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Death From Above 1979

Death From Above 1979
Event on 2018-10-30 19:30:00

Motion predicates progression. Death From Above certainly kept moving on their third full-length album, Outrage! Is Now (Last Gang Records/Warner Bros. Records). While gleefully maintaining the car-wreck intensity of their punkified disco rock, the hooks got hookier, the weirdness got weirder, and the wildness got, well, wilder. The mustached merchants of death dance discordSebastien Grainger (vocals, drums) and Jesse F. Keeler (bass, keys, synths)made a collective decision to embrace their own penchant for perpetual motion and cooked up the perfect soundtrack to Armageddons dancefloor.By your third album, I feel like you should be trying different things, whether subconsciously or consciously, exclaims Jesse. Youve got to stretch out the pizza dough of your idea and see how big you can make it creatively. After 17 years, things change. We both wanted to see how far we could take it as Death From Above. Once we started working on music, it seemed like this was going to be a record where the very idea of what our band is evolved.The myth of what we should be didnt exist anymore, Sebastien agrees. We didnt say it out loud of course, but it was like, Lets flex our abilities as much as we can and make some weird shit. There was never a moment where we took a conventional patheither writing or recording. There was always some strange spice thrown in. Its a grim record, but theres a bounciness to it. We captured an element of fun.The lads actually began pondering what became Outrage! Is Now while in the midst of finishing their 2014 record, The Physical World. Marking a sweaty and triumphant return after a near 10-year studio hiatus, their sophomore outing would be met with critical applause from Rolling Stone, Los Angeles Times, Monster Children, Uncut, Alternative Press, and KERRANG! who awarded it a rare perfect score. It filled a void left in the aftermath of 2004s disruptively influential Youre A Woman, Im A Machine as Death From Above scorched the road alongside everyone from Deftones to Black Rebel Motorcycle Club and Eagles of Death Metal. The Physical World spawned fan favorites such as Trainwreck 1979, which generated an impressive 11.4 million Spotify streams to date and Virgins another to crack the 5-million mark. As they retreated to Jesses farm two hours east of Toronto to write in 2016, the musicians came to terms with adulthood as only two punks can.I think the band evolved because were evolving as individuals, says Jesse. Ive changed. My life is nothing like it was in 2000. Back then, we lived in an old funeral home. Now, I own an old cemetery. Were using the same amps though. Im fucking 40-years-old. Ive got two kids. I do totally normal dad stuff. I dont need to let anyone know who I am through my music. I can just make art that I enjoy.The goal of the record was to expand the vocabulary a little bit, not to drastically change, adds Sebastien. We stepped out of our comfort zone.With a host of demos, Death From Above headed back to Los Angeles to work with producer and engineer Eric Valentine (Queens of the Stone Age, etc.). Making for what Jesse describes as the fastest recording process, the vision quickly took shape as they developed an intimate working relationship with Eric. Nothing was off limits or out of bounds as evidenced by the first single Freeze Me. It shimmies from a piano melody into a slamming distorted bass and drum groove before Sebastien croons out one of the groups catchiest chants to date while stretching the limits of his vocal register.Ive been trying to encourage Jesse to write on keyboard more, he explains. Its an element on the first record that I wanted to use as much as we could. He sent me a voice note of the piano part, and we arranged it more or less how you hear it now. It felt like a welcome departure.I recorded it in the living room, and you can hear my wife and kids talking away in the background on the first demo, Jesse laughs. Someones doing the dishes, and something even falls over!On the other end of the spectrum, the title track could be a state-of-the-union for post-millennium malaise wrapped in a robust bass riff, glitchy production, and lines like, Im out of rage, maybe its my age.Theres an absolute chaos and confusion in the world, and people who would otherwise agree on most things seem to be disagreeing, sighs Sebastian. Theres a lot more space between the poles of opinion and views on the world. It seems like a barrier of disgust as we almost dehumanize each other based on a few slight differences of opinion. The title is an observation of this hyper sensitivity, which were all a part of. Its not meant as an accusation; its just a statement of the times.The jarring bass blast of Moonlight gives way to another departure with an unabashedly metal moment of double kick drums as Sebastien relives one of the most horrifying experiences of his life.Its the most personal song on the record, the vocalist admits. When we were on tour in Dallas last year, I was jumped by a group of kids and got the shit kicked out of me. It was an extremely intense experience that I couldnt ignore. Experiencing that kind of violence and fear cant help but put a perspective on your life. I literally thought I was getting murdered. We even call the middle section, The fight scene.Meanwhile, the swaggering NVR 4EVR incorporates the remains of deceased fan James Marshall Matthews Jr., with a vial of his ashes shaking the song into existence. James was a huge fan of the band, and he died in an accident before he got to see us reunite, Sebastien explains. His sister came to a show in Washington D.C. and spread his ashes in our trailer so he could come on tour with us. She gave me this vial of his remains. It was a really moving and intense exchange for the both of us. I brought that vial on all of the tours we did and up to the farm. When we were doing percussion overdubs for NVR 4EVR, I had to use them. The track starts with the riff and that shaker is actually his earthly remains. Its a very special song to us and his family.Ultimately, Outrage! Is Now confidently kicks off a new chapter for Death From Above. I hope fans see the progression, Jesse leaves off. This record is very much the result of the environment and experiences of the last five years. I can hear everything weve been through. This weird resolve builds up as you keep facing different circumstances. If we didnt have struggle, life would be really fucking boring. Now that its all done, I enjoy it.Its meant to be felt and stimulate you on an emotional level, concludes Sebastien. We tried to make something that excites and surprises us. My journey is that of enlightenment all the time and seeking some form of truth. Theres enough fiction in the world. Were not going to tell you what to believe. Thats up to you.

