Tag Archive: Production


A royalty free music library characteristically requires the payment of one fee for the right to license and use a music track, a compilation of tracks or a CD. Does this sound great?

It does, indeed, because it is just what you need to have your production stay in affordable limits when it comes to background music. With the right and reliable production music library, you can have both quality and affordability in an exceptional, harmonious package.

Constructive meaning in media entails music with specifically standardized vigor heights. Producers call for the royalty free music offered by the production music library of their choice to cover compound functions ranging from unrelenting background constituents to sonic punctuation scripts purposefully positioned to add force to essential moments.

For instance, in the case of certain productions, you will need a certain level of adrenaline rush. The ideal musical input can do just the thing for you, by adding to the background the necessary level of energetic sound, able to generate momentum, to grasp interest, and to stimulate any consumer of your production (in this particular case, your listeners).

Sumptuous orchestral proclamations, dynamic, corporate-friendly popular themes, funky synchronizations, winning country tones, and ethereal psychedelic rock form only a part of the royalty free music available with our dependable production music library. And, if you have no experience with libraries such as ours, you can trust our solutions by checking our user guide, awards and testimonials history.

You can have your own production music, obtained in some of the most affordable terms available in the production music sphere. The harmonious solutions offered by the royalty free music of a reliable production music library should stay in the same line with the output of the most refined production music suppliers.

For this purpose, you can have your themes customized and thus enriched with huge strong points, which is just the thing for variegated assortment of target addressees. In other words, with royalty free tracks, you are on your way to the perfect musical solution for your productions.

You need a production music supplier able to provide you with soundtracks that reflect the prosperous world of development, success, novelty, and sanguinity of these days. In the continual clamor and confusion of the digital media harsh world, your audience needs musical illustrations that sound better. Your production music needs to make a statement; in other words, it needs to stand out from the crowd.

You will feel the satisfaction of having opted for the right buyout music when you hear it all. You have the advantage of flexibility. This will allow you the convenience of choice. What do you need? Do you need succinct power ruptures of electrifying tunes? Do you need longer and more intricate recordings with vibrant variations? The complexity of your desire can reach the highest limits – we are here to see to the satisfaction of such involvedness.

Keep in mind that the connections that become apparent between profuse media and the people who undertake its influence are composite and stimulating. Producers will typically approach backgrounds that encourage full raptness, and their equipment is a symbol of the peak of style in efficiency relevance. You can conquer this peak in the most tuneful manner with the right production music.

Production Music: Music You Can Use

Production music is music comprised of tracks used for synchronization in film, TV, and other media forms…housed in music production libraries that profit from licensing or use of their product in these various media. Rather than composers or popular music artists whose music rights of ownership is distributed through record companies, music publishers and owners—production music is owned entirely by the publisher and therefore can be used in any form seen fit. Music held in production libraries are usually composed and recorded by artists who do so on a “work for hire” basis. Certain musicians will make their entire living creating music for production libraries. Because of the large amount of money represented in synchronization rights, there’s quite a hunger for new music for production libraries… since the more music a production library has, the better the chances that a client will use them to find precisely what he/she is looking for.

Music publishers are also very much in the business of buying the rights to utilize the music of popular artists or composers as there is a lot of money to be made in royalties from a popular artist’s music. Investors are aware of this profitable business, as was the case with Michael Jackson who bought the rights to most of The Beatles music—the majority of which was written by Paul McCartney. Beatles’ music is now widely used in everything from car commercials to movies. Musicians themselves, while they can appreciate the money, tend to be temperamental in their attitude toward commercial licensing…since the artist places such importance on their creative works that they don’t want to see them “cheapened” with use as background music in a car commercial.

Music publishers profit from either any licensing or synchronization fees or the performance of any piece of music which they own. This can mean significant sums of money to the publisher—it is in the business of royalties, and repeated usage that music publishers see the most profit. From internet sales, to every single public viewing of a movie that contains said piece of music anywhere around the world, to every official copy of the movie ever made. Thus, if a publisher licenses music to a media source that becomes a smash hit, they receive a steady paycheck from that popularity for a long time to come. It’s a rather lucrative business.

With the recent increase in use of compete songs in commercial advertising, rather than just background instrumentals, the competition is heating up for song placement. Independent musicians are selling the rights to use their music cheap…which is why so many new bands and songs are being heard, rather than hits my major recording artists. There are a number of companies who specialize in placement of existing material, as well as creation of specific songs and tracks for such advertising purposes.

