeral; has performed with the Boston Pops for the Boston Red Sox and Boston Celtics; and can also be heard on the soundtracks of Clint Eastwood's Mystic River, John Sayles's Silver City, and Steven Spielberg's Saving Private Ryan. TFC members regularly commute from the greater Boston area, western Massachusetts, Connecticut, Rhode Island, New Hampshire, Vermont, and Maine, and TFC alumni frequently return each summer from as far away as Florida and California to sing with the chorus at Tanglewood. Throughout its history, the TFC has established itself as a favorite of conductors, soloists, critics, and audiences alike.

Tanglewood Festival Chorus
John Oliver,  Founder and Conductor Laureate
2014-15 Winter Season Roster as of June 16, 2015

§ = membership of 40 years or more
* = membership of 35-39 years
# = membership of 25-34 years

Sopranos:

Deborah Abel
Natalie Aldrich
Carol Amaya
Alison Anderson
Emily Anderson
Deborah C. Barry
Kettly Benoit
Debra Benschneider
Michele Bergonzi #
Aimée Birnbaum
Joy Emerson Brewer
Alison M. Burns
Norma Caiazza
Valeska Cambron
Jeni Lynn Cameron
Susan Cavalieri #
Catherine C. Cave
Stephanie Chambers
Anna S. Choi
Lorenzee Cole #
Lisa Conant
Sarah Dorfman Daniello #
Bridget Dennis
Emilia DiCola
Christine Pacheco Duquette *
Sarah Eastman
Amal El-Shrafi
Sarah Evans
Mary A. V. Feldman #
Margaret Felice
Adrianne Fleming
Katherine Barrett Foley
Sandra Brayton Foley
Kaila J. Frymire
Hailey Fuqua
Diana Galeano
Diana Gamet
Chrystina Gastelum
Karen Ginsburg
Bonnie Gleason
Jean Grace
Christina Grandy de Oliveira
Julia Grizzell
Hannah Grube
Ashley Gryta
Beth Grzegorzewski
Carrie Louise Hammond
Cynde Hartman
Alexandra Harvey
Lisa Herrmann
Kathy Ho
Eileen Huang
Maureen Renee Hughes
Stephanie Janes
Polina Dimitrova Kehayova
Carrie Kenney
Ann K. Kilmartin
Donna Kim
Greta Koning
Sarah Kornfeld
Nancy Kurtz
Jane Labriola
Alison E. LaGarry
Barbara Abramoff Levy §
Farah Darliette Lewis
Suzanne Lis
Naomi Lopin Osborne
Sarah Mayo
Hannah McMeans
Christiana Donal Meeks
Deirdre Michael
Kieran Murray
Erin Nafziger
Kathleen O'Boyle
Heather O'Connor
Ebele Okpokwasili-Johnson
Jaylyn Olivo
Laurie Stewart Otten
Kimberly Pearson
Avery Peterman
Laura Stanfield Prichard
Livia M. Racz
Emily Rosenberg
Jessica Rucinski
Adi Rule
Melanie Salisbury #
Casandra Scarlett
Johanna Schlegel
Pamela Schweppe #
Sandra J. Shepard
Joan P. Sherman §
Erin M. Smith
Judy Stafford
Stephanie Steele
Patricia J. Stewart #
Dana R. Sullivan
Emily Suuberg
Jessica Taylor
Sarah Telford #
Nora Anne Watson
Alison L. Weaver
Sarah Wesley
Kirstie Wheeler
Kira Winter
Lauren Woo
Bethany Worrell
Susan Glazer Yospin
Wanzhe Zhang
Meghan Renee ZuverAltos:

Anete Adams
Kristen Ascenzi
Virginia Bailey
Kristen S. Bell
Martha A. R. Bewick
Betty Blanchard Blume #
Betsy Bobo
Lauren A. Boice
Donna J. Brezinski
Sharon Brown
Janet L. Buecker
Janet Casey
Elizabeth Clifford
Cypriana Slosky Coelho
Sarah Cohan
Ethel Crawford #
Abbe Dalton Clark
Kathryn DerMarderosian
Diane Droste #
Barbara Durham
Barbara Naidich Ehrmann #
Paula Folkman *
Debra Swartz Foote
Dorrie Freedman §
Irene Gilbride *
Denise Glennon
Mara Goldberg
Lianne Goodwin
Ana Guigui
Rachel K. Hallenbeck #
Julie Hausmann
Sarah Jacobson
Betty Jenkins
Irina Kareva
Susan L. Kendall
Evelyn Eshleman Kern #
Yoo-Kyung Kim
Eve Kornhauser
Nora Kory