at Neumos
925 E Pike Street
Seattle, United States

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Image from page 96 of “Amateur radio : how and why of wireless with complete instructions on operation of receiving outfits” (1922)

Some cool radio station images:

Image from page 96 of “Amateur radio : how and why of wireless with complete instructions on operation of receiving outfits” (1922)

Image by Internet Archive Book Images
Identifier: amateurradiohoww00grai
Title: Amateur radio : how and why of wireless with complete instructions on operation of receiving outfits
Year: 1922 (1920s)
Authors: Grainger, Maurice J
Subjects: Radio Amateur radio stations
Publisher: New York : James A. McCann
Contributing Library: University of Connecticut Libraries
Digitizing Sponsor: LYRASIS Members and Sloan Foundation

View Book Page: Book Viewer
About This Book: Catalog Entry
View All Images: All Images From Book

Click here to view book online to see this illustration in context in a browseable online version of this book.

Text Appearing Before Image:
FROM WATER TANK TO FLAG \ .•POLE. OR OTHER PROJECTION J v NOTE 5TICK AT EDGE OF ROOFTO HOLD WIRE AT LEA3T X FEETFROM ANY WALU.. i r>

Text Appearing After Image:
2 FRon chimney to roof door 75-TO 100 FEET/SINGLE ANTENNA 76 AMATEUR RADIO cient strength for a great many purposes.Bronze is also objectionable because of itspoor electrical conductivity-—approximatelytwo-fifths as much as copper of equal size.Much more radio energy is lost in bronze wirethan in copper. The core of a wire carries no radio fre-quency current and performs no electricalservice, because of this radio frequency phe-nomena called skin effect. The core maytherefore be made to perform a greater me-chanical duty. Hence the ideal wire forradio antenna should have a core of greatstrength (steel) and an outer covering of highconductivity (copper).

Note About Images
Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability – coloration and appearance of these illustrations may not perfectly resemble the original work.

My Desk and the English Office

Image by wickenden
Where I work.