Production music is a relatively new thing as far as music is concerned. With the advent of music being utilized in media industries, there has become a need to provide a way for producers to access music in a legal manner for their productions. Product music libraries provide royalty free music to producers and consumers who are looking to find music tracks in a legal manner to avoid any licensing headaches that can arise from utilizing pirated music.
Production music libraries first came about when producers were looking to make up scores to their movies or commercials, but has since evolved into being useful to an individual who is in need of royalty free music for school projects, such as a video yearbook, or a motivational looking to make their speech memorable through the use of emotional music.
Production music libraries range from libraries that have only a few hundred tracks to those that have thousands upon thousands of tracks available to producers and consumers looking for the right music for their purposes. By providing so many different music tracks in one place that is royalty free, producers and individuals can be assured that all of their music needs will be met in a single production music library.
By providing so many music tracks, producers and individuals have the option of purchasing only a handful of tracks, for a small project, or by purchasing several tracks for a larger production. By providing varying packages of music, producers and individuals can be assured that they will only be paying for the music that they need and will use, rather than being forced to buy a pre-made package of tracks in order to only use a couple of the tracks within the package.
Production music libraries have evolved with the need of producers and individuals needing royalty free music for their productions. Music can be utilized in a variety of ways and with the strict licensing laws around music these days; it is becoming harder for producers and individuals to find legal ways of obtaining music for their productions. This is where production music libraries come in, because they provide royalty free music to their consumers, providing an assurance that their consumers are purchasing legal music for their productions. With the popularity of production music libraries by both producers and individuals, they have realized that they can meet the needs of more consumers by providing packages that suit both large productions that need several music tracks as well as small packages that work well for individuals who only need a couple music tracks.


It used to be that you had to go to college or a music production school to find a decent music production course. Now nearly every music school offers one. This should be no surprise due to the amount of time and money that people are now spending on entertainment.

So, the question is: Where can I find a great music production school?

And, who is going to provide me with the music skills, knowledge and experience that will really make a difference, without charging an enormous fee?

Music production schools are offering basic music production programs and even Community Colleges have jumped on the bandwagon. Does this mean that they are all good? NO!

Firstly, I doubt that you can get even minimal training at a music production school without paying at least hundreds of dollars in fees. And is that a risk worth taking? For some, maybe, but for most of us, probably not!

If youre like most people looking for an advantage with music production learning, you are not going to be able to afford a major fee at a music production school.

Maybe you are one of the smart ones and have looked to the internet for a better solution. Online music production lessons and courses are now becoming popular as they are much cheaper and more convenient; while at the same time still provide a solid foundation for learning the latest music production techniques.

An excellent example of an online music production course is http://www.musicproducerpro.net

Check out this site and see the kind of music production skills you can start learning in the next hour.

Music Producer Pro offers courses that consist of a series of online music production lessons delivered via downloadable videos in an easy step-by-step style. You gain access to dozens of lessons for a single once off joining fee and are guided through a series of activities designed to enhance your learning experience.

And it offers you unlimited access 7 days a week.

With every production video you learn something new and different thats designed to open your mind to interesting and cool music techniques. It is one of the most happening interactive online music production schools in the world.

The flexibility of an online course allows you to focus on the skills you want to master, rather than being tied to a rigid, out-of-date curriculum. And the teaching at http://www.musicproducerpro.net is very professional. If you are a beginner, they will help you formalise your knowledge and get the terms explained. If you are advanced, Jays techniques will get you producing music at a much higher level.

But lets keep this very simple. If you want to produce music, Music Producer Pro will show you how.

They offer a full range of video lessons to suit everyone from the beginner to those looking to refine and broaden their skills, whether you want to play for your own enjoyment or to make a career as a DJ or producer. With Music Producer Pro you will experience a broad range of practical based lessons prepared by experienced and highly skilled masters of beats.

Whether it’s studio recording, concert sound, movie sound, radio or television broadcasting, or working with a record label or artist management, it’s all about music! If you want to work as a music producer, or any other audio career, you will need a cost effective education.

If you have ever asked or tried to learn how to produce music from the traditional music production schools then you will know that it is not cheap. A lot of people interested in music production dont think about the cost of six months of college lessons. But it adds up to hundreds of dollars. I know a lot of people have joined this site because it offers access to a whole lot of learning material online for a small once-off fee.

I’ve posted this link www.musicproducerpro.net for every musician/dj interested in finding out more about online music production tuition, whether you are beginning to learn or simply wanting to expand your musical production skills.

Online music production lessons are very worthwhile, so if you are looking for a music production course then this is definitely worth joining, so check it out here:

http://www.musicproducerpro.net

Enjoy!

 



The “diarrhea” of “an awful lot of” contemporary “pop, rap & rock” music (but not all!)

