National Chorale presents 50th presentation of Handel’s Messiah Sing-In
Event on 2017-12-15 19:30:00
National Chorale, New York's premier professional choral company, under the Artistic Direction of Everett McCorvey, continues its 2017-2018 Season at Lincoln Center with the 50th presentation of Handel's Messiah Sing-In on Friday, December 15, 2017 at 7:30pm at the David Geffen Hall at Lincoln Center for the Performing Arts, 10 Lincoln Center Plaza, NYC. Tickets are -100 and are available at www.nationalchorale.com, or by calling (212) 333-5333.
Join an audience-chorus of almost 3,000 voices under the batons of 17 eminent conductors. Celebrate choral singing and sing in New York's most joyous and popular Holiday Season music event! The performance features Joanna Mongiardo, Michael Nansel, Holly Sorensen, and John Wesley Wright.
The 17 conductors from around the country, who will each conduct a movement, are Constance Chase, Hugh Ferguson Floyd, Gregory Hopkins, James John, Thomas Juneau, Deborah Simpkin King, Chris Ludwa, Everett Mccorvey, Vagarshak Ohanyan, Stephen Pagano, John Palatucci, Jennifer Pascual, Vincent Rufino, Kathryn Schneider, Michael Spierman, Jason Tramm and Mark Van Schenkhof.
"The National Chorale is one of the most firmly established professional choral groups in the country."- The New Times
ABOUT THE VOCAL ARTISTS
Versatile soprano Joanna Mongiardo is recognized for her effortless coloratura and spellbinding charisma on stage, and is in high demand for both operatic and symphonic repertoire internationally. This season, she makes her New York City Opera debut in Resphigi's La campagna sommersa, returns to Boston Midsummer Opera as Adina in The Elixir of Love, and sings soprano solos in Mozart's Exultate, jubilate and Requiem with the Commonwealth Chorale. Most recently, Joanna has had great success as Cinna in Mozart's Lucio Silla with Odyssey Opera and in the title role of Flotow's Martha with Boston Midsummer Opera. The 2014-2015 season included a role debut as Rossini's Semiramide with Opéra Nice Côte d'Azur, her Dallas Opera debut as Brigitta in Tchaikovsky's Iolanta, and a return to the Back Bay Chorale for Mozart's Mass in C minor. In recent seasons, Joanna has brought the "energy and charm [of] her delicious Blonde" (ForumOpera Magazine) to more than 30 performances of Die Entführung aus dem Serail, including productions at Grande Théâtre de Genève, Opéra Nice Côte d'Azur, and Deutsche Oper am Rhein. A gifted comedienne, her Rosalina in Il Re with Teatro Grattacielo was named "Best Individual Performance of 2011" by Das Opernwelt Jahrbuch, with Opera Today writing, "Joanna Mongiardo, who has a voice of impressive size and warmth, as well as a technique with ornament…also has a putty face, capable of expressing several emotions at once and making fun of herself while expressing them." Opera News raved, "As the besotted Rosalina, lyric coloratura Joanna Mongiardo scored a triumph, effortlessly negotiating the fiorature, extended trills and stratospheric high notes." As an ensemble member of the Deutsche Oper am Rhein, Dusseldorf, Joanna performed lead roles including Sophie in Der Rosenkavalier, Oscar in Un ballo in maschera, Nannetta in Falstaff, and Susanna in Le nozze di Figaro. In America, her turn as the title character in the 50th Anniversary production of The Ballad of Baby Doe at Central City Opera was praised by Opera News: "Petite, with a theater-filling smile, Mongiardo radiated warmth through her unforced, pearly-fresh timbre." Reengagements at Central City have included Eurydice in Orpheus in the Underworld, Thérèse in Les Mamelles de Tirésias, and Lauretta in Gianni Schicchi. Debuts as Juliette in Roméo et Juliette with Dayton Opera and Anne Trulove in The Rake's Progress with Toledo Opera were similarly praised, with Opera Magazine raving, "Mongiardo's sunny lyric sound surely won all hearts." Joanna has graced concert stages from Bellingham, Washington, to Shanghai, China, and has performed her signature Carmina Burana with more than 15 orchestras, including the Philadelphia Orchestra, Detroit Symphony, National Symphony Orchestra, and Oratorio Society of New York. Works by Handel, Haydn, Mozart, and Schumann have taken her to the Pittsburgh Symphony, Louisiana Philharmonic, San Diego Symphony, Indianapolis Symphony, Oregon Symphony, and the Orquesta Sinfónica Nacional de México, under the batons of Charles Dutoit, Philippe Auguin, Jonathan Darlington, John Fiore, Leopold Hager, Neemi Jarvi, JoAnn Falletta and Carlos Miguel Prieto.