Annie Lee
Katherine Mallin Lilly
Gale Tolman Livingston #
Anne Forsyth Martín
Kristen McEntee
Louise-Marie Mennier
Ana Morel
Louise Morrish
Tracy Elissa Nadolny
Kendra Nutting
Fumiko Ohara #
Andrea Okerholm Huttlin
Maya Pardo
Roslyn Pedlar #
Laurie R. Pessah
Linda Doreen Rapciak
Daniel Roihl
Lori Salzman
Kathleen Hunkele Schardin
Jeanne Ann Sevigny
Elodie Simonis
Anne K. Smith
Ada Park Snider *
Amy Spound
Julie Steinhilber #
Nancy Stevenson *
Celia Tafuri
Lelia Tenreyro-Viana
Michele C. Truhe
Martha F. Vedrine
Cindy M. Vredeveld
Christina Wallace Cooper #
Sara Weaver
Laura Webb
Marguerite Weidknecht #
Karen Thomas Wilcox
Lidiya Yankovskaya
Tibisay Zea Tenors:

Brad W. Amidon #
Armen Babikyan
Brent Barbieri
James Barnswell
John C. Barr #
Victor Calcaterra
Felix M. Caraballo
Ryan Casperson
Chad D. Chaffee
Jiahao Chen
Stephen Chrzan
Andrew Crain #
John Cunningham
Sean Dillon
Tom Dinger
C Paul Dredge
Ron Efromson
Carey D. Erdman
Keith Erskine
Aidan Christopher Gent
Len Giambrone
James E. Gleason
Gregory A. Gonser
Leon Grande
J. Stephen Groff #
David Halloran #
John W. Hickman #
William Hobbib
Stanley G. Hudson #
Pui Chuen Hui
Matthew Jaquith
Timothy O. Jarrett
James R. Kauffman #
Christopher G Keene
Jordan King
Elijah Langille
Michael Lapomardo
Kwan H. Lee
Michael Lemire

Lance Levine
Dane Lighthart
Zachary Lounsbury
Henry Lussier §
Daniel Mahoney
Ronald J. Martin
Mark Mulligan
David Norris *
Jonathan Oakes
Lukas Papenfusscline
John R. Papirio
Kevin Parker
Dwight E. Porter *
Guy F. Pugh
Peter Pulsifer
Nate Ramsayer
Lee Ransom
David L. Raish #
Tom Regan
Brian R. Robinson
Francis Rogers
David Roth
Joshuah Rotz
Carl Schlaikjer
Blake Siskavich
Arend Sluis
Peter L. Smith
Stephen E. Smith
Don P. Sturdy #
Jared A. Suresky
Leslie Tay
Daniel Thompson
Martin S. Thomson
Stephen J. Twiraga
Adam Van der Sluis
Stratton Vitikos
Andrew Wang
Joseph Y. Wang
Matthew Wang
Hyun Yong Woo Basses:

Nicholas Altenbernd
Thomas Anderson
Vartan T. Babikyan
Scott Barton
Nathan Black
Daniel E. Brooks #
Nicholas A. Brown
Stephen J. Buck
Eric Chan
Matthew Collins
George F. Coughlin
Matthew E. Crawford
Michael Cross
Christopher Davey
Arthur M. Dunlap
Michel Epsztein
Jeff Foley
Mark Gianino
Alexander Goldberg
Jim Gordon
Jay S. Gregory #
Andrew Gribbin
Mark L. Haberman #
Jeramie D. Hammond
Geoffrey Herrmann
Robert Hicks
William Hurwitz
Marc J. Kaufman
Nathan Kessel
David M. Kilroy
Will Koffel
Yangming Kou
G.P. Paul Kowal #
Bruce Kozuma #
Carl Kraenzel
Timothy Lanagan #
Ryan M. Landry
Joseph E. Landry
Maxwell Levy
Daniel Lichtenfeld
Nathan Lofton
David K. Lones #
Christopher T. Loschen
Martin F. Mahoney II
Greg Mancusi-Ungaro
James Mangan
Lynd Matt
Patrick McGill
Devon Morin
Eryk P. Nielsen
Richard Oedel
Stephen H. Owades §
William Brian Parker
Sam Filson Parkinson
Donald R. Peck #
Michael Prichard #
Bradley Putnam
Sebastian Rémi
Steven Rogers
Peter Rothstein §
Jonathan Saxton
Charles F. Schmidt
Karl Josef Schoellkopf #
Andrew Scoglio
Stefan Sigurjonsson
Kenneth D. Silber
Matthew Stansfield
Mark Stepner
Scott Street
Charles Sullivan
Joseph J. Tang
Craig A. Tata
Alexander Teplansky
Stephen Tinkham
Samuel Truesdell
Bradley Turner #
Arthur Turton
Jonathan VanderWoude
Thomas C. Wang #
Terry Ward #
Matt Weaver
Peter J. Wender §
Lawson L.S. Wong
Carl T. Wrubel
Channing YuWilliam Cutter, Rehearsal Conductor
Martin Amlin, Rehearsal Pianist
Eileen Huang, Rehearsal Pianist
Matthew A. Larson, Rehearsal Pianist
Erik Johnson, Chorus Manager
Emily W. Siders, Assistant Chorus Manager

at Boston Symphony Hall
301 Massachusetts Avenue
Boston, United States

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