Do you know what happens when you live on a diet of processed entrees and fast food? When never a fresh fruit or vegetable passes your lips and your fiber count is measured in “mgs” instead of grams? You guessed it: that horrible “D” word. Also known in medical circles as IBS (irritable bowel syndrome) –

So what’s up with the computer spew of 75% of many contemporary popular artists? They, say the song is dead; well who killed it? Was it the independent label music movement? Certainly NOT! Was it rap, punk, or grunge or whatever? I’d say, could be. Was it Madonna who first put the crack in “The Wall” of song composing and instrument playing that earlier generations so carefully began brick by brick? I don’t know — for you, but for me, it’s been a downhill ride since 1984.

I was one, well, that was at “the roots of rock” sort of speak (thanks to an older sister who took me to the Fillmore East in New York City at age 14) – I was naïve enough to ask about that “funny smelling smoke” and those funny looking cigarettes; I later thanked her, for I saw “Santana” live there when their second album (Black Magic Woman) hadn’t even hit the shelves.

I saw PINK FLOYD at that venue a year later when they were still called: The Pink Floyd and they had an opening act play before they came out (i.e. later when fame hit: Pink Floyd ALWAYS played alone because of their massive WALL of speakers and equipment.)

I saw bands in New York City that are now relics: Procol Harum, Jethro Tull’s first incarnation, YES, Bob Dylan WITH “The Band”!! – even Black Sabbath after their 1st LP; and, “Mott the Hoople” touring their FIRST LP. (Remember them? –an LP is an old vinyl record that was played on a turntable. YOU didn’t “use the turntable to scratch! – And they made crackling and popping sounds. LONG LIVE THE CD! And the mp3 too) But, I digress…

So where is this blog heading?

Today you can record and cut a CD in your bedroom. Then, (IF you have enough friends and a gig someplace – or JUST USE U-Tube) you can SELL CDs to YOUR FANS, if you can GET ENOUGH, you’ll even make money; MAYBE! It can all be done on your HOME Computer. And why, because YOU are a musician? “Frankly NOT my dear” as Gable used to say. (Gable who? say the younger readers?) It’s all virtual marketing after that…

In case you’re still naïve as to how IT is done – that so many of today’s artists may not need to know almost anything about music, let alone, spend years playing an instrument or singing – and yet get on the “Virtual Airwaves” and even end up on the Today show spot, along with the “singing babies” that periodically appear on the internet sites and on “You-Tube”. Well it doesn’t even take “RC’s” [read Record Companies] Perhaps just a shrewd “Boomer or GenX” Mom/Dad Manager)… Yep, it’s “Performance Now” and there’s very little music to worry those Artists about. The RC’s can still get their cut and have absolutely NO REASON to complain!!! – About the “Indie and Virtual Music artists” wrecking their profit.

THEY helped “build the beast” they fear everyday (and I hope it does eat their Creator like a type of “Cannibal Baby” gone wild).

And “they” profit everyday by the existence of a youth-culture fueled “Music” industry who’s “Heart & Soul” is made up of the “clinking, clacking, metallic empty banging” of a musical palette of sounds that is “as Soul-LESS” as the heart of the “King Beast” himself (you know that Devil “Sam” who is lurking behind everybody’s dream of a “musical-career “Garden of Eden”) –

As for those “Singing Babies” and “Parading Sex-Toy Imagery of “Twelve-year+ something” girly-woman – parading across the video screens of Virtual and TV America (every so often) THEY, and those nice Boomer+ parents, are just hoping a couple will spell “C.A.S.H.” BIG TIME! – This is of course, once their product “Goes Viral…”

And so many of u“You-tubers,” (particularly) the older viewers will be “fooled-again” – having, (in anemic mental-lapses) forgotten the “Anthem of YOUR Youth: “We Won’t Be Fooled Again” (Who?); and, all those “smashing guitars” instead of “Smashing ‘those damn’ Pumpkins” (now Geriatric!)…

All BECAUSE “U” don’t have the “dog-damn” SOFTWARE that I just have to throw in the garbage! (I made a resolve NOT to swear lately, I don’t want to break my will just yet) – nothing against “dog’s really! – Though I am sort-of “one of those cat-guys”…Please don’t message my email, I LOVE animals with four-legs and some with two. (It’s spiders and insects with multiple legs that have been giving me the creeps lately, but then I live in a “real FOREST”…

It came in MARCH: The last “music equipment purchase I knew I was going to be able to make for quite sometime unless, – MY CD goes “Viral” – (highly unlikely as I don’t own a Video camera or even a digital camera) It will be tough to get on YOU-Tube or even MySpace Music with my “old-fashioned music-making way” (and so MUCH profitless Work – not to mention that! – Unpaid labor, hardly worth it) – but that’s aside the point:

In March (as I said), I bought a $100 desktop “plastic” 2-octave Midi Controller” keyboard with my last savings, (2 octaves means that it only has 25 black & white piano-looking keys) and along with that came (from this decptive “kraut” company) the: “Virtual Music Starter Desktop Composing Package” (a VMSDCP (!)) complete with 50 of the “Latest” Digital Virtual Sounds and Samples (your DVSS’s!) that I thought my music was lacking(?!) – Or perhaps, I had a series of “faithless” self-doubts and collapse of my initial musical resolve formed so long ago in those many long hours and days behind “My Old Black & White”…But again, I digress:

So although the keyboard will be minimally useful at my computer desktop for editing and notation work, those wonderfully and cleverly named (and they really are!) modern sound samples have yet to be able to even be tested out with this “rat-like” maze of a software package! “They” (the Kraut Company) sent me for my $100 apparently a bunch of “demo-software” that ‘They” never even paid for – unfortunately you can’t do much with it! – If only after loading the .dll files I could hear the damn things on a reliable basis. But yes, I do like the names: i.e. Delay Lama, B-Assault, AManalogWar, etc – endlessly creative really!

So when I finally got a few to sound after much frustration the musical use was questionable, (for me I mean); unless you are purposely avoiding any musical references. But most of all, there was this “ambience of artificiality about them all” – This is the “so called musical world” we are abandoning our youth to, (I philosophically reflected, as I endlessly clicked and re-clicked the samples with my mouse trying to get them to sound). “This is a world where a real guitar or piano is mostly a “prop” –

Somehow every sound seemed to me the equivalent of “those frozen-processed entrees” Once in a while, a nice touch to a busy life and schedule; eat them regularly and “disease” is sure to get deeply-rooted with time.

OK so I’m not too fond of today’s musical sound palette, but it’s not just that:

The “composing software and the music software” that is the foundation of so much of the rock and pop that even comes out of the big studios today is not something that “miffs me” (believe me, I AM NOT that “old fashioned” I just like old 40’s movies). I understand it only too well; way back in the 1980’s when many of today’s young artists where still their “daddy’s sperm” beginning that long swim up their “mother’s canal”, I spent untold hours hunched over then “modern synthesizers” creating such effects and sounds; BUT by myself, with only the good old tech manual and use of dials, filters, oscillators… and so forth.

Today’s gig>>> You no longer compose music (especially from “your musical soul”) you download and merge the “pre-found” clips and beats included in the package. A “Soulless” and “Joyless” process in my opinion BUT not necessarily an instant, easy one. The “Result”? Everything you create has this “virtual stamp” on it and sounds like every other “voice in the box.” True, you shape it but hardly worth the learning curve to me.

As (the) PINK FLOYD predicted way back in ‘74 with their song: “Welcome to the Machine” ) from the album: “Wish You Were Here” the machine is now as a voice and its soul is in the “box” even if you try to musically think “outside the box”…And believe me: I loved MY PINK FLOYD… and English bands in particular. Their foresight is now come to pass (meaning: it is now true in reality what was fantasy in their lyrics)…“Welcome to the Digital Soul”>>>

So from the “soul-less” world of contemporary modern desktop composing, I now fondly bid you adieu… I and “my lonely soul” like a musical Henry Thoreau at some far-away “Walden Pond” on a frontier far from the “modern world” return to my “Digital Piano” that at least has 88 “real-action” keys and perhaps later tonight to “My Old Black & White” (still resting peacefully in my kitchen foyer). I played the theme to my song: My Old Black & White on it the other day, she sounded pretty good considering “she” hasn’t been tuned since my then 86-year-old piano tuner died (I think in 2002).

My old black and white, Greets me with silence, every night.
And whenever I walk through that door;
She’s been my friend now since ‘74
She’s still my old black & white
And though her keys no longer shine so bright,
She’s kept me company (through) many a lonely night.
She’s still my old black & white

I posed for the above picture the day of a concert I played for over 35 people in a log cabin, called “The Music Shed” in Cummington, Mass., A nice open-air mountain town of New England.

I was 30 then and I remember it as passing as briefly as a “summer day” in New England. The last year my body would be unmarred by “the needles of dialysis” and the ensuing struggle of the next twenty years of poverty and struggle to keep myself faithful to my chosen goal and commitment: to learn to play a REAL PIANO. I thought it was just the beginning of long and fruitful career doing this; but I hadn’t seen my latest blood reports….

It was a glorious June Day in the New England mountains and I played a grand piano, very well indeed…

My bio is where you can read more about my music and find links to listen and purchase my CDs: August Ocean Overture, and In Memory Only

Powered by WordPress and Motion by 85ideas.