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Storage Units, Office Furniture Storage From Space Station

Space Station provides all the Storage Units you would expect of a leading self storage supplier. Space station self storage is not only the Climate Control, Shipping and Packing experts, but they also pride themselves in customer service. Space Station Self Storage provides affordable, clean, secure storage units with small to large indoor climate controlled and outside units, moving supplies, and assistance in all facets of storage. Self storage refers to a business that owns and operates a facility that is subdivided into self storage spaces which are rented to tenants, usually on a monthly basis. Self storage facilities lease space to individuals, usually storing household goods, or to small businesses, usually storing excess inventory or archived records. The rented spaces, known as units, rooms or lockers are secured by the tenant’s own lock and key. Facility operators do not have casual access to the contents of the space, unlike a professional warehouseman. A self storage operator never takes possession, care, custody or control of the contents of the storage rental space unless a lien is imposed for non-payment of rent.

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Glasgow Univeristy Magazine Article from May 2000

Check out these radio station images:

Glasgow Univeristy Magazine Article from May 2000

Image by Subcity Radio
Glasgow University Magazine, Feburary 2000, p.10-11 by Lynne Hamilton

The New Wave

It was 10.30 am, I was standing in the windswept wastelands of Pacific Quay, soon to be super-tech development under the shadow of the SECC’s great shell. In the corner of this semi-landscaped field stands Four Winds Pavilion; spot on as the location for Beat 106 FM HQ. A freshly converted tram-shed that emits “bright, young and trendy”, its brand new inhabitants hope that Beat 106 FM, the radio station will do the same.

It burst live onto the airwaves at 1.06 pm, Friday November 19, 1999. Station’s Head of Music, here in the the eye of the storm, still recovering after a tempestuous weekend; the station;s first on air. Since he moved back up north from London and Radio One 10 weeks previous, life has been pretty much non-stop; now that his baby’s up and running, he already seeing what can be done to make it better. born of an idea that formed in the minds of, among others, Ewan McLeod, Stuart Clumpas (head honcho at DF Concerts and King Tuts) and Wilkinson himself, over two years ago, that weekend’s long-overdue launch must be making each and every one of them a proud father.

It may have been a turbulent birth here at Four Winds Pavilion, but to the public there was no more than a warm welcoming gust of good music, intelligent presenters and a sense that something better was coming to Scotland’s airwaves.

“We wanted to prepare the ground”, said Richard. They didn’t want to blow all their funding on a big gimmicky bang only to fade away a month or so later. “We couldn’t compete with the sort of things Radio so, we just let things tick over.: The exclusive Beat 106 gigs and club nights at the end of January, consolidating the station as the best new contender for Scottish Radio’s crown since… well, a long time.

Wilkinson himself himself rolled off the Glasgow University production line with an ordinary degree in Electronics and Music, a course that didn’t excite him much; apart from one occasion sin first year. He met an art school girl in one of his classes – “this is a really sad confession” – and followed her to a Guardian meeting. He stuck with the journalism (the relationship must not have happened then, eh?), and “started writing really crap record reviews”. One thing led to another and in 1995, following the lead of Sweet FM and Ton and a Half (the Art School station, named after its 150-year anniversary), he set up SubCity radio with a £20,000 grant from the SRC. Some may know the rest as history but here’s a brief summary. SubCity, operating on the 28-day Restricted Service Licence, won the Radio One award for best student radio station in November 1996, and in Febuary 1997 Steve Lamacq and John Peer broadcast Radio One from SubCity, alongside Richard and his pals; a formative experience for them all. :Steve had had a few ciders, and we were in their hotel. I was being my “I’m so against playlists’ self… I just want people to come in, play whatever records they want, and try to develop their on-air style. One thing Lamacq said to me was that, doing student radio, I was in such a fortunate position, to not be restrained, and that what I was doing was one of the biggest luxuries”.