Baritone Michael Nansel is an award winning singer and actor. Best-known as an opera singer, he is also an accomplished recitalist and concert artist, and appears frequently in musical theater classics. Mr. Nansel has 66-roles to his credit. "Michael Nansel won the hearts of audience members in his portrayal of the brash and conceited Belcore, his baritone voice in fine, fluid form throughout the performance."-Wichita Eagle He sings music from the Mozart to Sondheim, from Verdi to Rodgers & Hammerstein. He was the Wichita Grand Opera Singer of the Year in 2012 and was the dual winner in 2003 of the Washington Area Theatre Community Honors for Outstanding lead actor in a musical and Outstanding Featured Actor in a Musical. He has also twice been a member of Casts nominated for Helen Hayes Awards. His voice has been described as "stentorian", "rich" with "great vocal and emotional power". Reviewers have also remark that his acting "communicates deep humanity", can be "tender and anguished" and that he is "the top banana". Mr. Nansel possesses a diverse repertoire ranging from the comedic Don Giovanni (Don Giovanni) and Belcore (L'Elisir d'Amore) to the dramatic Count Di Luna (Il Trovatore) and Escamillo (Carmen). Among his most widely acclaimed roles are the Di Luna (Il Trovatore), Iago (Otello), as well as Malatesta (Don Pasquale), Danilo (The Merry Widow), and the Title Character in Sweeney Todd: The Demon Barber of Fleet Street. His concert credits include: Mendelsohn's Elijah, Haydn's Creation, Mozart's Requiem, Faure's Requiem, Handel's Messiah, Brahms' Requiem, and Beethoven's Mass in C Major.
Often hailed as a true Mezzo Soprano, Holly Sorensen is known for her rich, colorful, and expressive timbre. A gifted singing actor with great versatility, Ms. Sorensen was described as having, "a grand time!….dispensing attitude with relish and producing some impressively chilling tones" – Opera News. Most recently, The Tampa Bay Daily Loaf wrote," a creamy mezzo that soars lusciously and is breathtaking in her cruelty", following her debut as Dalila in Samson et Dalila with St. Ptersburg Opera. Ms. Sorensen performs a wide variety of repertoire, ranging from dramatic leading mezzo roles, to comic Rossini. Some of her other stage credits include, the title role in Carmen, The Mother – Hansel and Gretel, Suzuki – Madame Butterfly, La Prima Donna – Salieri's Prima la Musica poi le Parole, Pitti Sing – The Mikado, The Secretary – The Consul, Sorceress – Dido and Aeneas, Prince Orlofsky – Die Fledermaus,The Princess Aunt – Suor Angelica, and Giovanna – Rigoletto. Highlights from various scenes programs include Isabella – L'Italiana in Algeri, Augusta – Ballad of Baby Doe, Charlotte – Werther, Mallika – Lakme, Mrs. Lovett – Sweeney Todd, and Mrs.Grose – Turn of the Screw. Some of her operatic Performance venues include, Utah Opera, Des Moines Metro Opera, Bronx Opera, Utah Lyric Opera, Connecticut Grand Opera, Opera in the Ozarks, Ardamore Chamber Opera, Opera Company of Brooklyn, Dicapo Opera, Boston Classical Orchestra, and The Greenwich Pops Symphony. Ms. Sorensen has also been lauded for her concert and oratorio work, as a mezzo with "luscious tones" – Greenwich Times and "glamorous and beautiful to see and hear" – Greenwich Citizen. She most recently made her Avery Fisher Hall debut singing as mezzo soloist in Mozart Requiem with DCINY; where she was hailed as, "radiant" by the New York Concert Review. She has also performed Mendelssohn's Paulus with the Oratorio Society of New York in Carnegie Hall. Other performances include, Handel's Messiah, Respighi's Laud to the Nativity, Mendelssohn's Elijah, the Yizkor Requiem and Bach's St. John Passion. Ms. Sorensen performed the Mozart Requiem and Vivaldi Gloria in Venice, Italy with Dicapo Opera Summer Tour. This year she was the featured mezzo soloist with the Salt Lake Choral Artists in performances including the Bach B Minor Mass, and "The Armed Man", by