From this luxurious position, he headed southwards after a stint at T in the Park, to spend a year and a half braving the perils of early breakfast shows, and the hell that is mainstream drivetime radio, all at Radio One itself. He doesn’t rule out ever heading back down that way, but for now Beat 106 is what he was made for, its seems. “It;s been fantastic.”

And so to the future; the aim is not to create a “tartan Radio One” but something that can fill the gap in the Scottish – and for that matter British – market. Wilkinson breaks out the music industry weekly’s singles chart, scoring off at least five of the top ten that would not receive airplay at 106; that would not receive airplay at 106; “Christina Aguilera, Jennifer Lopez, Five, Shania Twain,…Westlife” 9this last uttered with pure contempt). The key idea here is “heavy rotation but no “pop” element…It’s a national radio station, we don’t have the luxury of being too out there.” The specialist side of things is, nevertheless, well catered for, with the weekends being practically devoted to dance (including Slam on Friday nights and the Jengaheads on a Sunday), and Jim Gellatly heralding a “more upbeat and accessible evening session” from 7pm until 10pm. Monday to Thursday. Gellatly is the man for you young band hopefuls out there – his “personal interest” according to Wilkinson, being Scottish acts. But like the bedroom DJs Beat 106 hope to uncover, you’ll have to make the effort to get hear; “obviously, we’d rather the talent came to us,” says Richard. I asked if SubCity would be involved in this grassroots side of things: “co-existence-wise, there has to be a recognised filtration system, a way of giving budding DJ talent the opportunity to make it.”

As Richard says: “…it’s a complete evolution process, and a case of being aware of what is not being played and what is not being represented. It’s about being inclusive rather than exclusive, it’s about making people feel welcome,” judging by the storm on the airwaves which the station has already whipped up, all this talk may be more than just hot air.

Win a free trip for two to Ibiza!

Image by van.brussel
Great billboard ad for a radio station shot at the Bijlmer, Amsterdam.

140530-N-NW827-791

Image by U.S. Pacific Fleet
KUPANG, Indonesia (May 30, 2014) Lt. Brian Chaplow, assigned to the U.S. Seventh Fleet Band, conducts a live radio interview at the RRI Kupang radio station to promote awareness and upcoming events in Pacific Partnership 2014. Pacific Partnership is in its ninth iteration and is the largest annual multilateral humanitarian assistance and disaster relief preparedness mission conducted in the Asia-Pacific region. (U.S. Navy photo by Mass Communication Specialist 1st Class Stephen Oleksiak/Released)

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Self Storage Spaces, Storage Facilities London From Space Station

Space Station provides all the storage facilities you would expect of a leading self storage supplier plus that little extra that makes them special. Space Station Self Storage comes in with the space you need and lots of it for just about anything you need to store including Furniture Storage, Student Summer Storage, Domestic and Household Storage, Help With Moving, Decluttering Your Home, Storage For Your Business, Access To Packing Materials And Boxes. Self storage refers to a business that owns and operates a facility that is subdivided into self storage spaces which are rented to tenants, usually on a monthly basis. The rented spaces, known as units, rooms or lockers are secured by the tenant’s own lock and key. Facility operators do not have casual access to the contents of the space, unlike a professional warehouseman. A self storage operator never takes possession, care, custody or control of the contents of the storage rental space unless a lien is imposed for non-payment of rent. Self storage facility operators frequently provide controlled access to rental space areas, individual door alarms, interior units lights, and security cameras. Goods or items stored are either not insured by the self storage operator, or insured only to a minimal degree.

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Space Station provides all the storage facilities you would expect of a leading self storage supplier plus that little extra that makes them special. Space Station offers Self Storage Space facilities. Self storage is a Secure Storage solution to storage needs. Self storage offers both personal and business users a storage solution that they can basically control themselves.

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Cowboys Tailgate and Transportation from Downtown Dallas – Seattle Seahawks

Cowboys Tailgate and Transportation from Downtown Dallas – Seattle Seahawks
Event on 2017-12-24 12:00:00
(Times to be confirmed when schedule released) Bus will depart the Omni Dallas Hotel  3 hours and 30 minutes (12:00 PM) before kickoff. Bus returns 45 minutes post game. Tailgate and Transportation. ( early bird purchase, then 5 per ticket) includes: Round trip transportation with parking immediately across the street from Cowboys Stadium. Tailgate is in a covered tent with restroom access. BBQ Buffet with Brisket, Sausage, and\or Chicken Unlimited Beer, Margaritas, Soft Drinks, Bottled Water DJ/Big Screen TV Meet and Greet with Bill Bates (autographs extra) Email questions to info@gowynne.com or call 972.915.7300 (Ticket sales end two hours before buses leave the Omni Dallas.)    FAQs   Are there ID requirements or an age limit to enter the event? No. If the attendee is under 21, the price remains the same. All guests should adhere to AT&T Stadium's official bag policy. Please review here: http://www.dallascowboys.com/bags   What are my transport/parking options getting to the event? For pick up at the Omni Dallas Hotel, we will pick up at the Owner's Box Entrance. We will park across the street from the stadium at the Fish Bone Grill and will leave the same location 45 minutes post game.    Where can I contact the organizer with any questions? Email questions to wmcres@gowynne.com or call 972.915.7300  Where do I meet the bus at the Omni Dallas Hotel?  At the owners Box Entrance Where does the bus park at AT&T Satdium? The bus parks directly across the street from AT&T stadium at Fish Bone grill. 

at AT&T Stadium
1 Legends Way
Arlington, United States

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Image from page 126 of “Amateur radio : how and why of wireless with complete instructions on operation of receiving outfits” (1922)

A few nice radio station images I found:

Image from page 126 of “Amateur radio : how and why of wireless with complete instructions on operation of receiving outfits” (1922)

Image by Internet Archive Book Images
Identifier: amateurradiohoww00grai
Title: Amateur radio : how and why of wireless with complete instructions on operation of receiving outfits
Year: 1922 (1920s)
Authors: Grainger, Maurice J
Subjects: Radio Amateur radio stations
Publisher: New York : James A. McCann
Contributing Library: University of Connecticut Libraries
Digitizing Sponsor: LYRASIS Members and Sloan Foundation

View Book Page: Book Viewer
About This Book: Catalog Entry
View All Images: All Images From Book

Click here to view book online to see this illustration in context in a browseable online version of this book.

Text Appearing Before Image:
ing else, causes dis-satisfaction when copying amateur stationsand other short wave signals, such as mu-sic. Capacity may be practically ignored whenreceiving longer wave lengths, but for shortwave reception capacity between the second-ary leads should be eliminated if you are keenabout getting the very most out of your re-ceiver. Keep the secondary leads as far away fromeach other as practicable, and, if possible, atright angles to each other. By secondaryleads I mean those that run from your honey-comb coil mounting to the grid condenser andB battery. Other points of great importance are thelength of the leads between the grid condenserand the detector tube, and those between thesecondary and the B battery. These mustboth be as short as possible. In tuning for long distance signals loosecoupling is absolutely essential. If the tickleris set so that the bulb does not oscillate, but isnear the oscillating point, and the primarycoil is moved away from the secondary, the HONEYCOMB CO/tS

Text Appearing After Image:
Aumow, PAHE*.!*

Note About Images
Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability – coloration and appearance of these illustrations may not perfectly resemble the original work.

33 Postcards- Ritz

Image by Eva Rinaldi Celebrity and Live Music Photographer
33 Postcards Movie Premiere At Randwick Ritz Sydney, by Eva Rinaldi

Tonight saw 33 Postcards enjoy its premiere at the Randwick Ritz, in Sydney’s eastern suburbs.

The night was not only a movie premiere but also an event somewhat designed to raise awareness and funds for educational and arts programs, tied into the film.