Karl Jenkins. She has performed frequently with the Greenwich Choral Society and Greenwich Symphony in Connecticut. Other oratorio engagements include solo work with the Allentown Symphony, Norwalk Symphony, and First Congregational Church of Greenwich Orchestra. She has also been applauded for her recent recital repertoire including works by Mahler, Manuel de Falle, Schubert, Schumann, Barber, and spirituals by HT Burleigh. Ms. Sorensen was the featured mezzo soloist with Connecticut Grand Opera's "Champagne and Arias" Gala. Ms. Sorensen was the winner of the 2011 Nico Castel International Mastersinger Competition at Carnegie Hall. She was a finalist in the Oratorio Society of New York Competition, and winner of the Mendelssohn Competition with Norwalk Symphony. Additionally, she was awarded Second Prize at the Eugene Opera Belle Voci National Competition, Second Prize at the Classical Singer Convention in New York, and was a semi-finalist in the National Association of Teachers of Singing Competition.
Tenor John Wesley Wright was the gold medalist and top prize winner of the American Traditions Vocal Competition 2000, and has claimed top prizes from the National Federation of Music Clubs, Metropolitan Opera National Council, and the International Schubert Competition in Vienna, Austria. Holding degrees from Maryville College and the University of Cincinnati College-Conservatory of Music, his diversity as an artist has afforded him nationally televised concerts for the Belgian Royal Family (Brussels, Belgium), the John F. Kennedy family in a 50th Year Celebration of John F. Kennedy's visit to New Ross, Ireland, as well as tours as a soloist and with professional ensembles throughout the United States, Europe, and Japan. With a host of opera and oratorio roles, art songs, spirituals, chamber and cabaret music in his repertoire, Wright is a member of the internationally acclaimed American Spiritual Ensemble. His rendition of "Here's One" is highlighted in the PBS documentary, The Spirituals: Featuring the American Spiritual Ensemble, released in 2007. In recent years, Wright was guest soloist for the Baltimore Choral Arts Society (Mozart's Requiem, Bach's B Minor Mass and Magnificat); Dayton Bach Society (St. Matthew Passion, Evangelist); Messiah Festival of the Arts in Lindsborg, Kansas (Messiah, St. Matthew Passion); and performed in Lucerne, Switzerland where he was guest artist with the choir Matthäuskantorei for a program entitled "Black and White Spirituals". Having worked with such conductors as Tom Hall, Nicolas McGegan, Ton Koopman, and Robert Page, many of Wright's concert career experiences have been under the baton of Neal Gittleman and the Dayton Philharmonic Orchestra. With Gittleman and the DPO, he has sung the title roles of Bach's Passions, Britten's War Requiem, Handel's Messiah, Monteverdi's Vespers of 1610, and Einhorn's Voices of Light. In May of 2011, Wright returned to Ohio and triumphed in the role of the Celebrant in Bernstein's Mass: A Theatre Piece for Singers, Players, and Dancers, reviews praising his "mastery of the oratorio genre" and "impressive acting range and voice". A native of Rome, Georgia, Dr. Wright is coordinator of the voice and opera programs at Salisbury University (Salisbury, Maryland). He is an active clinician, consultant and leader of workshops on voice production, song interpretation, and African-American song tradition.
NATIONAL CHORALE'S 2017-2018 SEASON CONTINUES WITH:
March 16, 2018
Angela Rice – Thy Will Be Done, An Easter Oratorio
New York Premiere featuring tenor Gregory Turay
April 13, 2018
Beethoven's Symphony #9 and Ralph Vaughan Williams – Serenade to Music
ABOUT THE NATIONAL CHORALE
The National Chorale, New York's premier professional choral company, is celebrating its 50thLincoln Center Season at David Geffen Hall, previously Avery Fisher Hall, with its continuing series of choral orchestral masterworks and 20th century American Classics.