33 Postcards enjoyed strong media support by popular radio station 2UE and benefiting Sydney Children’s Choir and their Bursary Program, giving disadvantaged kids musical and educational opportunities that would have otherwise likely been out of their grasp.

The acclaimed cast and crew of 33 Postcards enjoyed drinks and bites with their fan base, insiders, and entertainment media, and also lapped up performances from the Sydney Children’s Choir and Chinese Lion Dancers.

Then it was time for the Australian theatrical premiere of the flick.

The film was shot in both China and Sydney, Australia in 2010. It’s the story of Chinese orphan Mei Mei (Zhu Lin) who for a decade of dreams about embracing her Australian sponsor Dean Randall (Guy Pearce). It’s not until she reaches 16 years of age, when her orphanage travels down under to Australia to attend a Choir Festival, Mei Mei takes the opportunity to look him up. What she finds however is a far cry from the idyllic life he depicted in his postcards. Initially mismatched, together they begin a journey in search of belonging, family, redemption, love and acceptance. It’s trial, tribulation, and living to fight and survive another day.

Dean is actually a convict in prison for manslaughter, so you can imagine the issues that brings on.

33 postcards won the Community Relations Commission Award at Sydney Film Festival and Victor Dominello MP NSW Minister aptly stated "33 Postcards, inspired by real life stories, explores how two individuals come together despite two different cultures, ages and unexpected circumstances." This evocative film portrays sensitively how people of vastly different cultural backgrounds can interact effectively in our society."

This is an unique and touching story that is rarely told about the relationship that some Aussies have with Chinese Orphans.

It’s not quite for everyone, but if you like a story of survival, beating the odds and the world coming together as one sort of thing, this is likely for you.

Well done to everyone involved in making the event a success.

Stars:

Guy Pearce, Zhu Lin, Claudia Karvan, and Lincoln Lewis

Produced by: Australia-China co-production

Websites

33 Postcards
www33postcardsthemovie.com

Randwick Ritz
www.ritzcinema.com.au

Eva Rinaldi Photography Flickr
www.flickr.com/evarinaldiphotography

Eva Rinaldi Photography
www.evarinaldi.com

Music News Australia
www.musicnewsaustralia.com

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Sarah Colonna from NBC’s “Last Comic Standing”, Netflix’s “Insatiable” and After Lately at Drafthouse Comedy in DC

Sarah Colonna from NBC’s “Last Comic Standing”, Netflix’s “Insatiable” and After Lately at Drafthouse Comedy in DC
Event on 2018-01-20 19:00:00

Sarah is well known as a popular roundtable regular on the hit late night talk show “Chelsea Lately.” She also served as a full time writer on “Chelsea Lately,” as well as a producer, writer and star of the show’s spin-off scripted series “After Lately.” She will be starring in the upcoming Netflix series (2018) “Insatiable” alongside Dallas Roberts, Debby Ryan and Alyssa Milano.

She was recently seen in Michael Rosenbaum’s hilarious comedy “Back in the Day,” alongside Rosenbaum, Nick Swardson, Harland Williams, Morena Baccarin and many others. She’s also recently appeared in Diablo Cody’s “Paradise,” CBS’ “Battle Creek,” and “Killing Hasselhoff” with Ken Jeong.

Her first book, “Life as I Blow it,” debuted at number 5 on the New York Times Bestseller list, followed with a sold out book tour in several major cities in the country. It was also sold to NBC to be developed for television with producers Happy Madison two years in a row. Her second book, “Has Anyone Seen My Pants?” was released in March 2015 to the same rave reviews and tour. Her writing success has led to a current collaboration with pop star Demi Lovato on Lovato’s upcoming memoir.

Sarah continues to tour across the country headlining comedy clubs regularly. She’s appeared on several other TV shows, including “The Steve Harvey Show,” “The United States of Tara,” “Scare Tactics,” and “Monk,” and was a semi-finalist on NBC’s “Last Comic Standing.”

at Drafthouse Comedy Theater
1100 13th Street NW
Washington, United States

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Pauly Shore’s One Nighter LIVE from MTV’s ” Totally Pauly”, “Encino Man” and “BioDome” at Arlington Drafthouse

Pauly Shore’s One Nighter LIVE from MTV’s ” Totally Pauly”, “Encino Man” and “BioDome” at Arlington Drafthouse
Event on 2017-11-19 19:00:00
Pauly Shore tasted super-stardom in 1990 when his precedent-setting MTV show "Totally Pauly" hit the airwavesto major fan approval. The show ran for six years, leading him to numerous television and film roles including the one-hour HBO television special, “Pauly Does Dallas”and starring in the films "Encino Man," "Son In Law","Jury Duty," "In the Army Now," and "Bio Dome."   
After his first album, "The Future of America," was named Best Comedy Album by the college music journalists in 1991, the National Association of Record Merchandisers nominated his second album, "Scraps from the Future," for a Best Sellers Award. 

Pauly then went on to star and produce in his own projects including "Pauly Shore is Dead" for 20th Century Fox, as well as "Adopted," "Vegas is My Oyster," and "Pauly-Tics" all for Showtime. 

Most recently, Pauly released “Pauly Shore Stands Alone,”a true-life road documentary that follows him as he performs in obscure towns throughout Wisconsin while dealing with hispersonal life back home, which also appeared on Showtime. 

Additionally, Pauly will be debuting the video portion of his podcast "Pauly Shore Podcast Show," some of his guests include: Ted Sarandos (head of Netflix), Irving Azoff (manager of The Eagles), Ziggy Marley (reggae superstar) and many, many more. These episodes will be released in 2016.

at Arlington Cinema and Drafthouse
2903 Columbia Pike
Arlington, United States

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NEW YORK CITY FASHION WEEK Presents: From Byzantine to Fashion (Welcome reception)

NEW YORK CITY FASHION WEEK Presents: From Byzantine to Fashion (Welcome reception)
Event on 2017-09-05 17:00:00
Join is us for this Prêt-à-Porter & Couture fashion event with designs from some of the best designers in Texas;And "The Marie Force" Fashion Presentationvisiting different cities including Manhattan on this opportunity and in the future  Avisiting cities like Austin, Dallas, San Antonio and Houston in Texas. Los Angeles and San Francisco in the near future as well. Introducing designers from all around the world. with a silent auction 100% dedicated to the development of the fashion week fund and incubator. thanks to "Fashion for a Good Cause" and GoPRO2.com Host Commitee:The Costume Collection Society  Producer / Director Victor Quinteros The Fashion Show Sponsored by GOPRO2.com Presenting a fine selection of dresses. Confirmed Designers: LAURA CERVANTES (TEXAS) LOLIS GARCIA (MEXICO)  BEENA YUSUF (DUBAI)  RUBY BHANDARI (INDIA)  Beauty Teams: John Paul Mitchell Schools  Music: ARIA 2 AVE MARIA CHAMBER ORCHESTA Dress Code: BLACK TIE Accredited Media: National: Vogue Mag. LA Mag. Victor Mag. Local: STATEN ISLAND ADVANCE   COUTURE AND READY TO WEAR  collections    Fine Appetizers and great Music   Experience Manhattan like never before supporting Christians in the Middle East    Donate: If you are interested in donating directly to the Fashion Week Fund in support of local fashion designers participation, please send us an email to: info@newyorkcityfashionweek.com Private VIP Reception at 6:00PM VIP Reception at 6:00PM General Entrance 7:00PM 13 & up Dress Code: Black TieLOCATION TO BE ANNOUNCED Note: Not refundable Tickets                 

at NYC – Manhattan
80 Baruch Drive
New York, United States

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