Founded in 1967, the National Chorale is the only professional choral company in the United States to have established and maintained an annual subscription season in the major New York City concert halls – 50 seasons in David Geffen Hall, with additional concerts at Carnegie Hall. It presents a broad repertory of choral-orchestral works; seldom-performed works from many stylistic periods; opera-in-concert; American music theatre; and contemporary works, including commissions by the Chorale for its Lincoln Center Season.
In addition to its David Geffen Hall series, the Chorale has toured nationally; presented 19 summer seasons of New York Festival of American Music Theater concerts in Lincoln Center's Damrosch Park and parks throughout the New York area; concert tours of New York State and New York City; vocal-instrumental chamber music series, and Concerts for Young People.
The National Chorale is a leader in the development of choral singing in the New York City area. The New York Times calls the National Chorale "one of the most firmly established professional choral groups in the country."
For 50 years, the Chorale has also presented vocal music education programs for NYC public schools, developing singing participation and future audiences for choral and vocal music. National Chorale's contracts with the NYC Department of Education provide year-long artist-in-residence programs for elementary, middle and high schools throughout the city. The Chorale regularly tours New York area schools, presenting concerts and choral workshops; and will present the popular 25th annual New York City High School Choral Festival, the 8th annual Elementary School Choral Festival and 5th annual Middle School Choral Festival in April and May 2018, with 36 participating high school, elementary and middle school choirs and more than 2,700 student singers from all five Boroughs of the City.
The Chorale also has a major Partnership with the NYC Professional Performing Arts High School in Manhattan, now in its 8th year, where a team of Chorale artist/teachers lead and develop the PPAS Vocal/Choral Program daily throughout the school year. The PPAS Choir will perform at Lincoln Center at each National Chorale performance during the 2017-2018 Season.
Everett McCorvey is in his fourth season as the Artistic Director of the National Chorale. Vocal Excellence is a hallmark of Dr. McCorvey's work with professional choirs and with professional singers in concerts, masterclasses and workshops throughout the world. Over a span of over 35 years, Dr. McCorvey has engaged choirs and audiences on 4 continents in moving and dynamic experiences with his unique and committed interpretation of choral music of all genres. Dr. McCorvey is also the founder and Music Director of the American Spiritual Ensemble, a group of 24 professional singers performing spirituals and other compositions of African-American composers. He is a frequent advisory panelist and on-site reviewer for the National Endowment for the Arts in Washington, D.C. and he has served on the Boards of the National Assembly of State Arts Agencies, National Opera Association and the Kentucky Arts Council. Dr. McCorvey has recently been invited to serve as a jurist on the Opera For All Voices initiative established by San Francisco Opera and Santa Fe Opera. The panel will review new operatic works for the industry with the goal of bringing new audiences to opera. On working with the National Chorale, Dr. McCorvey said "Celebrating the 50th Anniversary of great choral singing with the National Chorale is indeed an honor and a privilege. It is my fervent hope that we can continue to sing, share and experience the goodness of humanity through music and learn of each other better through sharing in the arts."
ABOUT DAVID GEFFEN HALL AT LINCOLN CENTER
In 1962, Philharmonic Hall-renamed Avery Fisher Hall in 1973 and later renamed David Geffen Hall in 2015-became one of the first buildings to be completed on the Lincoln Center site and home to one of its first resident organizations, the world-renowned New York Philharmonic, the oldest symphony orchestra in the U.S. Today, David Geffen Hall hosts notable performances by acclaimed orchestras and artists from around the globe, as well as galas, film premieres, graduations, and conferences. Located on the north side of Josie Robertson Plaza facing Lincoln Center's iconic Revson Fountain, David Geffen Hall's spacious lobby and promenade feature such eminent artwork as Rodin's bust of Gustav Mahler and Dimitri Hadzi's sculpture The Hunt, in addition to wraparound views of the Lincoln Center campus.
at Lincoln Center – David Geffen Hall (Formerly Avery Fisher Hall)
10 Lincoln Square
New York, United States